A rising force on the London pop scene, APRIL JAI returns to her sad girl roots with new single, ‘You Didn’t Notice’.
Fusing delicate acoustic guitars with brooding synths, ‘You Didn’t Notice’ explores the duality of emotion and dealing with the sense of abandonment from the happier half of yourself. Ending with an explosively emotive bridge, the single takes an uphill journey as its dynamics builds towards a heartfelt ending.
Speaking of the inspiration behind the single April says: “Healing from mental illness is not always linear and sometimes dark thoughts creep up when you least expect them. If you’ve ever been in a place where you don’t notice you’re slipping into a dark spiral until it’s too late, this is for you.”
Making her name for herself in London’s pop music scene with chilled productions and emotionally-charged lyrics, April TikTok viral hit, ‘It Ends With Us’ generated over 500K on Spotify. Her previous sultry single, ‘Stop Fighting It’ emerged as her first release since her sold-out tour in December at London’s Troubadour – proving her ability to translate online viral attention into a real life fanbase.
With a growing catalogue of heartfelt releases under her name, April’s pop releases matched with her natural storytelling abilities sees her continuing to attract listeners from around the world, tapping into ups and downs of navigating life and relationships.
Continuing her progression into the pop world, ‘You Didn’t Notice’ is another honest and heart wrenching effort from April Jai. Have a listen below…
PSYKHI‘s new EP, Forest People, was born out of the dichotomy of observing the patterns of human thought and behaviour while also musing on the musician’s own approach to life. The Ghanaian creative is profoundly introspective and that pensiveness is evident through every strain of his punk, indie, rock, and rap laced EP, which features five tracks of pure expression. Now London-based, he has already introduce the EP with tracks ‘Sitting On Ice’, ‘Don’t Disappear’ and ‘Dry’, the last of which was picked up by CMU Daily, Ones To Watch, FAULT Magazine, EARMILK, Notion, Elevator and more. Joining this triad of punk-infused tracks is title-track ‘Forest People’, an anthem for all of those who’ve “gone astray”, and lead single ‘Dyed In Wool’.
Speaking about the new EP, psykhi shares: “Forest people for me felt like the harnessing of spirit. To find love for oneself and to be able to stand up for what you believe in.”
Introduced by an 80s-esque keyboard melody, the focus track takes after the idiom ‘dyed in the wool’, often used to describe someone who is steadfast in their opinions and stubborn to change them; and it’s such a person that psykhi directs his poetic lyrics towards. In his distinct breathy tone, the artist rhythmically delivers uncompromising lines like, “Think you’re flawless since you feel this way/ Tell me what’s expected/ Tell me what’s addictive/ You usually shake your head like a disappointed friend/ I hope you don’t pretend/ You can be more than specific.” Backed by elastic bass and upbeat drums, these cadenced verses ramp up into cathartic choruses in which the instrumentation and psykhi’s usually brooding voice lets loose. The whole track functions on the push-and-pull mechanism in which moments of restrained lyrical potency are exchanged for fiery punk-rock riffs, and vice versa.
The official music video for ‘Dyed In Wool’ was directed by No Format (@no___format). It’s a greyscale performance video that’s reminiscent of the late 70s and 80s punk aesthetic. While the collage effect reflects the disparate parts of psykhi’s creative mind coming together to produce his affecting and unforgettable songs.
‘Forest People EP is undoubtedly a collection for the outsiders; for anyone who has been lost, for anyone who has receded into the overgrown jungle of their mind and come out the other side to tell the tale…Have a listen below…
WXNDCHIME is a British-Jamaican artist from South London who much like the musicians who influence her, utilises her music as a tool of expression against injustice. Having lived in both England and Jamaica, her sound which creates allegorical reggae/neo-soul infused melodies, overtly reflects on the Black/Caribbean influence on British society and the reverberations of this.
She explains her name as the symbolism of making peaceful noise from collisions. She removes the ‘I’, replacing this with the militancy of ‘X’.
‘IG’ is the first single from Wxndchime’s EP ‘IOUSZ’ which features eclectic sounds heavily influenced by the reggae, hip hop and neo soul/jazz she grew up on.
The song is an introduction to the complexity and dynamism that is Wxndchime, with distinctive lyrical verses and R&B hooks inspired by the harmonic arrangements of her gospel choir days. Through upbeat, playful melodies the song explores deeper realities of chauvinism, mental health, and a world heavily focused on image and surveillance.
The song features North London’s afro swing artist Tape, and the music from Alabama producer Yunnie is a collaboration which can be heard throughout her EP along with tracks produced by SpaceAgeRasta and Sena Beats. Have a listen below…
Revealing her highly-anticipated fourth album, the self-confessed food-lover (a semi-finalist on Celebrity Masterchef, cookbook writer, and podcaster) SPEECH DEBELLE has been influenced by the connection, comfort and culture that food allows us to explore.
The South London lyricist says of the title: “On a Monday, the Sunday dinner just tastes sweeter; everything has time to marinate and settle.”
