EP Review: Perpendicular – Amani

She has been described as a ‘ unusual and creative individual that represents the new generation of songwriters, dabbling in captivating concepts and emotive industrial soundscapes.’

If I were to describe AMANI‘s debut EP ‘Perpendicular’ on a spot, to be honest, I would struggle –  miserably –  but I’ll do my damn best to give you an overall picture. Released earlier this month, the five-piece collection can be described as a melting pot of raw emotions that’s more than ready to overspill, represented by the full force of hauntingly dense bass that travels with the dramatically melancholic overtones.

With the dense drive easing up, ‘Perpendicular’ does on a smooth note, offering up infectious laid-back numbers sporting a smooth electronic groove.

This EP, particularly the first half, cannot be pinned down to a particular genre – which makes it instantly appealing. I love the fact that AMANI creates such a fascination and thirst, making me want to seek out her forthcoming material.

She’s definitely the one to watch – check it out.

Must Listens: Feathers Falling, Transform

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EP Review: Midnight Sounds – Melanie Crew

MELANIE CREW‘s third EP, ‘Midnight Sounds’ certainly live up its name as Londoner puts a smoother and laid back sensation to her folklore signature.

The EP alternates between the slight uptempo, oozing strong presence of alluring soul from Melanie’s vocals and the stripped-back, featuring the infamous acoustic guitar that somehow gives off those mysterious and spine tingling magical moments.

‘Midnight Sounds’ makes a great lead up to the festive season…might as well have a listen.

 Must Listens: Evening Light, The Place I Knew.

Album Review: COGs – Wullae Wright

You guys don’t know how GOOD it feels to have WULLAE WRIGHT back in NEW LEASE MUSIC’s limelight. Back in 2013, he graced his presence with album, The Orange Line – named Album of 2014 by this blog.

Fast forward to four years, indie rocker delivers another highly anticipated album entitled ‘COGs’. What do I expect from this 12-track collection? I’m hoping to hear some soaring guitars against experimental mix of staggered, rhythmic thumps – elements that were featured in ‘The Orange Line.’

Distorted rawness of the guitar riffs (we’re talking Jimi Hendrix style) introduces the collection,  pumping an adrenaline rush through ‘Armed for Revolution.’ The rush quickly disperse and is replaced with an angelic presence of the piano in the following track, ‘A Heart that Riots.’

‘Scumbag’ provides the second rush of the album as it goes on a rollercoaster ride with tranquility turning into total turmoil, well executed Wright’s vocals. The long-awaited staggered soundscapes take charge in ninth effort, ‘Blackfields, ‘ where the rhythmic thumps travels in union with the woeful violins. Wright’s vocals serves as a perfect backdrop before eventually coming in line of the heart-hitting arrangements.

Providing such a hell raising experience at the beginning, ‘COGs’ does a complete U-turn and comes to a close with scenic acoustic setting. ‘Deja Vu’ is personally the top three stellar tracks of this album as the serene guitar against the full-on power vocals sparks that magical combination.

Just like a candle frantically bouncing in the wind, the tempo displayed in ‘COGs’ provides extreme dips and soars…so it’s going to be anything but boring…might as well have a listen…

Must Listens: Armed For Revolution, A Heart That Riots, Scumbag, Centralia, Blackfields, Ventriloquist.

 

 

Album Review: Flow Riiot – Torii Wolf

When I first heard of TORII WOLF through debut single, ‘Free’ somehow I was compelled by the too-cool-for-school raspy vocals against the bass-driven number. Releases ‘Big Big Trouble’ and ‘Pain Killer’ followed and I was totally hooked!

The next big release was the 15-track production coming in the form of ‘Flow Riiot’, produced by DJ Premier (so you know you’re really onto a good thing here).

An atmospherically dreamy sample of The Messenger’s 60s funk/soul classic, ‘California Soul’, leads the set through ‘Everlasting Peace’ – and from there, a range of genres were introduced –  from alternative hip-hop to piano/violin-led arrangements. ‘Take It Up On Monday’ is definitely one for the nostalgics as the three-minute production brings on that old school/rare groove laid-back vibe. Possessing heavy influence hip-hop/boom bap of late 80s/early 90s, ‘Shadows Crawl’ will be the one for the serious hip-hop heads’ collection.

‘Flow Riiot’ ends on smooth note with ‘Moscow’. Led by the acoustic guitar, Torii adds an inexplicable magic, creating a real stellar singer-songwriter approach to the production.

It’s sure a mix bag of pleasure and anyone who enjoys listening to makeovers of old genres will have at least one favourite. Through ‘Flow Riiot’, this New Yorker has more than proved that her Throaty yet delicate instrument has that across the board appeal.

You’re here now…might as well check it out….

Must listens: Meant To Do, 1st, Body, Take It Up On Monday, Moscow

Mixtape Review: A1 Mondays 3 – A1

If you enjoy REAL hip-hop and R&B of the yesteryear, then oh boy you’ve landed on the right spot!

As part of his #A1Mondays series, which started out earlier this year, A1 drops his third installment, coming in the shape of a six-track set entitled ‘A1 Mondays 3’. In his latest mixtape, the upriser takes on big hits such as Twista’s ‘Overnight Celebrity’ and Eve’s ‘Satisfaction’ and sparkles his some of the magic through his extra spicy flow.

I tell you, once you hit the play button on this bad boy, rest assured there won’t be a single dull moment. Head right here to check out A1 Mondays 3.

Must Listens: Overnight Celebrity Freestyle, Satisfaction Freestyle