A Quick Chat With…Ashley Savage

ASHLEY SAVAGE has truly made her mark on NEW LEASE MUSIC. Her latest single, Pressure, not only earned the blog’s coveted Song of the Week title for two consecutive weeks back in June, but has now gone one step further by being crowned Song of the Month, thanks to its silky fusion of R&B and K-Pop.

With a track making such an impact, it only felt right to invite Ashley into the interview hot seat to talk about how Pressure came to life, the creative process behind its genre-blending sound, and what’s next on her musical journey.

Ready for an epic read? Then tuck in below…

Hey, thank you for taking part in an interview with NEW LEASE MUSIC. How is 2026 treating you so far?

AS: Thank you for having me. So far, 2026 has been a year of growth and clarity. I’ve spent a lot of time refining who I am as an artist instead of chasing trends. It’s been a year of major milestones, both personally and creatively. From hitting big academic goals and graduating college in May to seeing my music resonate with new listeners, the energy this year has been incredibly rewarding. I’m just focused on keeping this momentum going. Everything I’m creating now feels more intentional, and I think people are starting to recognize that.

NLM: You released your single, ‘Pressure’ back in April. What is the public perception of the single so far?

AS: The response has been really encouraging. People have connected with the honesty in the record and the emotion behind it. I’ve also been seeing it gain traction on playlists and Spotify Radio, which tells me the music is finding the right audience. It’s definitely helped introduce people to where I’m headed creatively.

Having Pressure named “Sound of the Month” and climbing to the top spot right here on New Lease Music was a massive high point. Seeing listeners connect with the track completely organically, without relying on forced gimmicks, validates all the late nights spent fine-tuning the production. The feedback on the vocal arrangements and the overall vibe has been beautiful.

NLM: What inspired you to produce/write the single?

AS: Pressure’ came from a real place. Life has a way of testing you, and I wanted to make something that captured what it feels like to carry expectations, keep pushing forward, and refuse to fold. It’s about staying composed when everything around you feels heavy.

NLM: How would you describe the single’s sound to potential fans?

AS: I’d describe it as cinematic trap with soul. It’s dark, emotional, and powerful, blending modern trap drums with rich melodies and a luxury feel. It’s music you can ride to, think to, and feel at the same time. A raw street polished luxury feel.

NLM: What message would you like the listeners to take away from your single?

AS: I want people to know that pressure isn’t always something to run from. Sometimes it’s what shapes you into the person you’re meant to become. Whatever you’re facing, keep going. Don’t let the weight define you, let it build you. I want people to feel empowered.

When you’re dealing with life’s stressors or doubts, you have the power to transform that weight into diamonds. I hope listeners blast it in their cars or through their headphones and feel an immediate surge of confidence to stand their ground and own their path, no matter how intense things get.

NLM: Are there any plans to release an official video for the single?

AS: Absolutely. I want the visuals to match the world I’m building with the music. When I release videos, I don’t want them to just look good ,I want them to tell a story and make people feel like they’ve stepped into the universe of the song.

NLM: If you had to feature one mainstream artist on ‘Pressure’, who would it be and why?

AS: I’d probably say Future. He knows how to bring emotion and confidence into a record without forcing it. I think our styles would complement each other while still letting the song breathe.

NLM: What plans do you have in store for 2026?

AS: The rest of the year is fully dedicated to a multi-stage rollout to firmly establish my anchor record. I’m focused on building sustained, organic growth and rolling out new singles including a track called Digital Touch that explores some really cool sub-genre boundaries. Expect more music, distinct visual campaigns. I’m also making sure every release raises the bar. My goal isn’t just to drop songs, its to build a lasting brand that people recognize the moment they hear it.

NLM: How can potential fans find you?

AS: Potential fans can reach me on my website which is officialashleysavage219.com. You can find me everywhere you stream music Pressure and the rest of my catalog on all major digital platforms, including Spotify, Apple Music, and Tidal. To stay updated on my upcoming releases, music videos, and behind-the-scenes creative process, you can follow my journey across all major social media platforms.

NLM: Finally, if music didn’t exist, what other professional would you do?

