MUMU FRESH sings directly from the heart with ‘My Why’, which she describes as “a tribute to that person(s), place, or thing in your life that is your ‘WHY’”. The impassioned single is from her forthcoming LP The Healing, which will feature DJ Jazzy Jeff, 14KT, DJ Dummy, & more, & comes out on 19th April.
Mumu Fresh, aka Maimouna Youssef, is a Grammy Nominated singer, songwriter and emcee, and recipient of the Indigenous Music, Washington Area Music (WAMMIE) & Urban World Music Video awards. She’s worked with Busta Rhymes, Common, Black Thought of The Roots, Tobi Nwigwe & more, & has two NPR Tiny Desk performances under her belt.
Mumu also co-created the Recording Academy’s “Best Song For Social Change” trustee award, which went live in 2023 at the 66th Grammy Awards & was presented by The First Lady, Jill Biden.
Why not check out the lyric video to ‘My Why’ below…
D POWER DIESLE is back with a bang, dropping the sizzling second single from his upcoming EP project ‘Graphene 4’. Featuring renowned Nottingham emcee, Wariko and produced by Audio Slugs, this grime banger calls back to the notorious LOTM3 clash carrying the same electrifying energy.
After crossing paths on the mighty clash series ‘Lord Of The Mics’ Volume 3 back in 2011, the pair were pinned up against eachother producing one the most memorable clashes in the UK Grime scene. Lauded by top artists, industry giants, and global music lovers alike, this dynamic duo reunite in ‘Start This’, recapturing the raw energy of their legendary basement clash.
Produced by Grime heavy hitters Audio Slugs, Diesle and Wariko ride the 140bpm beat going back to back, while gifting us with references from the famous battle. The chorus and verse integrate seamlessly, with the London and Nottingham accents playing off each other harmoniously.
Gearing up to release ‘Graphene 4’ this Spring, its prior three volumes were a masterstroke in Grime, garnering millions of streams, widespread acclaim across UK’s radio and press, and powerhouse collaborations with Grime’s biggest stars, including Skepta, D Double E, Manga St Hilare, and Big Narstie. Mark your calendars for D Power’s headline show at ‘The Hackney Social’ on Friday 3rd May, where he will be delivering a curated performance of tracks from the Graphene series.
A pioneer and veteran that many within Black British music praise, D Power Diesle is best known for his impact in the early grime days via Déjà vu, Rinse FM, and clashing with Wariko on Lord of the Mics 3. But it doesn’t stop there. Not only housing an impressive catalogue of music, Diesle has also toured with UK heavy-weight Skepta, Wiley, Jammer, and Modestep before outlining a reputation of his own. Flash forward to today, it’s a common discussion amongst UK rap about grime’s positioning in our current landscape, a topic of which not everyone agrees on. However, it’s artists like D Power Diesle that are still holding it up for those gritty, raw, and lively tracks that encapsulate the roots of London’s inner city. Taking his knowledge of the industry and putting it to good use, Diesle formed his own label EB Records that’s committed to guiding the up-and-coming artists of today down the right path. Check out the video below…
MOVINA‘s journey from contemplating a career in medicine to pursuing her passion for music is a testament to her unwavering dedication to her craft. Despite initially opting for a pragmatic approach by pursuing finance to support her musical aspirations, Movina’s heart ultimately led her back to her true calling.
With a background in both Carnatic and Western classical music, Movina brings a rich tapestry of sounds and influences to her work. Her upbringing, steeped in the melodies of legends like Alka Yagnik, Sonu Nigam, and A.R. Rahman, alongside icons such as Michael Jackson and Madonna, has shaped her distinctive musical style.
However, breaking into the mainstream music scene hasn’t been without its challenges. Movina acknowledges the competitive nature of the industry, especially as a South Asian artist navigating a predominantly Western market. Yet, she embraces her uniqueness as an asset, setting her apart from the crowd.
“I like the Indian beats and melodies. And it comes through in my music,” says Movina, whose love for her cultural heritage is evident in both her sound and aesthetic.
With ‘Hazy Baby,’ Movina invites us on a journey through her eclectic musical universe, where East meets West in a harmonious blend of sound and style. As she paves her own path, her star continues to rise, promising a future filled with endless possibilities.
‘Shoulda Known Better’ is a sonic masterpiece by two rising stars in the music industry, L DIZZY (pictured right) and SOVEREIGN TUGZ,that fuses aggressive flows and high-level punchlines over a dark and intense instrumental. L Dizzy’s razor-sharp delivery, combined with Sovereign Tugz’s in the pocket offering, as well as guidance in the form of executive production, results in a track that is set to captivate audiences and elevate the duo to new heights.
