Tag: pop music

New Lease Music’s New Music Roundup – 31/07/26

Welcome to NEW LEASE MUSIC’s New Music Roundup, your weekly snapshot of great music from indie and unsigned artists!

Once again, music was carefully selected across the genre spectrum for your pleasure! If you like what you hear, give it a thumbs-up and share your thoughts in the comment section below – your support means a lot to these rising talents!

NEW LEASE MUSIC’s New Music Roundup will be featured on Mondays or Fridays. If you are a indie or an unsigned artist and would like your music featured on the list, send your music links and a short info about the release to submit@newleasemusic.com, with NEW MUSIC ROUNDUP in the subject line.

Thank you for visiting and I hope you enjoy the music featured!

MEGHAN PULLES – THE MIDHEAVEN

MEGHAN PULLES explores the emotional duality of chasing a dream while navigating profound loss on her new single, ‘The Midheaven.’ Built around delicate piano, sweeping strings, and cinematic crescendos, the track captures the delicate balance between hope and heartbreak, offering listeners a moving meditation on resilience.

Drawing inspiration from the astrological term Midheaven, a symbol of one’s calling, purpose, and public life, Pulles reflects on what it means to step into the future you’ve always imagined while carrying the weight of grief. Her vulnerable vocal performance allows every lyric to feel intensely personal while remaining universally relatable.

About the song, Pulles shares: “The Midheaven was written from the realization that stepping into the life you’ve always dreamed of does not make you immune to grief. As my career continues to grow, I have found myself holding excitement and heartbreak at the same time, watching parts of my world fall away while still believing something beautiful is ahead.”

‘The Midheaven’ is out today on all leading music platforms. Watch the official video below…

GABRIELLE VAUGHN – TWENTY THREE

GABRIELLE VAUGHN confronts the realities of mental illness and survival on her deeply personal new single, ‘TWENTY-THREE.’ Written over the course of three years, from ages 23 to 26, the track offers an unflinching look at what it means to continue carrying battles that many assume should have been left behind with youth.

Built on Vaughn’s signature blend of alternative rock, pop, soul, and R&B influences, the song examines the shame that can accompany struggling in adulthood while ultimately delivering a message of perseverance. Through striking lyricism and emotional vulnerability, Vaughn reminds listeners that healing is not always a straight line.

Speaking about the release, Vaughn shares, “It’s about realizing that mental illness and the urge to hurt yourself don’t always disappear just because you get older. There can be so much shame in still carrying those battles into adulthood, like you should’ve left them behind years ago. I hope this song reminds anyone who’s ever felt that way that they’re not the only one. Sometimes surviving doesn’t look like moving on — it looks like choosing to stay, one day at a time.”

‘TWENTY-THREE.’ was released yesterday on all leading music platforms. Check it out below…

INDIGO SYNDICATE – HOWLING AT THE MOON

INDIGO SYNDICATE Indigo Syndicate slows things down on their new single, ‘Howling At The Moon,’ delivering their most vulnerable and intimate release to date. Stripped back to little more than acoustic guitar and a raw, emotionally charged vocal, the song captures the quiet ache of missing the person you love. Through understated storytelling and heartfelt lyricism, the band transforms distance into something deeply personal and universally relatable.

Written by Samantha Sanford for her partner, Jharyss, during a week-long work trip, the song explores the small moments that make absence feel impossible to ignore. Lyrics like, “I know you love me but I’m overthinking / In my head / I miss you in our bed / Ever since you left / The house is quiet so I keep on singing,” paint a vivid portrait of longing and vulnerability.

While ‘Howling At The Moon’ begins with quiet intimacy, it gradually builds into a soaring, cathartic finale, culminating in the infectious refrain, “Woohoo, woohoo, howling at the moon / I’m howling at the moon for you.” The dynamic progression mirrors the emotional journey of missing someone, transforming solitude into an unforgettable sing-along moment.

‘Howling At The Moon’ was released yesterday across all leading music platforms. Check it out below…

DYVR – REBUILD

London-based electronic artist DYVR announces her debut album ‘Rebuild’, a deeply personal and emotionally charged collection that transforms lived experience into expansive, club-focused electronic music. Blending atmospheric production, euphoric dancefloor energy and intimate songwriting, the independent trans artist delivers a record that explores identity, resilience and community through a distinctive electronic pop lens. Across nine tracks, Rebuild establishes Dyvr as a compelling new voice within the UK’s alternative electronic landscape, where vulnerability and catharsis exist side by side.

