Singer/songwriter Maryanne – aka MARYAIANNE & ME – invites us into her world withlatest single, ‘I’ll Find The Light’. The inspiring ballad chronicles her ongoing battle against depression and her unwavering determination to move towards for a brighter future. A moving anthem of resilience and strength over adversity, ‘I’ll Find The Light’ is now available on all major streaming platforms.
Music has always been central to Maryanne’s life. From a young age, she found joy in singing in choirs and performing. However, following experiences of abuse as a child, she became increasingly reclusive. Over the past six months, she has turned to AI music tool SUNO as a creative partner, helping her bring her songs to life in a way that fully captures the depth of her emotions and intentions.
Since Maryanne met her manager, John Hewlett, she has found a pathway to share her voice with the world and is now able to publish her lyrics and express herself through the tracks she is creating, under the moniker, MaryAianne & Me.
Maryanne continues to prioritise her mental health and is engaged in ongoing counselling. Alongside this, her songwriting and the development of MaryAianne & Me have become a vital therapeutic outlet—not only for herself, but also for listeners facing similar challenges.
As part of her journey managing depression and anxiety, Maryanne plans to perform her singles to a live audience in the future. She’s currently taking singing lessons to fine tune her vocals.
Existential singer-songwriter showcases songwriting craft with eleven new songs
The new studio album ‘Pale Fire Catch Me’ by Man at Sea is a striking first full-length statement that pitches classic songwriting craft within a modern, searching landscape.
The album leans into a classic sensibility not unfamiliar to fans of Rufus Wainwright and Father John Misty: understated arrangements led by strong melodies, and an emphasis on song craft that recalls the enduring legacy of classic songwriters from the sixties and seventies.
‘Pale Fire Catch M’explores themes of doubt, whether in love or life as well as themes of devotion, or lack of in an increasingly secular world. Across eleven songs, Man at Sea wrestles openly with modern disillusionment and isolation — not offering answers so much as honest questions, held together by rich arrangements and deeply expressive vocals.
11 tracks reveal a songwriter coming into his own, displaying a highly tuned sense of song craft by a songwriter drawn to melody and emotional depth over trend-driven production. ‘Pale Fire Catch Me’is the sound of an artist standing at the edge of a renewed belief in something— perhaps just in himself.
Together, these tracks establish ‘Pale Fire Catch Me’ as an album built on classic songwriting values — melody, narrative lyricism, and emotional intelligence — while staying unmistakably rooted in the contemporary.
Welcome to another exciting addition of NEW LEASE MUSIC’s New Music Roundup, your weekly snapshot of great music from indie and unsigned artists from around the globe. As always, there are an assortment of styles that’ll sure tickle your fancy. So, if you’re ready to discover something new, dive right in and check them out! If you like what you hear, give it a thumbs-up below in the comment section.
If you are a indie or an unsigned artist and would like your music featured on the list, send your music links and a short info about the release to submit@newleasemusic.com, with NEW MUSIC ROUNDUP in the subject line.
Thank you for visiting and I hope you enjoy the music!
JENNA DEVRIES – FLAT EARTH
Nashville-based singer-songwriter JENNA DEVRIES‘ new single ‘Flat Earth’ isn’t flirting with conspiracy theories — it leans into them, using them like a funhouse mirror to show how heartbreak twists reality. The “flat earth” isn’t just a wild idea — it’s a metaphor for doubt, for the way your mind stretches to make sense of something you thought was solid but wasn’t.
The verses — “Maybe there was no man on the moon / Maybe birds are too good to be true / Powers that be aren’t what they seem / And you never really loved me” and “Maybe aliens built the pyramids / And Atlantis is where they all hid / In the depths so nobody believes / And you never really loved me” — float through impossible scenarios, almost playful, before folding back into that one quiet sting.
The conspiracies aren’t literal — they’re the emotional logic of someone trying to explain love that never existed. When the thing you trusted most turns out to be false, suddenly even the strangest ideas start to feel possible.
‘Flat Earth’ was released last Friday (24th April) across all leading music platforms. Have a listen below…
DAVE LENAHAN – FIRST
DAVE LENAHAN‘s new single ‘First’ is a heartfelt country ballad that explores love through the lens of vulnerability—the quiet fear of losing the person who means everything. Rooted in a traditional country sound, Dave’s emotional delivery shines throughout, especially in lines like “Hand in hand together till the end of time / But we can’t live forever, life is so unfair,” and the striking chorus confession, “I don’t wanna live a day without you on this Earth / I wanna go first.” The track also features Taylin Rae, whose harmonies add a beautiful emotional counterpoint.