ErrorTheProducer’s innovative beat sets the stage for L Dizzy and Sovereign Tugz to deliver a powerful performance that pushes the boundaries of UK rap. The single serves as a testament to label See No Equal Entertainment’s commitment to pushing artistic boundaries and delivering unparalleled music experiences to fans.
“This song is not just a track; it’s an experience. It represents the evolution of our artists and the unique sound that See No Equal Entertainment is known for,” says Sovereign Tugz, Creator of See No Equal Entertainment. “Im gassed to kick off 2024 with such a powerful release and set the tone for an exciting year ahead.”
‘Shoulda Known Better’ is the first in a series of releases planned by See No Equal Entertainment for 2024. The label continues to be a driving force in the music industry, dedicated to providing a platform for emerging talent and delivering music that resonates with diverse audiences. Why not check out the blazing joint below…
Born in Zimbabwe and raised in Leeds, LEI HOPE is the project of Manchester based musician Hope Chiguvo. He recently announced his new EP ‘Matrices’ which will be released 10th May via Heist or Hit and shares the project’s second single and opener ’21’.
On his ambitious new 7 track EP ‘Matrices’, Hope’s textured, wide-ranging songs skip between sacred melodies and secular sentiment, all wrapped in a sound that jitters somewhere between the deluxe-digital-age psychedelics of indie and R&B.
Latest single and EP opener ’21’ at once feels familiar, nostalgic, yet distinctly singular. Written as a reminder to himself of his own growth as a person and artist, the song’s woozy, soulful ascending guitar chords and jazzy instrumental inflections provide a warming base for Lei’s musings on personal progression.
Speaking more on the release of new single ’21’, Lei Hope said: “The title of the EP ‘Matrices’ came around as the plural of ‘matrix’. It’s a bit of a nerdy explanation but in Maths, a matrix is used to communicate transformation, movement, or change (similar to coordinates). Throughout the making of this project, I underwent multiple layers of change. I like starting projects with an update on my state of mind – and on ’21’ I was looking back at times when my mental health was a lot worse and appreciating the growth I’ve made in terms of overcoming a lot of struggles. This was the first song Will Levison and I co-produced in December 2022, and it features vocals from Manchester R&B singer Mxzvita.”
Having already impressed with his self-released debut EP ‘Autonomous Affection’ and on the live stage – with buzzy showcases at Beyond The Music and Manchester Psych Fest, Lei Hope’s music arrives at a fascinating intersection between indie-pop, psychedelia, bedroom-pop, R&B and soul.
The hallmarks of his sound – layered vocal harmonies, vibrant synthesisers and smouldering hooks are all there, dappled in sunshine and in full plain sight. A guitarist first and foremost by his own admission, Lei’s musical genesis was in the church. “Whilst I was living with my family in Leeds, we would go to church maybe two or three times a week. It was non-denominational, but I guess you could say it was most similar to a Pentecostal service, with live musicians every service.” he states.
Following a period of father-son osmosis whereby he soaked up every chord shape his dad could show him, the church musicians rallied to fill in the gaps. “Once I got better at guitar, I joined the church band and was playing live every week. Now, my guitar is like my musical calculator and compass.”
And there is a navigational intelligence to the way in which he uses the various shorelines of genre as jumping off points for his own compositions. From making beats at home around the age of 15, Lei discovered and immersed himself in the material of Omar Apollo, Clairo, Yeek, Blood Orange and Spencer.
However, it wasn’t until the enforced cocoon of the pandemic that Lei began the process of recording. Isolation proved to be a creative chrysalis from which he emerged fully formed: “I didn’t know anyone in the industry or any musicians in Manchester but I knew that Steve Lacy had recorded his first EP on his phone. I took inspiration from that. Quickly, I wrote, produced, recorded and engineered my first project and people reacted.”
Lei Hope is a man making whatever music that comes into his head with the power to dismantle and reassemble genres. A pallet cleansing, no filter aesthetic; not just indie for the sake of it, but affectingly human. When you factor in that he’s capable of wringing soulfulness out of any bar of music seemingly at will, it sets him apart as one of the most exciting prospects on the Manchester indie scene.
Lei Hope’s new EP ‘Matrices’ will be released on 10th May via Heist or Hit. Why not watch the visualiser for ’21’ below…
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