Built around themes of pain, sisterhood, healing and self-actualisation, ‘Rebuild’ traces a journey from grief and uncertainty towards celebration and acceptance. Previous singles including ‘Sister’, ‘Glass’, and the new focus track ‘Cry Baby’ introduce the record’s emotional arc, combining dreamy vocal textures, immersive synth arrangements and propulsive club production. The result is an album equally suited to solitary reflection and collective release, capturing the transformative power of the dancefloor as a place of belonging. Check it out below…

MATILDA GRACE – COVER BOY

London’s rising pop artist MATILDA GRACE continues her rapid ascent with her latest single ‘Cover Boy’, an irresistible, nostalgia-fuelled anthem that bridges the worlds of modern pop and rock with the unmistakable energy of the 80s and 90s. At just 21 years old, Matilda is already carving out her own space within the UK’s emerging music landscape, combining sharp songwriting, bold production choices and a playful artistic identity that sets her apart from her peers. Check out ‘Cover Boy’ below…

ANNIINA – DVD

Finnish singer-songwriter ANNIINA, also known as Anniina Ballerina, further cements her place in modern pop with the release of her latest single, “DVD,” continuing to showcase the compelling songwriting and storytelling that have become hallmarks of her artistry.

Blending intimate songwriting, atmospheric folk-inspired instrumentation and captivating vocal performances, the track offers another glimpse into an artist whose deeply personal approach to songwriting is resonating with an ever-growing global audience. 

This has cultivated in a sold out headline show in London in May for Anniina, and her catalogue has now exceeded 1 million streams across Spotify and Apple Music.Why not check it out below…

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Alan Dreezer Tackles Mental Health In New Single, ‘Delusional’

‘Delusional’ is the latest single from ALAN DREEZER and the emotional centrepiece of his forthcoming third studio album, ‘Nothing Changes If Nothing Changes’. Written during a period of intense self-reflection, the track explores the fragile line between ambition and self-belief, asking an uncomfortable but deeply human question: at what point does believing in yourself become delusion?

Blending atmospheric electronic production with intimate, confessional songwriting, ‘Delusional’ captures the contradictions that exist within modern creativity. It is a song about identity, isolation, self-worth, and the exhausting pressure to constantly validate your existence — not only as an artist, but as a person. Through vulnerable lyricism and cinematic production, Dreezer dissects the emotional cost of chasing purpose in a world increasingly driven by comparison, performance, and external validation.

At its core, ‘Delusional’ speaks directly to anyone who has ever felt misunderstood for wanting more from life. It examines the tension between persistence and self-doubt — particularly within independent artistry, where creators are often expected to maintain unwavering confidence while privately battling uncertainty. Rather than presenting ambition as glamorous, the song exposes its vulnerability: the quiet fear of failure, the loneliness of standing apart from the crowd, and the emotional exhaustion of trying to hold onto belief when the world offers little reassurance in return.

Musically, ‘Delusional’ draws influence from artists such as George Michael, James Blake, RY X, and Jungle. The track balances restraint with emotional intensity, allowing the lyrics and atmosphere to carry equal weight.

Beyond its sonic identity, ‘Delusional’ also reflects the wider emotional landscape of ‘Nothing Changes If Nothing Changes’ an album centred around transformation, accountability, healing, and emotional survival. Across the project, Dreezer explores what it means to confront the parts of ourselves we often avoid — our fears, coping mechanisms, emotional patterns, and the uncomfortable truths that accompany growth. The album title itself became a guiding philosophy during the writing process, representing the idea that meaningful change only happens when we are willing to honestly examine ourselves.

Mental health awareness also plays an important role within the campaign surrounding the release. Dreezer has used ‘Delusional’ to open conversations around musicians’ mental health, creative burnout, and self-worth — subjects that remain highly relevant within today’s music industry. The single is being released in aid of Mind, with Dreezer personally donating proceeds for every 1,000 streams alongside a dedicated fundraising page encouraging listeners to get involved and support the charity’s work.

The official lyric video for ‘Delusional’ further amplifies the song’s message, while the forthcoming official music video expands its themes visually through atmospheric and symbolic storytelling focused on identity, isolation, and perception.

