Album Interview: Take My Power – Tunnel Traffic

He was featured numerous times on the blog with singles including, ‘I’ll Be Sorry’, ‘Skip’ and ‘Another Story’ plus albums ‘Age of Conviction’ and ‘Meesh’, but I’ve never formally introduce Adam Hachey, otherwise known as TUNNEL TRAFFIC to you guys. Well I’ve caught up with him, to talk about his brand new album, ‘Take My Power’ – out from the 15th July on all music platforms – and what inspired him to produce the 11-track collection.

NLM: Hey, thank you for taking part in an interview with NEW LEASE MUSIC. How is 2021 treating you so far?

TT: Pretty great. Pandemic-wise, I feel fortunate things seem to be looking up within my circles. That and finally releasing this album have been a couple chapters I’ve been eager to close.

NLM: You recently shared your album ‘Take My Power’, where you unveiled singles ‘Gets Me Out’, ‘Through The Day’ and ‘Next To Me’ ahead of its release. What is the public perception on the singles so far?

TT: I’ve been hearing good feedback on several different aspects of the songs – the production, guitar tones, string arrangements, lyrics that stood out. I’m happy that I was able to create music that could be enjoyed in a variety of ways. I spent a lot of times with these songs and it’s reassuring listeners find a way to appreciate something from each stage of the songwriting process.

NLM: What inspired you to produce the album?

TT: I’ve been working on a project that is really complex in scope and thematically heavy, but I also had a few ideas for simpler songs bouncing around in the back of my mind. I figured I’d have some fun with those first, even if they didn’t amount to anything. When I realized the new ideas were converging on a common theme, I knew they had to become this album.

NLM: What is/are your favourite single(s) from the album and why?

TT: I’d have to go with ‘Through the Day’. I like the way it captures the push and pull of keeping it together while facing some mental baggage, and it does it in a quirky, off-kilter way. I also want to give a shout-out to ‘Truth’, which stands out to me as having a simple song structure that progresses in an extremely satisfying way.


NLM: So how would you describe the album’s sound to potential fans?


TT: It boils down to a mix of acoustic and fuzzy indie rock, all with a DIY aesthetic. I actually went with my acoustic guitar throughout the whole album and clipped the signal through my interface to get the overdrive effect. I think fans of The Microphones or Neutral Milk Hotel would appreciate the sound.

NLM: What message would you like the listeners to take away from your album?

TT: The album explores my thoughts/emotions whenever my mental health reaches a low point. It enters some dark places, but I also made sure to include theme of love and support. I think the pandemic made these ideas universal. I hope listeners see it as an expression of solidarity in struggling with mental health and feel appreciation for their loved ones who lift them up.

NLM: If you had to feature one mainstream artist on the album, who would it be and why?

TT: Not sure if this is mainstream enough, but I’d have to go with Will Toledo of Car Seat Headrest. He’s a versatile indie rocker with underlying quirkiness, characteristics that I strived for on this album.

NLM: Do you have other project(s) for 2021?

TT: I have lyrics and rhythm guitar written for my next album already. I know the full arrangements will keep me busy for a while, and I’m hoping to work with other people again. I don’t want to say too much yet but it will be a bit of a pivot from my other releases.

NLM: How can potential fans find you?

TT: All tunnel traffic music is available on every music streaming platform. I have accounts on Instagram, Twitter, and Facebook. Write to me and I’ll respond.

Links: https://linktr.ee/tunneltraffic

NLM: Finally, any special shout outs to those involved in the production of ‘Take My Power’?

TT: I sing to Jacky Muñoz on several songs on the album. She definitely deserves the shoutout here. On top of her constant support in life, she is able to listen to my work as both a fan and a critic, and I am a better songwriter for it.

‘Take My Power’ is out now all music platforms

Song of the Day: City View – Groov Marro (ft. Garf of Generation GT)

Although he sites a host heavyweights including Ludacris, Jay-Z, Eminem, Mac Miller, Anderson Paak and Joey Badass as strong influences, it is very evident that born and bred Philly rapper GROOV MARRO is in a league of his own.

His single, ‘City View’ captures his cocky personality and unique flow over the wavy groove of the track’s b-line . He calls upon singer Garf (of Generation GT) to drop his silky smooth vocals, which gives the production that extra spine-tingling sensation.

Why not check out the official music video for Groov’s ‘City View’ below, which clocked up over 16,000 views since its release earlier this month.

Album Interview: Paradigms – Boldbeats

Introducing Philadelphia’s rapper BOLDBEATS for the first time on the blog and his latest full-length album, ‘Paradigms’, a reflective collection of work that encourages us to step back and really think about life. So find out what exactly inspired him to produce the album and what hip-hop mainstreamers he would like to jump on his mammoth set.