‘First’ was released last Thursday (23rd April) via all leading music platforms. Have a listen below…
DANIEL LEYES – HA HA WEED IS LEGAL + STONER MATING CALL
DANIEL LEYES shares two singles – ‘Ha Ha Weed Is Legal’ and Stoner Mating Call’ – for your pleasure!
‘Ha Ha Weed Is Legal’ is a celebratory anthem about cannabis legalization and cultural change. Inspired by New Jersey’s legalization and shaped by humor and social commentary, the track embraces freedom and challenges outdated prohibition with playful defiance.
‘Stoner Mating Call’ is a soulful, lighthearted love song built around a simple opening line: “Mama – if you wanna smoke some marijuana, honey I’m the man for you.” It blends humor and warmth into a relaxed, character-driven track.
Why not brighten up your day and check them out below…
XO SOUNDTRACK – CLOSE
XO SOUNDTRACK is back with another instantly addictive release, ‘Close,’ a track that pulses with emotion just beneath its glossy surface. From the first few seconds, it locks into a nostalgic groove, blending shimmering synth pop textures with an alt pop edge that feels straight out of early The 1975, but still distinctly its own.
‘Close’ was released last Thursday (23rd April) via all leading music platforms. Listen below:
BULLET BRAK – TAPPED IN
BULLET BRAK has dropped his newest project, ‘Tapped In,’ and it’s already making noise—debuting at #43 on the iTunes Global Hip-Hop charts within 24 hours.
This release delivers raw energy, sharp lyricism, and a fully locked-in sound that reflects Brak at his most focused. Tapped In is more than a title—it’s a statement. Check it out below…
ZEE DYASI and MOTHERS FAVORITE CHILD unveil their latest single, ‘Vacation,’ out today, April 24 across all major streaming platforms. Written and produced by Paris Mark Toon, the track delivers a rich blend of contemporary R&B and classic soul, rooted in a groove-driven foundation reminiscent of the Soulquarians era.
Built around fluid basslines, textured Rhodes keys, and lush layered harmonies, ‘Vacation’ captures a feeling of emotional reset and escape. Its live instrumentation reinforces the organic, band-centered sound that defines Mothers Favorite Child, while offering a fresh, modern edge.
The collaboration highlights a powerful cross-continental connection, bringing together South African rising star Zee Dyasi with the internationally recognized collective Mothers Favorite Child. The result is a seamless fusion of influences spanning the U.S., Europe, and Africa—further cementing neo-soul as a global movement.
This release continues to position Zee Dyasi as a leading emerging voice in neo-soul, following her recognition for her standout journey on Idols SA and her emotionally nuanced vocal style. At the same time, it reinforces Mothers Favorite Child’s reputation for combining live musicianship with contemporary production, building on his Billboard-charting success and collaborations with acclaimed artists such as Robin S. and CeCe Peniston.
With ‘Vacation,’ Zee Dyasi and Mothers Favorite Child offer a timeless yet forward-looking sound—an invitation to pause, reset, and reconnect through music.
‘Vacation’ is out today, 24th April via all major streaming platforms. Check out the music video for the single below…
Swedish EDM artist HANDSHAKE IN SPACE returns with the new single ‘Am I coming over or what’, a pulsating up-tempo club song about late texts, broken boundaries and that person you can never really say no to. The single, which was written together with American songwriter and producer Tim Heller, is out now on all leading digital platforms.
With a lyrical universe that follows a protagonist through a night at the club – from the crowded dance floor to that last question on the phone – the song captures the feeling of trying to set boundaries but still ending up outside the door of the same apartment time and time again. The verses describe how the promise to “draw a line” falls apart as the bass thumps, the city sparkles while the chorus culminates in the straightforward and vulnerable question that also gave the song its title.
The colorful cover reinforces the theme: a cartoon superhero character, wrapped in a glittering cape and with his fist in the air, becomes a symbol of the inner strength you try to mobilize – even when you know you might give in anyway. The pop art-inspired aesthetic reflects the song’s mix of euphoria, nostalgia and self-distancing, and makes the single instantly recognizable in streams and playlists.
Sonically, ‘Am I coming over or what’ combines HANDSHAKE IN SPACE’s melodic signature with heavy, modern club grooves and a vocal production that sounds as much after-party in the kitchen as it does on the main stage. The result is a song that feels as natural in a late DJ set as it does in a late night drive home – a soundtrack to all those times you’ve promised yourself you won’t go back, but you’re still standing there, “just this last time”. Why not check out the single bellow…
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