It’s really great to have AMITY back on the blog with a brand-new release, as there’s something of real substance here, thought-provoking and carrying that rush of liberation that comes with confronting societal issues of the day.
The thrill of a new release on the horizon is not the only aspect I look forward to when this teenage-budding artist reappears in the spotlight. Following the stream of praise from the likes of The Guardian and the BBC, and having been named the Royal Albert Hall’s official Future Maker Artist, Amity has since performed at sold-out shows across the UK, including the Royal Albert Hall’s Elgar Room, The Electric Ballroom, Road to Lakefest and Cheltenham Jazz Festival. Along the way, he’s continued to collect an impressive string of accolades, including Fresh on the Net’s ‘One to Watch’ recognition and breakthrough honours, alongside Best Solo Artist from Wigwam Radio.
Now Amity will no doubt continue the momentum of his on- and off-stage achievements with his latest single, ‘Blasphemy’, out today (30th October) across all leading streaming platforms.
For this latest offering, Amity holds the mirror up to societal control, authority and religious constraints. Teaming up with acclaimed producer Agon Branza, he creates an intensely dark ballad where rumbling basslines collide with moments of blissful harp, while daunting rhythmic patters and equally daunting piano keys establish an atmosphere that is both unsettling and strangely captivating. There’s a bittersweet senation running through the arrangement, an intriguing tension between darkness and beauty that somehow delivers that very rush of liberation when confronting the aforementioned subjects.
What I particularly like about ‘Blasphemy’ is that it doesn’t shy away from subjects that can often be uncomfortable to confront. Instead, there’s a sense of defiance running through the whole offering, an invitation to question, reflect and perhaps even challenge some of the very structures that have long been accepted without question. It’s this willingness to explore such themes that gives Amity’s music an added sense of purpose, making it more than just another release to add to the ever-growing musical landscape.
At just 19, there’s already a remarkable maturity in the way Amity approaches his craft, both in the subject matter he chooses to explore and the musical surroundings in which he places it. Having already made such an impressive impression on the live circuit, and with an ever-growing list of achievements to his name, it’s exciting to see an artist who appears so determined to carve out his own creative identity.
‘Blasphemy’ is another welcome addition to that journey, offering something dark, beautifully textured and thought-provoking, while leaving us with plenty to ponder long after the final notes have faded. It’s great to have AMITY back, and if this latest offering is anything to go by, there’s certainly much more to look forward to from this South London visionary.
‘Blasphemy’ is out today (30th October) across all major digital platforms. Why not listen to the breathtaking single below…
Welcome to NEW LEASE MUSIC’s New Music Roundup, your weekly snapshot of great music from indie and unsigned artists!
Once again, music was carefully selected across the genre spectrum for your pleasure! If you like what you hear, give it a thumbs-up and share your thoughts in the comment section below – your support means a lot to these rising talents!
NEW LEASE MUSIC’s New Music Roundup will be featured on Mondays or Fridays. If you are a indie or an unsigned artist and would like your music featured on the list, send your music links and a short info about the release to submit@newleasemusic.com, with NEW MUSIC ROUNDUP in the subject line.
Thank you for visiting and I hope you enjoy the music featured!
MEGHAN PULLES – THE MIDHEAVEN
MEGHAN PULLES explores the emotional duality of chasing a dream while navigating profound loss on her new single, ‘The Midheaven.’ Built around delicate piano, sweeping strings, and cinematic crescendos, the track captures the delicate balance between hope and heartbreak, offering listeners a moving meditation on resilience.
Drawing inspiration from the astrological term Midheaven, a symbol of one’s calling, purpose, and public life, Pulles reflects on what it means to step into the future you’ve always imagined while carrying the weight of grief. Her vulnerable vocal performance allows every lyric to feel intensely personal while remaining universally relatable.
About the song, Pulles shares: “The Midheaven was written from the realization that stepping into the life you’ve always dreamed of does not make you immune to grief. As my career continues to grow, I have found myself holding excitement and heartbreak at the same time, watching parts of my world fall away while still believing something beautiful is ahead.”
‘The Midheaven’ is out today on all leading music platforms. Watch the official video below…
GABRIELLE VAUGHN – TWENTY THREE
GABRIELLE VAUGHN confronts the realities of mental illness and survival on her deeply personal new single, ‘TWENTY-THREE.’ Written over the course of three years, from ages 23 to 26, the track offers an unflinching look at what it means to continue carrying battles that many assume should have been left behind with youth.