Very interesting guy…why not get to know him below…

NLM: Hey, thank you for taking part in an interview with NEW LEASE MUSIC. How is 2021 treating you so far?

BB: So far, I’m liking how things are looking. I haven’t made any real moves just yet this year, but if all goes well, we’re about to stir some things up.

NLM: You released your album ‘Paradigms’ in November 2020. What is the public perception on the project so far?

BB: I’ve gotten nothing but good feedback back about the project. It’s doing what it’s doing, but that’s without any REAL promotion behind it. Which we plan on changing in the coming month or so.

NLM: What inspired you to produce the album?

BB: Well, it’s actually a mixtape, but it does hold meaning like an album would.
I’ve been spending a lot of time working on myself, trying to find out who I am, not only as an artist, but why my life is a thing y’know? Deep shit. All of comes from me shifting my paradigms. Which is a system of beliefs, ideas, values, and habits that is a way of thinking about the real world. Even the small shit counts, like, making your bed in the morning. I’ve been trying to change my bad habits to start becoming who I envision myself to be in the future.

The same with my music, I’m not getting stuck into one category. I’m not coming into the game as a drill rapper, or a conscious rapper. I’m coming in as an artist, and I’ve come to realize, that that’s how it should be! Music is art, and if you have the ability to create many styles, then why the f**k shouldn’t I do it, and be praised all the same for it, if not more?

NLM: What is/are your favourite single(s) from the album and why?

BB: I’d say Therapy, Open Door and All Out are my favourites. I chose these three because on these songs, I was just venting. Those were ones that I went into the booth and just vibed. I record my own music, so I’m always alone when I do it. It’s just how I’d prefer it for the most part. That way I’m free to try different sounds, and vibes, and not have to cloud my mind with a fear of criticism if something sounds whack hahaha.

NLM: So how would you describe the album’s sound to potential fans?

BB: ISSA VIBE! No doubt! I’ve got a lil bit of everything on there, and it’s a project that you can just let run through. Of course they’ll have their own favourites, but at the end of the day, if they genuinely ENJOY music, they’re gonna love the mixtape.

NLM: If you had to feature one mainstream artist on the album, who would it be and why?

BB: Oh, that’s an interesting question. I didn’t see that coming. Forreal, I’d say Lil Uzi on “All Out” . That shit would’ve went DUMB, and a show with that, I can already feel the energy coming back from the crowd! Haha, one day.

NLM: Did the Covid pandemic presented any drawbacks in the production of your album?

BB: Honestly, no. My studio is in our basement, so I had no setbacks.

NLM: Do you have other project(s) for 2021?

BB: Oh yeah, but they’ll all be single projects. Might do a little mixtape or EP at the end of the year, but, who knows?

NLM: How can potential fan find you?

BB: You can find me at the following:
Facebook- BoldBeats
Instagram- xboldbeats
Twitter- BoldBeatsEnt
SoundCloud-BoldBeats
Apple Music- BoldBeats
Spotify- BoldBeats

NLM: Finally, any special shout outs to those involved in the production of ‘Paradigms’?

BB: A big shoutout to my mom for tellin everybody and their momma about it lol, and the biggest shoutout to my pops for helping me get where I am today. I wouldn’t have the courage to do it without them.

You can catch Boldbeats album right here.

Scorcese Lorde Jones Taps Producer Patchz For ‘Scarface Mahogany’

‘Scarface Mahogany’, the first single from the upcoming collaborative project, ‘Lobster Tales In My Tesla’ features INSUBORDINATE records emcee SCORCESE LORDE JONES waxing poetic reflecting on the glorious highs and chilling lows of the “cocaine 80s lifestyle,” while producer Patchz provides a daunting ‘Vice City’ feel to the track.

Out 21st January on Bandcamp, ‘Lobster Tales in My Tesla’ is a cinematic album created by the duo. Wealth, the glorification of excess, and the realities of the eventual crash are explored in character by Scorcese using his “Lorde Jones” persona. Patchz provides a sample-free soundscape of haunting, paranoid sounds along with triumphant keys to allow Scorcese to dive headfirst into the world of expensive pleasures and broken realities.

Get the first taste of the project below…

AJ Mamba Sheds Light on Black Issues With New Single

With over a decade of experience in theatrical arts, Philly-born lyricist,  AJ MAMBA aims to push the boundaries of hip-hop and R&B with creative wordplay and fearless honesty that’s entertaining.

His first single release on Estabrook Road Records, ‘Black People’, was actually written and produced prior to the current moments occurring in America. The single chronicles the historical and reflective view of the trials and tribulations of African Americans as a whole and is intentioned to make the audience think about different perceptions of reality.

 Check out the official video for single below…