New Lease Music’s New Music Roundup – 18/09/26

Welcome to NEW LEASE MUSIC’s New Music Roundup, your weekly snapshot of great music from indie and unsigned artists!

This mammoth lineup features a real mix bag of styles that’s bound to keep you entertained well into the weekend. There’s not much to say other than dive in and check out these promising artists! If you like what you hear, give it a thumbs-up in the comments below.

NEW LEASE MUSIC’s New Music Roundup is featured on Mondays or Fridays. If you are a indie or an unsigned artist and would like your music featured on the list, send your music links and a short info about the release to submit@newleasemusic.com, with NEW MUSIC ROUNDUP in the subject line.

Thank you for visiting and I hope you enjoy the music!

JULIE EDDY –  ’74 NOVA

JULIE EDDY is back with ‘’74 Nova,’ a feel-good country anthem about loving your roots, chasing your dreams, and driving straight toward freedom. Inspired by her dad’s first car, a 1974 Nova, the song captures the push and pull between where you come from and where you’re headed.

The chorus is the heart of the song, perfectly capturing that feeling: “Roots holding me down but my heart strings pulled me harder / Driving me crazy to stay hell bent to get farther / Headed anywhere somewhere south of South Dakota / Foot on the gas, hand out the window of a ‘74 Nova.”

Eddy shares, “‘74 Nova’ was inspired by my dad’s love for old cars. His very first car was a ’74 Nova…He has always joked with me about writing a song about his Nova and my siblings, and I have always joked about who was eventually going to get the car passed on to them, so I wrote a hypothetical situation into this song that he gave the Nova to me, and I moved to Nashville with it to chase my dreams. All of the video and photo content for the song was shot with my dad’s Nova in my small town in South Dakota right down the road from where I grew up. This song makes me feel nostalgia, hope, and anticipation for what’s next, a deep appreciation for my roots, and has quickly become one of my favorite songs I’ve ever recorded.”

”74 Nova’ is out today across all leading music platforms.

RAMI – SAVE MYSELF

RAMI makes a striking introduction with a heartfelt song titled, ‘Save Myself’ that showcases both her emotional depth and undeniable vocal presence. Backed by a talented team that includes a Grammy winning songwriter and engineer, she is quickly establishing herself as an artist to watch in the pop space.

From the very first notes, Rami’s voice remains front and center, carrying the weight of the story as the song builds from quiet reflection into powerful, emotionally charged moments.

​About the song, she explains, “From the beginning, I knew I wanted the song to be personal. I wanted to create a ballad about a very difficult period of my life — a time of loss, confusion, and feeling as though everything around me was falling apart. But I did not want the story to end in sadness. The most important part was what came afterward: finding my own strength, putting myself back together, and realizing that I had the power to save myself.”

​That journey from feeling lost to reclaiming her own strength is woven throughout the song, coming to life in powerful lyrics like, “I was tired of waiting for someone / To come rescue me from what I’d done” and “All alone in a tower big and tall / But I was the prince here after all.”

​With its powerful message, Rami proves she has something meaningful to say, and the voice to make you listen.’Save Myself’ is out today from all leading platforms.

MCMILLIN – I LOSE

MCMILLIN‘s ‘I LOSE’ turns overthinking into something visceral, capturing the exhausting cycle of second-guessing every possible outcome until there’s nowhere left to go. The song’s chorus puts that feeling into sharp focus: “Freezing up with every choice I have to choose / Fearing the future could be colder than the Ice I’ve fallen through.” That anxiety builds into the song’s defining realization: “It’s a mental game that imitates a twisted truth / Played 100 ways from every point of view / And in every case I lose.”

McMillin describes the track as “a heavy rock joint that underscores lyrics of inadequacy, defeat and self-doubt,” adding that its sound is built around “a darkness and light of angelic synths battling dark and aggressive guitars.” That contrast is central to ‘I LOSE,’ which moves from tightly wound tension into a crushing half-time breakdown before unexpectedly dissolving into a hazy, synth-driven passage. The result is a song that moves through pressure, collapse, and emotional exhaustion without offering an easy resolution.

‘I LOSE’ is out today across all leading music platforms.

CLARITY LIAO – LOSE

Emerging singer-songwriter CLARITY LIAO steps fully into her solo era with new single ‘Lose’, the focus single from her upcoming debut EP ‘Dear…,’, a seven-song collection of intimate musical letters exploring love, jealousy, rejection, loneliness and the complicated process of finally letting go.

‘Lose’ is an upbeat pop track that captures the emotional chaos of fearing that someone you love is falling for somebody else. 