AS: If I weren’t creating music, I would be fully immersed in the healthcare field, I just graduated with a degree specifically in Health Information Technology and Data Management. Before school, I’m actively a state certified CNA. I’ve always had a sharp analytical side, and I’m dedicated to caring for those who can’t do for themselves. Now, working behind the scenes to manage data infrastructure, analyze oncology records, and solve complex operational puzzles in healthcare satisfies that love for structure and strategy, which is the exact opposite side of my brain from music production!

New Lease Music’s New Music Roundup – 10/07/26

Welcome to NEW LEASE MUSIC’s New Music Roundup, your weekly snapshot of great music from indie and unsigned artists! If you like what you hear, give it a thumbs-up below in the comment section.

NEW LEASE MUSIC’s New Music Roundup will be featured on Mondays or Fridays. If you are a indie or an unsigned artist and would like your music featured on the list, send your music links and a short info about the release to submit@newleasemusic.com, with NEW MUSIC ROUNDUP in the subject line.

Thank you for visiting and I hope you enjoy the music featured!

ANDREW MOORE & HOOCH – SEX IN A SILVERADO

ANDREW MOORE & HOOCH are turning up the heat for summer with ‘Sex In A Silverado,’ a tongue in cheek country anthem built for backroads and loud singalongs. Kicking off with blazing horns and an infectious groove, the track wastes no time introducing its playful, unapologetic personality.

From its opening lyric, ‘Sex In A Silverado’ embraces storytelling, weaving together a series of unforgettable tales inspired by real life moments.

Speaking about the song, Moore says: “This song ignites a whole brand new country music vibe for the summer of 2026. It’s the boldest country song of the summer without a doubt. The song’s beginning lyrics are actually a true story of one of the band members, and when he was telling me the story, I stopped him after his first two sentences and said, ‘Woah, there’s our next song…’ and I went to write. This banger will either make country fans laugh or it’ll have them singing it all summer long.”

‘Sex In A Silverado’ is out today across all leading music platforms. Why not check it out below…



BRI FLETCHER – IT’S TOO LATE (VIDEO)

BRI FLETCHER brings her new single ‘It’s Too Late’ to life with an official music video starring her real-life husband, turning the song’s story of falling fast into a playful and personal visual.

​The video opens with Bri imagining an entire future after their first date — from wedding photos to family memories — showing her all-in mindset before he’s quite there yet. As the relationship unfolds, he slowly begins to picture the same future, transforming what first seems like a one-sided daydream into a shared love story.

​Bringing the song’s standout lyric, “I’m picturing the white dress, the kids and the house,” to life, the video captures the excitement of realizing you’ve already fallen before you ever planned to. With Bri and her husband’s natural chemistry at the center, the visual offers a fun and relatable take on the moment when trying to play it cool is no longer an option. Check out the video below…

MADDIE LENHART – EMPTY ROOM

As the second release from her upcoming debut EP, ‘Empty Room’ finds MADDIE LENHART leaning further into the classic country influences that have shaped her artistry. Produced by Brad Hill (Maren Morris, Brothers Osborne), the track blends dobro, fiddle, organ, and layered harmonies with a powerful story about loving someone who feels emotionally absent, even when they’re right beside you.

​Built around the metaphor of performing for an empty room, Lenhart transforms heartbreak into something universal — capturing the exhaustion of pouring everything into someone or something that never gives the same energy back. With vivid imagery and a deeply personal vocal performance, ‘Empty Room’ highlights her ability to turn quiet moments of vulnerability into unforgettable country storytelling.

‘Empty Room’ is out today across all leading music platforms. Check it out below…

BE KREATIVE – CITY GIRL PRETTY

BE KREATIVE is never far away from the New Music Roundup – he’s back once again with his latest single, ‘City Girl Pretty’—a summer-ready hip-hop banger with a country twang. Go on, give it a listen!

If you’re really feeling the track, be sure to check out his exclusive Q&A with the blog, where BE KREATIVE discusses his album ‘Lyrics Cursive’, which is currently the blog’s Album of the Month over on Instagram.

New Lease Music’s New Music Roundup – 05/06/26

Welcome to NEW LEASE MUSIC’s New Music Roundup, your weekly snapshot of great music from indie and unsigned artists from around the globe.

In the this lineup, there are two must-check-out acts that sit at opposite ends of the genre spectrum: indie disco-pop (or ‘space pop’) and full on, no filter blues rock with a message that almost everyone can related to. So on ahead and check them out! As always, give the releases a thumbs up in the comments section, if they tickle your fancy.