Built on Vaughn’s signature blend of alternative rock, pop, soul, and R&B influences, the song examines the shame that can accompany struggling in adulthood while ultimately delivering a message of perseverance. Through striking lyricism and emotional vulnerability, Vaughn reminds listeners that healing is not always a straight line.
Speaking about the release, Vaughn shares, “It’s about realizing that mental illness and the urge to hurt yourself don’t always disappear just because you get older. There can be so much shame in still carrying those battles into adulthood, like you should’ve left them behind years ago. I hope this song reminds anyone who’s ever felt that way that they’re not the only one. Sometimes surviving doesn’t look like moving on — it looks like choosing to stay, one day at a time.”
‘TWENTY-THREE.’ was released yesterday on all leading music platforms. Check it out below…
INDIGO SYNDICATE – HOWLING AT THE MOON
INDIGO SYNDICATE Indigo Syndicate slows things down on their new single, ‘Howling At The Moon,’ delivering their most vulnerable and intimate release to date. Stripped back to little more than acoustic guitar and a raw, emotionally charged vocal, the song captures the quiet ache of missing the person you love. Through understated storytelling and heartfelt lyricism, the band transforms distance into something deeply personal and universally relatable.
Written by Samantha Sanford for her partner, Jharyss, during a week-long work trip, the song explores the small moments that make absence feel impossible to ignore. Lyrics like, “I know you love me but I’m overthinking / In my head / I miss you in our bed / Ever since you left / The house is quiet so I keep on singing,” paint a vivid portrait of longing and vulnerability.
While ‘Howling At The Moon’ begins with quiet intimacy, it gradually builds into a soaring, cathartic finale, culminating in the infectious refrain, “Woohoo, woohoo, howling at the moon / I’m howling at the moon for you.” The dynamic progression mirrors the emotional journey of missing someone, transforming solitude into an unforgettable sing-along moment.
‘Howling At The Moon’ was released yesterday across all leading music platforms. Check it out below…
DYVR – REBUILD
London-based electronic artist DYVR announces her debut album ‘Rebuild’, a deeply personal and emotionally charged collection that transforms lived experience into expansive, club-focused electronic music. Blending atmospheric production, euphoric dancefloor energy and intimate songwriting, the independent trans artist delivers a record that explores identity, resilience and community through a distinctive electronic pop lens. Across nine tracks, Rebuild establishes Dyvr as a compelling new voice within the UK’s alternative electronic landscape, where vulnerability and catharsis exist side by side.
Built around themes of pain, sisterhood, healing and self-actualisation, ‘Rebuild’ traces a journey from grief and uncertainty towards celebration and acceptance. Previous singles including ‘Sister’, ‘Glass’, and the new focus track ‘Cry Baby’ introduce the record’s emotional arc, combining dreamy vocal textures, immersive synth arrangements and propulsive club production. The result is an album equally suited to solitary reflection and collective release, capturing the transformative power of the dancefloor as a place of belonging. Check it out below…
MATILDA GRACE – COVER BOY
London’s rising pop artist MATILDA GRACE continues her rapid ascent with her latest single ‘Cover Boy’, an irresistible, nostalgia-fuelled anthem that bridges the worlds of modern pop and rock with the unmistakable energy of the 80s and 90s. At just 21 years old, Matilda is already carving out her own space within the UK’s emerging music landscape, combining sharp songwriting, bold production choices and a playful artistic identity that sets her apart from her peers. Check out ‘Cover Boy’ below…
ANNIINA – DVD
Finnish singer-songwriter ANNIINA, also known as Anniina Ballerina, further cements her place in modern pop with the release of her latest single, “DVD,” continuing to showcase the compelling songwriting and storytelling that have become hallmarks of her artistry.
Blending intimate songwriting, atmospheric folk-inspired instrumentation and captivating vocal performances, the track offers another glimpse into an artist whose deeply personal approach to songwriting is resonating with an ever-growing global audience.
This has cultivated in a sold out headline show in London in May for Anniina, and her catalogue has now exceeded 1 million streams across Spotify and Apple Music.Why not check it out below…