Born from Clarity’s heartache over a boy she deeply cared for, ‘Lose’ confronts the jealousy that emerged when another girl appeared to embody everything Clarity feared she wasn’t. What begins as projection and comparison gradually becomes something more accepting, as Clarity faces the possibility that the relationship she desperately wants may never exist.

Moving between indie pop, R&B, bedroom pop, contemporary singer-songwriter influences and modern doo-wop, ‘Lose’ adopts its own musical personality while remaining connected by Clarity’s candid storytelling.

Originally, she imagined the song as a sparse, Adele-inspired piano ballad, allowing its vulnerability to sit almost completely exposed. Once in the studio, however, the production took an unexpected turn. Upbeat drums and electric guitar transformed the track into something far more energetic, creating a playful contrast with lyrics filled with jealousy, insecurity and emotional turmoil.

“This song is one of my favorites,” Clarity explains. “It shows my jealousy and madness in a fun upbeat way. At first I was doubting the upbeat drums and electric guitar, aiming for a soft mellow vibe, but the more I stuck with the process, the more I understood what this letter was really trying to explain to the receiver.”

‘Lose’ is now available across all music platforms.

SAMSARA – SWORDFIGHT

London-based, Australian-born artist SAMSARA steps into a bold new chapter with ‘Swordfight’, a brooding yet exhilarating new EP that sees the 22-year-old fully embracing the artist she has become. Raised in Hong Kong and now based in London, Samsara has developed a singular approach to contemporary pop, using emotionally charged songwriting, maximalist electronic production and a theatrical visual identity to explore themes of identity, sexuality, transformation, vulnerability and power.

Across ‘Swordfight’, Samsara turns deeply personal experiences into something immediate, danceable and unapologetically pop. The EP exists firmly within her own electronic-pop universe, balancing moments of emotional exposure with the confidence and theatricality that have become central to her artistic identity. Rather than presenting a polished version of her story, Samsara allows the contradictions to remain, vulnerability can sit alongside bravado, while difficult experiences become fuel for something celebratory and empowering.

Focus track ‘Stab ’n Smile’ captures that tension particularly well. A euphoric rush of synth-driven electro-pop, the track pairs propulsive production with lyrics that cut considerably deeper than its infectious surface suggests. There is a familiar immediacy to its melodic synth work, while Samsara’s commanding vocal delivery gives the track its own unmistakable character. It is pop built for movement, but with something much more personal at its core.Check out ‘Swordfight’ below…

WORMOGENIC – 16

Emerging alt-pop artist WORMOGENIC continues to build serious momentum with ‘16’, a shimmering dream-pop rush that further establishes her as one of the genre’s most distinctive new voices. Blending glossy synth textures with gritty electronics, driving bass and an instinctive pop sensibility, the Florida-raised artist delivers a track that is as emotionally candid as it is immediately infectious.

Raised on Florida’s coast, Wormogenic draws on the turbulence and contradictions of adolescence to shape a sound that sits at the intersection of retro-inspired pop, grunge-edged alternative and contemporary dream pop. Her music embraces the colourful, camp and unapologetically expressive side of modern alternative pop, pairing sharp songwriting with a willingness to explore the less polished realities of growing up.

On ‘16’, that approach comes into particularly sharp focus. Written from a place of isolation and emotional uncertainty, the track examines self-sabotage, anxiety and the uneasy feeling that happiness can disappear just as quickly as it arrives. Wormogenic turns those themes into an anthemic, hook-driven statement, with a darker synth edge recalling the atmospheric pulse of New Order adding further depth to the track’s otherwise luminous production.

“I wrote 16 after a bad birthday where I felt isolated and lonely,” Wormogenic explains. “16 is the thesis statement of the EP. It’s synth inspired by Chappell Roan, Olivia Rodrigo and Dan Nigro’s production work. It’s about coping with growing up and it’s the song I’m most proud of on the EP.”

Built around gritty guitars and bass, expansive synths and a striking central chorus, ‘16’ demonstrates an artist already displaying an unusually assured understanding of songwriting and sonic identity. Despite being only her third single, Wormogenic continues to expand her musical world at a rapid pace, suggesting an artist with ambitions that extend well beyond the emerging alternative scene.

The single arrives ahead of her forthcoming debut EP, ‘Bandaids’, where Wormogenic will continue exploring the emotional contradictions of teenage life.

ANTHONY CHURCH – STARING (FT. CHESTER WATSON)

Northeast Ohio producer ANTHONY CHURCH connects with the distinct style and voice of Chester Watson to deliver ‘Staring’, the lead single to his upcoming compilation album ‘Grateful Is An Understatement’.