If you are a indie or an unsigned artist and would like your music featured on the list, send your music links and a short info about the release to submit@newleasemusic.com, with NEW MUSIC ROUNDUP in the subject line.

Thank you for visiting and I hope you enjoy the music! Have a great weekend.

MIDNIGHT MYSTERY CLUB – SIGN OF THE TIMES

MIDNIGHT MYSTERY CLUB continue their stellar run of cosmic indie-pop with the release of latest single, ‘Sign of the Times,’ out today on all major streaming platforms.

The new track marks the third of five singles to be unveiled ahead of the band’s forthcoming album, Telescope, which lands on 10 July. Blending shimmering melodies, atmospheric textures and the group’s signature “space pop” sound, ‘Sign of the Times’ offers another enticing preview of what’s to come from the highly anticipated record.

With each release, Midnight Mystery Club have continued to build momentum towards Telescope, and this latest offering further showcases the band’s knack for crafting immersive, dreamlike soundscapes wrapped around infectious songwriting.

Check out ‘Sign of the Times’ below and let us know what you think…

TREVOR FINLAY – SHUT THE HELL UP

If there’s one thing TREVOR FINLAY has mastered over 30+ years on the road, it’s this: sometimes the smartest thing you can say… is nothing at all. As he builds toward his seventh studio album, his new single, ‘Shut The Hell Up,’ leans all the way into that truth. Loud, unapologetic, and with a grin. A guitar-driven, no-filter blues-rock punch, the track captures everything Finlay does best: sharp-witted, road-tested, and delivered with classic rock swagger.

‘Shut The Hell Up,’ is out today across all music platforms. Why not check it out below…

Alan Dreezer Tackles Mental Health In New Single, ‘Delusional’

‘Delusional’ is the latest single from ALAN DREEZER and the emotional centrepiece of his forthcoming third studio album, ‘Nothing Changes If Nothing Changes’. Written during a period of intense self-reflection, the track explores the fragile line between ambition and self-belief, asking an uncomfortable but deeply human question: at what point does believing in yourself become delusion?

Blending atmospheric electronic production with intimate, confessional songwriting, ‘Delusional’ captures the contradictions that exist within modern creativity. It is a song about identity, isolation, self-worth, and the exhausting pressure to constantly validate your existence — not only as an artist, but as a person. Through vulnerable lyricism and cinematic production, Dreezer dissects the emotional cost of chasing purpose in a world increasingly driven by comparison, performance, and external validation.

At its core, ‘Delusional’ speaks directly to anyone who has ever felt misunderstood for wanting more from life. It examines the tension between persistence and self-doubt — particularly within independent artistry, where creators are often expected to maintain unwavering confidence while privately battling uncertainty. Rather than presenting ambition as glamorous, the song exposes its vulnerability: the quiet fear of failure, the loneliness of standing apart from the crowd, and the emotional exhaustion of trying to hold onto belief when the world offers little reassurance in return.

Musically, ‘Delusional’ draws influence from artists such as George Michael, James Blake, RY X, and Jungle. The track balances restraint with emotional intensity, allowing the lyrics and atmosphere to carry equal weight.

Beyond its sonic identity, ‘Delusional’ also reflects the wider emotional landscape of ‘Nothing Changes If Nothing Changes’ an album centred around transformation, accountability, healing, and emotional survival. Across the project, Dreezer explores what it means to confront the parts of ourselves we often avoid — our fears, coping mechanisms, emotional patterns, and the uncomfortable truths that accompany growth. The album title itself became a guiding philosophy during the writing process, representing the idea that meaningful change only happens when we are willing to honestly examine ourselves.

Mental health awareness also plays an important role within the campaign surrounding the release. Dreezer has used ‘Delusional’ to open conversations around musicians’ mental health, creative burnout, and self-worth — subjects that remain highly relevant within today’s music industry. The single is being released in aid of Mind, with Dreezer personally donating proceeds for every 1,000 streams alongside a dedicated fundraising page encouraging listeners to get involved and support the charity’s work.

The official lyric video for ‘Delusional’ further amplifies the song’s message, while the forthcoming official music video expands its themes visually through atmospheric and symbolic storytelling focused on identity, isolation, and perception.

