Taken from her highly anticipated summer EP ‘Babe, Come Outside’, which released on Saturday (May 13), rising pop artist PRECIOUS dishes up her new single, ‘Her Spell’, an electrifying Sapphic pop anthem, intended to captivate listeners with its runway-worthy fierceness and bring them to tap into their own sensual power. With her bubbly aesthetic and early 2000’s influences, Precious brings a fresh and dreamy vibe to the queer pop music scene.
Having previously been featured in Sesi Mag and Pop Passion Blog this year, as well as collaborated with exciting names in music such as rising rapper Baby Tate and actor/singer Rotimi, Precious has built a dedicated online following, which she calls her “gumdrops”, and she has garnered over 100k of them on Tik Tok. As a black queer artist, Precious is committed to representing underrepresented voices in pop music.
Her EP ‘Babe, Come Outside’ showcases Precious’ growth as an artist, as she takes full control by writing and producing all of the tracks, including the infectious single ‘Her Spell’.
To complement the release of ‘Her Spell’, Precious will be releasing a visually stunning music video that captures the EP’s essence and embraces a dreamy pink aesthetic…but for now, check out the spell-binding single below…
After his latest single claimed a spot in the Spotify editorial playlist ‘New Music Friday’, R&B/ Lo-fi newcomer LEROYBROUGHTFLOWERS makes a return with the first single off his debut EP ‘Self Defence’. Having received support from the likes of BBC, Acid Stag and an exclusive premiere of ‘Self Defence’ on NOTION magazine, the artist has been tipped off by industry experts as one to watch.
With a range of the octaves and a background on jazz music, the singer/songwriter is inspired by the sound of older decades giving them a modern interpretation of both singing, rapping and a signature subtle combination of both. Driven by interesting vocal melodies and subtle harmonies, ‘Self Defence’ is an homage to 90s/00s R&B and hip-hop music not stepping away from the lo-fi chillhop sound creating a unique combination.
The atmosphere of the relaxing lo-fi instrumental leaves space for complex rhythmic patterns and interesting lyrics as Leroybroughtflowers croons about trying to get over someone but somehow they manage to slip into your dreams. Although the dreams presents the happiest moments, sadness takes over when face with reality. The artist’s R&B approach on the song makes the tune fresh and weirdly energetic as the hook has a great catchy mid-tempo groove.
‘Self Defence’ is out now across various platforms…check it out below…
On the heels of his critically-acclaimed F65 album release, Maryland rapper IDK returns with the nostalgia-tinged music video for ‘Pinot Noir’ [feat. SAUCY SANTANA & JUCEE FROOT]. Directed by Khari Johnson & Jason ‘IDK’ Mills, the visual flaunts nineties appeal and emanates warm throwback energy.
Behind the track, IDK shares, “And also, I don’t have to be a gay rapper to put an openly gay rapper on my song… I heard the beat, and I heard a very talented artist by the name of Saucy Santana on that beat. I love him forever for taking that risk with me. Now we have a banger for the summer.”
Shot in black and white, the Golden Age of Hip-hop vibes are heavy throughout, offering fans a full view of IDK’s artistic versatility and storytelling. An uptempo, jazz-driven sample of Khia’s 2001 hit single ‘My Neck, My Back,’ it strikes a balance between carefree and confident, creating a unique kind of high art within the rap world. IDK delivers dynamic bars and instantly makes his presence known, assuring, “You know me, I don’t need no introduction in this.” From quick-hitting lyrical flexes to the unapologetic raunchiness of Saucy and Jucee Froot, ‘Pinot Noir’ makes for another standout ballad from the naturally gifted multihyphenate.
Elsewhere, IDK continues to make his claim as one of today’s most sought after collaborators in music, fashion, and beyond. Recently, he collaborated with Nike to unveil his limited-edition Nike Air Max Pro 97 “Free Coast” F&F sneaker. This fashion-forward feat follows IDK’s stellar performances at Coachella last month, where he donned a custom Lanvin race suit and helmet. But his commitment to style didn’t end there. Just last week, he created original content with the Jordan Brand for their new “Mini Hoops” series – a true testament to someone who’s in complete control of their creative output.
In addition to releasing his provocative new album, IDK is gearing up for his headlining “65 Tour” kicking off June 23rd in Paris, France. The 22-stop tour will make landfall in New York, Atlanta, Houston, Los Angeles, and more before wrapping up in Toronto, ON October 29th. The full list of dates can be found below — for more information please visit http://www.Thr33Dot.com.
It’s also important to note that IDK is using his influence to make a positive impact. With the fall return of his tuition-free music business seminar at Harvard University, No Label Academy, he’s merging industry with academia to help BIPOC students jumpstart their career in the music industry.
Hailing from Philadelphia, NSH GHXST is hitting full speed with single, ‘I’m Not In Love’ (Remix) Ft Nsh Da Real. Melodic, catchy, and far from basic- Nsh Ghxst has found his sound.
Growing up, music always played a major part in the 22-year old singer/songwriter’s life. His growth in only a year paired with his grind, displays raw talent, individuality & most importantly, HUSTLE. Young and hungry, Nsh Ghxst plans to push out even more consistent music in an attempt to grow his popularity. Step by step, his efforts are beginning to pay off; having reached over 11K views on his “GYALIS” freestyle via TikTok!
Rising alt indie-folk vocalist, composer and multi-instrumentalist YVONNE HERCULES makes a much anticipated return with the release of bittersweet new single ‘Narla’s Song’ today, a bluesy, melancholy sonic treasure of spinetingling vocals and poignant songwriting as it explores the notions of loss and grief.
‘Narla’s Song’ follows the release of Yvonne’s single ‘Phoenix’ which came out in April this year. The new track comes just ahead of the 9th June release of Yvonne’s 2nd EP ‘Olive’, which is centred on the narratives and experiences of Black women and Black femininity, with the title track inspired by Black British civil rights activist Olive Morris. Fuelled by her own experiences as a Black woman and creative, and inspired by Alternative Folk/Soul, Jazz and Rock, Yvonne has sought to showcase a body of work that she feels truly represents the nuances of her experiences and those of the Black women in her life and around her.
Produced by multi-instrumentalist/producer Malcolm McCarthy (Rita Ora, Jennifer Hudson, X Factor), the forthcoming five track EP ‘Olive’, follows up Yvonne’s critically acclaimed singles ‘Roving’ (2017), ‘Nene’ (2022) and five-track EP ‘Gladiolus’ (2018).
To coincide with the release of Olive, Yvonne is also about to embark on a five-date tour through June taking in Brighton (June 9th), London (June 10th), Bedford (June 15th), Peterborough (June 16th) and Cambridge (June 17th). Tickets for the tour are now on sale here. There will also be some workshops hosted by Yvonne on signwriting and lyrics on 11th June at The Place Bedford – https://www.theplacebedford.org.uk/shows/yvonne-hercules-lyrics-poetry-workshop/ and 4th June 2023 at The Metal, Peterborough on 12th June, more info at http://www.yvonnehercules.com .
Yvonne Hercules says of her latest offering “ ‘Narla’s Song’ is about loss, grief and all the complex emotions around losing a loved one. During my grieving process, I wrote the song as a way to eulogise but also to heal. I remember coming across Olive Morris by chance as I stumbled upon a piece about her work as an activist and her life. I felt disappointed and a sense of loss that as a young Black girl, who needed to hear stories about impactful Black British women like Morris, nobody had ever mentioned her name. That particular connection to Olive Morris was even stronger, because I remembered when I was young I used to be called ‘Olive’, so in that moment, I felt that the significance of her life and activism needed to be remembered.”