Delving into the realms of astral projection, this cut sees Watson weaving intricate lyrics over a Jazzy Hip-Hop melody that soars past the cosmos.The track’s energy is captured in full force with its accompanying visual piece animated and directed by Sigmund Washington.

‘Staring’ is now out across all leading music platforms. Check out the visualiser below…

BEKREATIVE – FRONT PORCH REVALUATIONS

BE KREATIVE continues his impressive run through 2026 with album, ‘Front Porch Revaluations’, showcasing a stunning fusion of soulful country music and hip-hop across ten reflective tracks. Why not check it out below…

New Lease Music’s New Music Roundup – 20/04/2026

Welcome to a very interesting addition of NEW LEASE MUSIC’s New Music Roundup, your weekly snapshot of great music from indie and unsigned artists from around the globe. In the this lineup, you’ll find something that sits in your comfort zone – and a little something that REALLY push your musical taste buds. So if you’re ready to explore, why not get right down to it and check them out! If you like what you hear, give it a thumbs-up below in the comment section.

If you are a indie or an unsigned artist and would like your music featured on the list, send your music links and a short info about the release to submit@newleasemusic.com, with NEW MUSIC ROUNDUP in the subject line.

Thank you for visiting and I hope you enjoy the music!

MADDIE LENHART – LET HIM FLY

MADDIE LENHART‘s take on ‘Let Him Fly’ feels less like a cover and more like a quiet moment you’ve been invited into. Recorded live in a single take at Treehouse Studios in Nashville, Tennessee, her version strips everything back to its emotional core, honoring the songwriting of Patty Griffin while gently nodding to the familiarity of The Chicks.

Maddie has written hundreds of songs, earned over 40 independent cuts, and released her debut single “Sober,” which has surpassed 800,000 organic streams. In 2025, she released eight new songs, all landing on Spotify and Apple editorial playlists, performed at CMA Fest, was named one of Holler’s 10 Artists You Need to Know, and earned a Billboard feature for her breakout track “Drive Me Crazy.”

‘Let Him Fly’ was released on Friday (17th April) across all leading music platforms. Check it out below…

PAUL MINNICH – YOUR CLOWN

PAUL MINNICH returns with a sweet, refreshing take on the classic love song in ‘Your Clown,’ leaning into the quiet truth that love isn’t always expressed perfectly. Somewhere between the silliness, the everyday ups and downs, and the unpolished moments, Minnich offers a “bouquet” of words – a reminder that even imperfect expressions can carry real meaning.

‘Your Clown’ is released last Friday (17th April) across all leading music platforms. Check it out below…

JAENESE – RIDE

There’s something immediately disarming about JAENESE‘s “Ride.” It doesn’t try to oversell itself – it just settles into a mood and lets you live there for a while. Built on a soft, hazy groove from Noturmood, the track leans into that dreamy, neo-soul space where indie textures meet quiet intimacy. You can feel a faint lineage that brushes past the emotional honesty of Willow and the airy, romantic pull of Alvvays, but Jaenese keeps it personal and grounded.

‘Ride’ was released last Thursday (16th April) across all leading music platforms. Check it out below…

​

ZEE DYASI X MOTHERS FAVORITE CHILD – VACATION

ZEE DYASI and MOTHERS FAVORITE CHILD share their latest single ‘Vacation’, a modern soul record written and produced by Paris Mark Toon. Blending contemporary R&B with classic soul influences, the track features live instrumentation, layered harmonies, and a groove-driven foundation inspired by the Soulquarians era. ‘Vacation’ is coming out on 24th April across all leading platforms.

Built on fluid basslines and textured Rhodes, ‘Vacation’ captures a mood of emotional reset and escape while maintaining the live-band sensibility central to the Mothers Favorite Child sound. Check out the clip of the single here

BEKREATIVE – PROBABLY ASLEEP, PROBABLY AWAKE

BEKREATIVE promises to bring a string of hot releases in 2026 – from hip-hop, R&B, bubblegum pop, country music and everything in between! He hops right back into the spotlight with his latest album ‘Probably Asleep, Probably Awake’ a dope fusion of hip-hop and good old country music!

‘Probably Asleep, Probably Awake’ is now out across various music platforms. Check it out below…

New Lease Music’s New Music Roundup – 31/03/26

Welcome to NEW LEASE MUSIC’s New Music Roundup, your weekly snapshot of great music from indie and unsigned artists! In this addition you’ll hear cross rhythms of genres – from alt-pop, country/folk and R&B/soul. If you like what you hear, give it a thumbs-up below in the comment section.

