Album Review: P.I.M.P (Poetry Is My Pleasure) – Lyrique

Newcomer LYRIQUE first came under my radar with 2020 neon trap joint, ‘Smoke Break’ – and he has firmly reminded there ever since. So when he released his debut full-length album, ‘PIMP’ late last year, I was very intrigued to give it a trial.

I expected the 12-track set to predominantly feature the mellowed-out vibes as featured in ‘Smoke Break’ – but ‘P.I.M.P’ offers a whole lot more as it encompasses array of sounds – from hazy vintage boom bap-inspired cuts, smooth afterhours samples (perhaps spanning from the late 80s/early 90s) to even swing hip-hop-esque tones (have a listen to ‘Casino Royal’) and uptempo 80’s-style/Pharrell Williams-esque soulful funk (Pimpin Wasn’t Easy) –  most of which were accompanied with soul-satisfying thumps of the bassline.

Arriving in Canada in 2014 from his native in the Philippines to work as a live-in nanny, Lyrique’s melodically chilled rhymes are a glimpse into his personal struggles as a temporary migrant worker. Now a permanent resident, Lyrique is now armed with uncompromised confidence and self-worth (have a listen to concluding track, ‘Dressing Room’).

So welcome to the world of Lyrique, a very creditable artist who’s patently striving to fulfil his ambitions as a musician. Check out P.I.M.P below:

Must Listens: Hunger, Drive Slow, Pimpin Wasn’t Easy, Hope Dealer

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