Album Review: Lightheaded II – Dizzy Rambunctious

For his latest project, DIZZY RAMBUNCTIOUS braves it out and goes on a turbulent journey of dealing with a heartache from a relationship.

Starting off with melancholic tones, reflecting the first stages of a break-up, ‘Lightheaded II’ offers glimmer of light with an upbeat offering through ‘Heartbreak’, possessing the raciness of guitar plucks with along the EDM-ish drive.

With the tempo tuned down a notch or two, the second half of the album is free of the moody presence of the dense bassline and makes way for those carefree moments which is conveyed through a chirpy, modern take of boombap and a rather flirtatious jazz/soul combo (we’re talking Al Jarreau style).

Through ‘Lightheaded II’, DIZZY RAMBUNCTIOUS shows no boundaries to his talents, taking on a Simply Red’s Classic ‘Holding Back The Years’, through track, ‘Holding On’. What I love about this album is that it tells a clear story with minimal words…check it out…

Must Listens: Broken Love, Depression, Brighter Days, Holding On, Just To Get By

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Song of the Day: Say So – Sophie Faith

SOPHIE FAITH teamed up with producer Midnight Phunk for the first Song of the Day of the year – ‘Say So’ – their unique collaboration that’s set to grab the industry’s attention.

 ‘Say So’ acts as a cathartic vessel addressing regret for a previous relationship, with SOPHIE FAITH spilling her emotions throughout the song, metaphorically laying bare her truth.

Renowned for his work with singer Jamilah Barry on her outstanding single ‘Dance Moves’, Midnight Phunk is steadily building a reputation as one of the most gifted producers to emerge from an already bustling north London music scene. His ability to craft soundscapes that allow individual artists to excel is a commodity that is in high demand.

 Something that is equally as coveted are the soulful vocal skills of SOPHIE FAITH, who over recent years has attained a loyal following due to various features with the likes of Coops that has seen anticipation grow ahead of the unveiling of her own material. She has been working with enigmatic producer Talos, in addition to preparing for her official debut EP with producer Aston Rudi, which is due for release in this year…have a listen to this irresistibly sassy track.

Christmas Song: This Christmas – Ricardo Williams

RICARDO WILLIAMS continues to bring on Xmas, by putting his seamlessly smooth R&B/soul spin on a festive classic ‘This Christmas’. The track is from his 2015 album, ‘The Gift.’

Go on, get into the spirit and have a listen!

New Track: Hype Like Supreme – Sub Blue

Taking his name from his self-described style of music, “suburban blues”, SUB BLUE offers a fresh take on chilled out, alternative introspective R&B through brand new single, ‘Hype Like Supreme’, the first track taken from Sub Blue’s new EP, out in 2018. It was produced by British soul artist and producer  XAMVOLO.

His  EP, ‘Suburban View, is produced by the likes of Sir Dylan (Weeknd, Solange, Logic), A.V (Frank Ocean) and XamVolo,  is a glimpse at the life of teens trying to find their place in the world, while navigating peer and social pressure and trying to define their own voice. For now, SUB BLUE gives a taste of that style and direction, with ‘Hype Like Supreme’, an ode to both a teenage crush described using the abnormal craze evoked by drops of coveted items like Supreme.

The electronic soul/ R&B newcomer grew up in the suburbs of Merseyside in the North of England. He was named the first ever ‘One to watch’ by Liverpool International Music Festival’s Academy, he was just leaving school at the time.

Since then he’s been honing his sound with local talent including XamVolo, Teesoulful and SPXKEN and putting the final touches to his debut EP.

He’s the real deal…check him out…

New Music Video: Way Out – Greg Banks

If you’ve heard GREG BANKS‘ latest single, ‘Way Out’ last week on NEW LEASE MUSIC, then you might have remembered a mention of a music video coming very soon…Well here it is!

Hit that play button on this three-and-half production on Greg’s most personal song to date.