EP Review: Chances Ocean – Isaac B

Released earlier in the year, the piano-led single ‘Love Yourz’ leads the way with in ISAAC B‘s latest EP, ‘Chances Ocean’. The melodic piece which encourages us to be grateful for what we got, rather pining after other’s success stories, sets the tone for this conscious mini set.

‘Chances Ocean’ then takes on a meditative and somewhat a seductive stance on hip-hop and R&B, which arguably has a Tom Misch twang to it. The promising rapper covers a ray of topics – from paying homage to prominent figures who paved the way in hip-hop (in ‘I’m Here’), to contemplating the reason why the good die young and his desire to get a Grammy in honor of his late grandmother (in ‘Did You Further) and having that ego boost, while staying humble, as his career progresses (in ‘Lean’.)

When I first discovered Isaac B through his bass-heavy joint, ‘See No Evil, Hear No Evil (SNE HNE)’ last year, from that moment I knew he was a serious hip-hop contender who isn’t worry about following the crowd. Tracks ‘Oceans and Chances’ and ‘Yourz Truly’ (to me) reveals that side of him as a musician. Although he has sheer determination to make an impressive dent in the game, his priority is to stay true to himself rather than chasing ‘the fame’.

Sonically, I expected to hear some roaring thuds as in ‘SNE HNE’ – but it doesn’t mean that I was left disappointed. ‘Chances Ocean’ reveals to me that this conscious spitter can turn his hand to anything and I cannot to see how far his musical journey will take him.

Have a listen to ‘Chances Ocean’ below…

Must Listens: Love Yourz, Oceans and Chances, Higher Power

EP Review: Random House of Evil – Henny Knightz

HENNY KNIGHTZ‘s self produced/written EP, ‘Random House of Evil’ takes on avant-garde approach to alternative hip hop, alternating between the warped instrumentation with deep 808 thuds, that goes to the core of your soul, and the semi-tranquil melodic bass lines.

Lyrically, Henny – who makes one half of The Knighthood Society with fellow rapper Nicki Knightz unapologetically narrates the darkest moments in his life – his battle with poverty and depression – in the rawest form.

Although this his personal journey, the six-track EP could somewhat offer some comfort for anyone who has been struggling with the aforementioned issues and has came out the other end much stronger and harder.

For anyone who is currently going through depression and/or is stuck in the poverty rut, well think of ‘Random House of Evil’ as your much needed therapy. Have a listen below…

Must Listens: Soul, Pontiac Black

EP Review: Away From The City – Melanie Crew & Ross Palmer

MELANIE CREW and ROSS PALMER have been performing together for several years but EP, ‘Away from the City’ is their first release as a duo. The EP features six songs, three by each writer, and was produced at their home in south London, including two songs that were written and recorded during lockdown (‘Nobody’s Watching’ and A ‘Different Place’).

Melanie leads the way on the EP with the purest of vocals, later supported by a male light baritone performance in guitar-led piece, ‘Seven Mountains’, setting the intimate theme of the collection. BBC Essex/Kent-backed artist went on to add a real mystical glow to spellbinding ‘Holborn Hill’ and ‘A different Place’, which boasts warm glow of country/indie folk.

Also beginning with a stripped-back performance with guitar-led, ‘Restless Heart’, Ross then takes the EP on a slight soulful route, giving the acoustic theme a full-body sound in ‘Nobody’s Watching’, where his soothing vocals eases into the arrangements, that somehow has a revival, Dr. Hook twang. Ross – also a BBC Essex and BBC Kent-approved artist – concludes the set with ‘Darkest England’ which carries on that full-bodied sound to the almost stripped performance, which allows his rich storytelling to take centre stage.

Even if you’re not the greatest fan of the folkore, singer/songwriter approach, you will find the ‘Away from the City’ appeasing as the moment you hit play the set, there’s a comforting warmth that immediately releases any weighty troubles away. Hear for yourself; have a listen below…

Must Listen: Holborn Hill, Nobody’s Watching, Darkest England

EP Review: For The Uninformed – Nicki Knightz

I’ve always known NICKI KNIGHTZ to be that rapper who fiercely take on the boldest of the boldest arrangements with her no nonsense flow, but her latest EP, ‘For The Uninformed’, has caught me off guard. With the exception of the drum bass heavy/Congolese guitar sample, ‘Blacker the Berry,’ which pays homage to her father’s work ethic, the EP shows a soft and perhaps a more vulnerable side to the Hackney native.

The three-track set sees Nicki focusing on the neglected identity issues of being biracial, eliminating any glamorized images of being a light skinned person. In second effort, ‘India Arie’, Nicki gives a vivid account of the problems her parents faced when contending with her hair, over a warped soulful/jazz instrumentation. An old-school soulful drive makes its presence known and runs sombrely throughout concluding track, ‘1964 Howlett Drive’, serving as the perfect backdrop for Nicki’s uncharacteristically emotive delivery, which gives an insight of her experiencing her mother’s culture and its heartbreakingly stark contrast to their life in the innercity area.

A complete 180 to her sonically boisterous 2018 debut EP ‘Hate’, ‘For The Uninformed’ takes on a more minimalist theme, allowing the uninformed to really soak up and resonate with the experience of her childhood.

Have a listen to ‘For The Uninformed’ below…

Must Listen: India Arie

Album Review: Stillborn Flowers – Rain To Rust

Mert Yıldız, the brainchild behind project RAIN TO RUST, continues to provide – and I quote from the man himself: ‘miserable music for miserable people’ – through his latest album, ‘Stillborn Flowers’.

Showcasing hazy and downtempo post-punk, which occasionally takes on the most sinister form of Darkwave (listen to ‘Died’ and ‘Dead Violets Night’) and 90s-style German Gothic rock influences (in ‘Marbled Sunlight’), ‘Stillborn Flowers’ also features remixes of singles (For When It Hurts, A Farewell With Regret and Time and Time Again) from previous album, ‘Flowers Of Doubt’ (2019). Originally an easy listening combo of soft pop/rock spanning of the 80’s, arguably similar to the seductive styling of Bryan Ferry, ‘For When It Hurts’ (TSU Remix) adopts a crisply light electro-pop tones, possessing the same tranquil tempo of the original.

With ‘Stillborn Flowers, Rain To Rust doesn’t fall short of filling the gap for those who yearn for the post-punk/new wave era. He also potentially leave his fans wanting more with dishing up something new with the remixes. Well I, for one, is left hanging for more as I now see him more than just a figurehead of the underground post punk/rock scene in his native Turkey.

Have a listen to ‘Stillborn Flowers below….

Must Listen: Died, Dead Violets Night, For When It Hurts (TSU remix)