If you are a indie or an unsigned artist and would like your music featured on the list, send your music links and a short info about the release to submit@newleasemusic.com, with NEW MUSIC ROUNDUP in the subject line.

Thank you for visiting and I hope you enjoy the music!

MAXX NIES – GIVE ME A REASON

New York-based alt-pop artist MAXX NIES continues to carve out a compelling space in the modern pop landscape with the release of her deeply personal new single, ‘Give Me A Reason’. At just 25, Nies has already forged a musical path rooted in vulnerability, resilience, and emotional honesty, using songwriting as both a creative outlet and a means of healing. Inspired to write her first song at the age of seven following the passing of her great grandmother, Maxx discovered early on the transformative power of music to process complex feelings and personal experiences.

‘Give Me A Reason’ is out now across all leading platforms. Listen below…

NATALIE DUNCAN – BLACK MOON

Nottingham-raised and London-based singer-songwriter and keys player NATALIE DUNCAN returns with her highly anticipated third studio album, ‘Black Moon’, out now for your pleasure across all leading platforms. The album, produced and mixed in-house with her trio, Alan Mian (bass) and Dave ‘Big D’ Browning (drums), marks a bold, expansive statement from one of the UK’s most compelling jazz, soul, and R&B artists. Leading the record is the stirring first single, ‘Crashing Into The Dark’, a track that perfectly captures the depth, soul, and vigour of the new collection. Have a listen below…

STARSPIRE – UNCLAIMED BAGGAGE

London-based creative strategist and Managing Director Ranj George steps fully into his artist identity with the release of his debut album under his multi-genre project, STARSPIRE. Titled ‘What Is Meant For You’, the record is an ambitious and emotionally resonant body of work spanning 13 genres, from hip-hop to country, pop to indie, unified not by sound, but by storytelling.

The album’s lead single, ‘Unclaimed Baggage’, is a sharply observed country-pop reflection on modern male loneliness, following a mid-40s divorced man navigating dating apps, emotional fatigue and the quiet pressure to stay confident while feeling overlooked. Warm but unresolved, the track carries a lived-in quality, with intimate husky vocals and stripped back acoustic textures that mirror its bittersweet honesty. Have a listen to below…

DANI IVORY – NO OTHER WAY

DANI IVORY is back with her four-song EP ‘No Other Way’, a raw, unfiltered exploration of love, loss, and devotion. The project is a collective of soul, R&B, rock, country, and folk-pop, blending organic instrumentation with emotionally rich storytelling.Opening with ‘Looney Bin’ Ivory sets the tone immediately — messy, self-aware, and emotionally charged. Bright on the surface but layered with heartbreak underneath, the track blends organ, twangy guitars, and soulful textures that evoke Maggie Rose and Marcus King while staying rooted in Ivory’s signature sound: “I’ve been beating down every single door / I got no good shoes left to throw I’m looking for some more / I just can’t wrap my head tight around the thought / You’ve had enough of my love, don’t want me no more.”

The song captures the exhaustion, disbelief, and chaos of realising the love you’re giving isn’t wanted, with a chorus that makes the unraveling fully visible: “I turn into a wreck, a nasty mess / Mascara dripping, big hair flippin’ party bitch / I drink too much wine, I stay up all night / I’m a different woman when you’re roaming / Yeah I’m losing my mind to the looney bin.” Listen to ‘Looney Bin’ below…

VIANNA ROSE – I’M A GOOD WOMAN

Taken her new EP, ‘Echoes of Time’, available now on all streaming and download sites, VIANNA ROSE unveils focus track, ‘I’m A Good Woman.’ Channeling the bold attitude of Barbara Lynn’s original, pairing Southern soul grit with a warm R&B groove, ‘I’m A Good Woman.’ hooks listeners early with its turning-point lyric, “Now I know what I’m going to do… I’m gonna leave you,” before landing its emotional payoff through a striking, repeated outro refrain.

Check out the video for ‘I’m A Good Woman’ below…

SHEYNA GEE – TWO WEEKS

Traditional country artist SHEYNA GEE releases her highly anticipated new EP, ‘Two Weeks’, out now. Entirely written and produced by Sheyna herself, the project serves as a bold artistic statement—one that captures lightning in a bottle while showcasing her undeniable depth as both a songwriter and producer.

The EP’s title, ‘Two Weeks’, reflects the intense and deeply personal creative sprint during which Sheyna brought each track to life. The result is a cohesive, emotionally rich body of work that moves seamlessly between raw vulnerability, soaring resilience, and even a playful, tongue-in-cheek drinking anthem

‘Two Weeks’ was released last Friday (31st March) across all leading platforms. Why not check it out below…