Featuring the singles ‘Come Your Way’, ‘101010’, ‘Atlantis’, ‘Away from Here’ and ‘Wayward’, ‘Sunday Dinner On A Monday’ examines family, friends, lineage, and ancestral DNA through the lens of afro-futurism.
“It’s about how we imagine and then create our own futures”, says Speech. “The album is about our journey through life as we learn from experiences that expand our senses. We learn internal management and get closer to ease. Some of us even become nourished, like a good meal. This is THAT album.”
‘Sunday Dinner On A Monday’ has been mixed and mastered by Grammy-nominated and MOBO award-winning mixer and engineer Clinton McCreery (Enny, Kofi Stone, Manik MC), with writing and production from Skripture (Will.i.am, Gregory Porter, Basement Jaxx), and collaborations with Dem Drums, Jamaican production team Island Wav, Kensaye, and Mark Cake. It includes features from English contemporary pianist and composer Neil Cowley (Adele, Emeli Sande, Maribou State), Miss Baby Sol, Dylema, Alyesha Lei and Ruth Sax.
Speech Debelle – whose real name is Corynne Elliot – kicked in the music industry’s backdoor in 2009, waving her sensitive, introspective Mercury Prize ‘British Album of the Year’ and debut album ‘Speech Therapy’, beating the likes of Florence and the Machine, Kasabian and La Roux. Her 2012 Kwes-produced sophomore album ‘Freedom Of Speech’ commanded further critical acclaim expanding Speech’s captivating flair for poetic testimonies, playful narratives and dynamic rumination on power, politics and pleasure.
She later stepped away from music for a few years to develop her other passions; her zeal for cooking tantalised the nation with her inventive recipes as a semi-finalist on Celebrity MasterChef, while in 2013, her socially conscious drive saw her curating a moving exhibition of art by prisoners for the Koestler Trust’s ‘The Strength and Vulnerability Bunker’ at the Southbank Centre.
Speech combined her love for music and food in her weekly podcast ‘The Work Brunch’, where she cooked and discussed music, life and inspiration with a range of esteemed guests, such as Lianne La Havas, Nitin Sawhney, Shabaka Hutchings and Mikill Pane.
She accompanied her third album ‘Tantil before I breathe’ with her own cookbook and memoir expressing that ‘music and food are art – they heal and inspire’. The nine songs spanning all three of her albums tell a story of abandonment, the artistic process, critical acclaim, record label mistakes and healing, with a delicious, inspired recipe for each.
Speech has spent three years working as a Relationship Manager in the music team at Arts Council England. She has supported artists and organisations in receiving funding and spearheaded the ‘Black Influencers Masterclass and Programme’, which provides the toolkit for funding projects, specifically for Black and Brown people in the UK.
‘Sunday Dinner On A Monday was released today (9th June) on all music platforms. Have a listen below…
A household name in the UK jazz world, Canadian-born, UK-based trumpeter, DJ and composer JAY PHELPS teams up with Birmingham MC Simon Jnr ‘Through The Clouds’. It’s the second single from his forthcoming album ‘The Now’, releasing via Platoon in partnership with Black Lives In Music.
With a career spanning 20 years, Phelps has performed as a sideman with some of the world’s top names, including Amy Winehouse, George Benson and Wiz Kid. His work as founding member of award-winning contemporary jazz group Empirical in the late 2000s garnered international acclaim, an early precursor to the explosion of UK jazz that has since followed. As a bandleader, he’s explored multiple styles, threading together the jazz language and tradition with contemporary influences, always with one eye on the future. His status as an innovator and enabler on the UK jazz scene has seen him host regular shows on Jazz FM and Gilles Peterson’s Worldwide FM, and draw praise from The Guardian, Jazzwise and London Jazz News.
The forthcoming LP ‘The Now’ brings together a cross-generational collective of musicians. It’s a journey from the underground, club-centric UK jazz scene, through to the house-filled streets of Detroit and progressive sonics of LA. Phelps continues on his mission as a connector of dots, bringing together multiple generations of musicians at the forefront of the UK’s jazz scene, including David Mrakpor (Blue Lab Beats), Tom Ford (Chris Dave, Reuben James) and Nicola Guida (Secret Night Gang). The record draws inspiration from hiphop, G-funk and broken beat, with Phelps and co weaving between styles through conversational improvisation, thoughtfully crafted melodies and a combination of vocal and horn-led arrangements. Continuing with the west coast vibe explored on lead single ‘Finding Centaurii’,
‘Through The Clouds’ invokes shades of Anderson Paak’s jazz-fuelled soul-funk. Phelps’ playful muted trumpet is paired with Ruta Sipola’s flute in conversation with Mrakpor’s vibraphone, with the instrumental finely balanced against Simon Jnr’s lyrical flow, setting an inspirational tone of breaking through and looking past adversity.
“I wanted the catchy melody to be traded around the band, as it’s the largest ensemble featured on the entire album. Simon Jnr came through and provided the lyrical masterpiece, which tied in perfectly to the themes I wanted to convey on the instrumental.” -Jay Phelps. Have a listen to
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