Now over a decade into his independent career, Alan Dreezer has quietly built a loyal and organically grown audience through emotional honesty and artistic consistency. Following the releases of LONDON E12 and H E A L E D, this latest chapter represents his most exposed and self-aware work to date. Importantly, many supporters directly contributed toward funding the physical release of the album, highlighting the deep connection that has formed between artist and audience over the years.

With ‘Delusional’ Alan Dreezer delivers more than simply another independent pop release. He offers a deeply human portrait of modern ambition — one that acknowledges the loneliness, contradiction, vulnerability, and resilience involved in continuing to believe in yourself when certainty feels impossible. As anticipation builds for ‘Nothing Changes If Nothing Changes’, the single stands as one of his most honest and emotionally resonant releases to date.

‘Delusional’ is now available across all leading platforms. Why not check out the accompanied video below…

To make a donation to Mind, please visit link https://linktw.in/btBorV there is a QR code for donations linked

Connect with Alan Dreezer via:
FB: https://www.facebook.com/alandreezermusic
IG: https://www.instagram.com/alandreezermusic
YouTube: https://www.youtube.com/c/AlanDreezer
Website: https://www.alandreezer.com/

New Lease Music’s New Music Roundup – 01/06/26

Welcome to NEW LEASE MUSIC’s New Music Roundup, your weekly snapshot of great music from indie and unsigned artists from around the globe.

In this lineup, there are three great artists who aren’t afraid to go beyond the traditional boundaries of Country, Pop, Rock and Grunge, so if this is your thing, it’s definitely worth checking them out! If you like what you hear, give it a thumbs-up below in the comment section.

If you are a indie or an unsigned artist and would like your music featured on the list, send your music links and a short info about the release to submit@newleasemusic.com, with NEW MUSIC ROUNDUP in the subject line.

Thank you for visiting and I hope you enjoy the music!

NEWTON’S FIRST LAW – MADDIE LENHART

MADDIE LENHART‘s latest single ‘Newton’s First Law’ transforms emotional burnout into something immersive and deeply resonant, capturing the feeling of using movement as a survival tactic. Centered around the aching chorus — “I stay in motion / Keep it all going / And run till my lungs give out” — the song explores the exhausting cycle of staying busy just to avoid confronting heartbreak head-on.Blending atmospheric country textures with emotionally driven songwriting, the single pulls influence from Fleetwood Mac and The Chicks while carving out a sound entirely its own.

Newton’s First Law sets the tone for Maddie’s upcoming EP rollout with a sound that feels expansive, emotional, and strikingly self-aware. Check it out below…

BAILEY MARIE – ROCK A BYE BABY

BAILEY MARIE‘s new single, ‘Rock A Bye Baby’ is a bold, cinematic country revenge anthem from Bailey Marie that flips familiar nursery rhymes into a darkly playful story of betrayal, retaliation, and emotional release, channeling the storytelling edge of Carrie Underwood and Miranda Lambert.

The song opens with Verse 1, setting the narrative in motion: “Mary had a little man / Married for ten, made life plans / Little did she know on Friday nights / He was sleepin’ around with the neighbor’s wife / She had enough of his shit / Lyin’ and cheatin’, promised he’d quit / Mary said this was the last time / And sang him this nursery rhyme.” It immediately establishes heartbreak turning into resolve, as Mary reaches her breaking point.

That leads into the chorus, which transforms a classic nursery rhyme into a sharp breakup statement: “It’s rainin’, it’s pourin’ / The old man is snorin’ / She packed her bags and left / Had enough of his bedtime stories / Rock a bye baby she said pullin’ away / Her ass was gone when he woke the next day / She said see ya later hope you have a good life / Hope the neighbor makes a better wife.” The hook reframes childhood nostalgia into a moment of finality, independence, and revenge-fueled clarity.

‘Rock A Bye Baby’ is out now across all leading music platforms. Check it out below:

KERRIGAN BARRY – THE WORST

KERRIGAN BARRY wastes no time setting the scene with ‘The Worst,’ dropping listeners directly into a chaotic house party: music blasting, energy high, and probably a bathroom sign that reads “don’t do coke.” It’s vivid, a little reckless, and instantly cinematic, pairing perfectly with the track’s punchy pop-rock production and sharp lyrical edge.

“I wrote this song after a guy told my boyfriend I was the worst thing that ever happened to him. This aged well, we are happily engaged to be married this year.”

‘The Worst’ is out now for your pleasure. Why not check it out below…