Now over a decade into his independent career, Alan Dreezer has quietly built a loyal and organically grown audience through emotional honesty and artistic consistency. Following the releases of LONDON E12 and H E A L E D, this latest chapter represents his most exposed and self-aware work to date. Importantly, many supporters directly contributed toward funding the physical release of the album, highlighting the deep connection that has formed between artist and audience over the years.

With ‘Delusional’ Alan Dreezer delivers more than simply another independent pop release. He offers a deeply human portrait of modern ambition — one that acknowledges the loneliness, contradiction, vulnerability, and resilience involved in continuing to believe in yourself when certainty feels impossible. As anticipation builds for ‘Nothing Changes If Nothing Changes’, the single stands as one of his most honest and emotionally resonant releases to date.

‘Delusional’ is now available across all leading platforms. Why not check out the accompanied video below…

To make a donation to Mind, please visit link https://linktw.in/btBorV there is a QR code for donations linked

Connect with Alan Dreezer via:
FB: https://www.facebook.com/alandreezermusic
IG: https://www.instagram.com/alandreezermusic
YouTube: https://www.youtube.com/c/AlanDreezer
Website: https://www.alandreezer.com/

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New Lease Music’s New Music Roundup – 01/06/26

Welcome to NEW LEASE MUSIC’s New Music Roundup, your weekly snapshot of great music from indie and unsigned artists from around the globe.

In this lineup, there are three great artists who aren’t afraid to go beyond the traditional boundaries of Country, Pop, Rock and Grunge, so if this is your thing, it’s definitely worth checking them out! If you like what you hear, give it a thumbs-up below in the comment section.

If you are a indie or an unsigned artist and would like your music featured on the list, send your music links and a short info about the release to submit@newleasemusic.com, with NEW MUSIC ROUNDUP in the subject line.

Thank you for visiting and I hope you enjoy the music!

NEWTON’S FIRST LAW – MADDIE LENHART

MADDIE LENHART‘s latest single ‘Newton’s First Law’ transforms emotional burnout into something immersive and deeply resonant, capturing the feeling of using movement as a survival tactic. Centered around the aching chorus — “I stay in motion / Keep it all going / And run till my lungs give out” — the song explores the exhausting cycle of staying busy just to avoid confronting heartbreak head-on.Blending atmospheric country textures with emotionally driven songwriting, the single pulls influence from Fleetwood Mac and The Chicks while carving out a sound entirely its own.

Newton’s First Law sets the tone for Maddie’s upcoming EP rollout with a sound that feels expansive, emotional, and strikingly self-aware. Check it out below…

BAILEY MARIE – ROCK A BYE BABY

BAILEY MARIE‘s new single, ‘Rock A Bye Baby’ is a bold, cinematic country revenge anthem from Bailey Marie that flips familiar nursery rhymes into a darkly playful story of betrayal, retaliation, and emotional release, channeling the storytelling edge of Carrie Underwood and Miranda Lambert.

The song opens with Verse 1, setting the narrative in motion: “Mary had a little man / Married for ten, made life plans / Little did she know on Friday nights / He was sleepin’ around with the neighbor’s wife / She had enough of his shit / Lyin’ and cheatin’, promised he’d quit / Mary said this was the last time / And sang him this nursery rhyme.” It immediately establishes heartbreak turning into resolve, as Mary reaches her breaking point.

That leads into the chorus, which transforms a classic nursery rhyme into a sharp breakup statement: “It’s rainin’, it’s pourin’ / The old man is snorin’ / She packed her bags and left / Had enough of his bedtime stories / Rock a bye baby she said pullin’ away / Her ass was gone when he woke the next day / She said see ya later hope you have a good life / Hope the neighbor makes a better wife.” The hook reframes childhood nostalgia into a moment of finality, independence, and revenge-fueled clarity.

‘Rock A Bye Baby’ is out now across all leading music platforms. Check it out below:

KERRIGAN BARRY – THE WORST

KERRIGAN BARRY wastes no time setting the scene with ‘The Worst,’ dropping listeners directly into a chaotic house party: music blasting, energy high, and probably a bathroom sign that reads “don’t do coke.” It’s vivid, a little reckless, and instantly cinematic, pairing perfectly with the track’s punchy pop-rock production and sharp lyrical edge.

“I wrote this song after a guy told my boyfriend I was the worst thing that ever happened to him. This aged well, we are happily engaged to be married this year.”

‘The Worst’ is out now for your pleasure. Why not check it out below…

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MaryAiAnne & Me shares inspirational anthem, ‘I’ll Find The Light’ addressing depression

Singer/songwriter Maryanne – aka MARYAIANNE & ME – invites us into her world with latest single, ‘I’ll Find The Light’. The inspiring ballad chronicles her ongoing battle against depression and her unwavering determination to move towards for a brighter future. A moving anthem of resilience and strength over adversity, ‘I’ll Find The Light’ is now available on all major streaming platforms.

Music has always been central to Maryanne’s life. From a young age, she found joy in singing in choirs and performing. However, following experiences of abuse as a child, she became increasingly reclusive. Over the past six months, she has turned to AI music tool SUNO as a creative partner, helping her bring her songs to life in a way that fully captures the depth of her emotions and intentions. 

Since Maryanne met her manager, John Hewlett, she has found a pathway to share her voice with the world and is now able to publish her lyrics and express herself through the tracks she is creating, under the moniker, MaryAianne & Me.

Maryanne continues to prioritise her mental health and is engaged in ongoing counselling. Alongside this, her songwriting and the development of MaryAianne & Me have become a vital therapeutic outlet—not only for herself, but also for listeners facing similar challenges.

As part of her journey managing depression and anxiety, Maryanne plans to perform her singles to a live audience in the future. She’s currently taking singing lessons to fine tune her vocals.

‘I’ll Find The Light’ is out now across various music platforms

Connect with MaryAianne and Me via:
FB: https://www.facebook.com/profile.php?id=61581770475003
IG: https://www.instagram.com/maryaianne_and_me
TikTok: https://www.tiktok.com/@maryaianne.and.me
YouTube: youtube.com/@itzafuni?si=RD5JVRPdkk1m4WRD

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New Lease Music New Music Roundup – 06/04/26

Welcome to the Easter addition of NEW LEASE MUSIC’s New Music Roundup, your weekly snapshot of great music from indie and unsigned artists from around the globe. In the this lineup, you’ll find something that push your musical taste buds to the limit. If you’re looking for something to lift your spirits, no look further as this list has got you covered. If you like what you hear, give it a thumbs-up below in the comment section.

If you are a indie or an unsigned artist and would like your music featured on the list, send your music links and a short info about the release to submit@newleasemusic.com, with NEW MUSIC ROUNDUP in the subject line.

Thank you for visiting and I hope you enjoy the music!

ULTRAVIOLET – JENANE

Nashville-based vocal powerhouse JENANE has unrelieved her brand new single ‘Ultraviolet’, released on Friday (3rd April) across all leading platforms.

From the jump, ‘Ultraviolet’ grabs you by the collar with its heavy synths, pounding beats, and a smooth R&B groove with a dynamic pop edge create a vibrant backdrop for Jenane’s powerhouse soulful vocals.

Why not check out ‘Ultraviolet’ below…

INDIGO SYNDICATE – BRILEY PARKWAY

After releasing teasers, ‘Wait For Me’ and ‘DND’ – which once claimed the blog’s Song of the Week over on Instagram, INDIGO SYNDICATE return with their brand new EP ‘Briley Parkway’, released on Friday (3rd April) across all leading music platforms.

Along with their project, the trio share focus track, ‘Frantic’. Unlike its previous mellow predecessors, ‘Frantic’ dives in head first a sparse EDM drive that feel chaotic, which perfectly captures that early, addictive stage of a relationship — when everything is exciting, overwhelming, and already a little too much.

Why not check out ‘Briley Parkway’ EP below…



KOPPER & KASH – IN THE BEGINNING

‘In the Beginning’ is a reverent and self penned worship song that finds its strength in simplicity and sincerity. Written and performed by the trio KOPPER & KASH the song reflects the group’s hallmark blend of tight vocal harmonies and country-infused warmth, while centering on timeless Christian themes of creation and divinity. Known for their country traditional songs, Kopper and Kash are also devout in sharing their worship with their community.

Kopper and Kash is a family trio featuring dad Jeff Pennycoff and his daughters Mia and Ava. From a young age, the girls performed with their dad on his worship team at the family barn church, developing a deep connection to music, storytelling, and faith. Growing up immersed in country and inspirational music, they’ve built a sound that is heartfelt, authentic, and uplifting.

At its heart, ‘In The Beginning’ is a reminder of the unwavering presence of God in every moment of life — from creation to the challenges we face today.Why have a listen below…

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