Owner of NEW LEASE MUSIC blog, which showcases the latest releases from indie and unsigned artists, and NEW LEASE MUSIC PROMOTIONS, which promotes indie/unsigned artists via blogs/magazines, radio, independent and Spotify playlists
Swedish EDM artist HANDSHAKE IN SPACE returns with the release of his second album ‘Parallel Life’, featuring his eight latest singles. The album cover pays homage to the iconic “Parallel Lines” album by Blondie, with a unique twist – the parallel lines are of varying lengths, symbolising the artist’s personal journey through mental health challenges over the past years.
“Parallel Life” builds on the success of HANDSHAKE IN SPACE’s debut album, delving deeper into the complexities of human relationships. The album’s tracklist includes fan favourites and singles that have been captivating audiences over the past year.
Highlights of the album include:
‘You’re my cheerleader’: A vibrant and uplifting track that captures the essence of friendship and the magical moments of summer.
‘You’re my melody’: A captivating electronic dance track that showcases the artist’s signature sound
‘We go all night’: is an energetic collaboration between HANDSHAKE IN SPACE and Bouingy, showcasing the artists’ ability to create a captivating dance track
”The colors dance upon my skin”: Explores themes of sensory experiences and emotional responses to music and rhythm
HANDSHAKE IN SPACE’s signature sound, blending ethereal synths with driving rhythms, is on full display throughout “Parallel Life.” The artist’s growth is evident in the sophisticated production and deeply personal lyrics that resonate with listeners on an emotional level.
“This album is a testament to the power of love in all its forms,” says HANDSHAKE IN SPACE. “I wanted to create a sonic experience that captures the euphoria, pain, and everything in between that comes with loving someone.”
The album is available now on all major streaming platforms, and fans can also explore the artist’s unique sonic universe through his previous releases, including the well-received debut album ”Anonymous.
‘Parallel Life’ was released last Friday (2nd August) across various music platforms. Have a listen below…
RAPHAEL TATE – dubbed as the ‘Prince of Soul’ by his loyal fans – has returned in 2024 with EP ‘Love’, out now via Jermaine Forde’s label Ajang Music. A multi-Grammy nominated producer and the son of the Brinsley Forde from legendary reggae group Aswad, Jermaine has worked with the likes of Julian Marley and Black Uhuru and also produced Raphael Tate’s 2020 BBC London/BBC1xtra-approved single, ‘A Fool In Love’.
From the four-track set, Raphael Tate shares first offering ‘Same Energy’, a steamy soulful love note which possesses soft and sensuous reggae undertones. ‘Same Energy’ was produced by Jermaine Forde and Terrence Chamberlin (Bluesteel Studio).
The UK-based singer, songwriter and producer also has a treat for the die-hard reggae fans of the yesteryear with second track from the EP, ‘Zion’. Produced by Jermaine Forde and Grammy multi-award winning artist Jazzward, who has worked with Bounty Killer, Damian Marley and Bobby Brown, ‘Zion’ is a song that’s most personal to Raphael as he shows his love for the downtrodden heroes and praise their resilience against acts of inhumanity.
Raphael shares his inspiration behind penning ‘Zion’: “This song captivates my love for my people, who has been attacked by many hands without restoration and without impunity. I wrote this song as a sign of triumph that, as the Bible says: ‘The meek shall inherit the earth’. Zion was inspired by a particular scripture in the Bible (Matthew 5:3-12) that ‘The poor, the meek, the humble, the downtrodden, the persecuted are going to inherit the Kingdom of Heaven’. I wrote ‘Zion’ as an encouragement to our people; we may be downtrodden, but not forgotten. I want it to be a triumph song to the children of diaspora – the lost children of Israel. The lions of judah will rise again! “
Showing love in all forms, Raphael Tate’s EP, ‘Love’, follows his critically acclaimed debut album, ‘Love Grieve Live’, which mirrors the cycle of losing a dear one: denial, anger, bargaining, depression, and acceptance. Raphael knows all too well what it’s like to be on the turbulent journey: in 2020, his mother unexpectedly passed away and understandably Raphael went through a rollercoaster of emotions.
Singles from the heartfelt album, ‘Gotta Hold On’ and ‘Keep On Moving’, gained widespread attention from gospel and secular stations, across the globe, including BBC West Midlands, BBC Stoke, Mi-Soul, Phoenix FM (where he did an interview with Michelle Ward about the meaning behind ‘Love Grieve Live’ on her multi-award winning show, Eat My Brunch), Susy FM, Soul Food Gospel, Amazing Radio, SoulCity The Beat in Italy, South Africa’s Ubuntu FM, plus many more.
2023 saw Raphael Tate reach new heights with his appearance on ITV’s Starstruck, where he impersonated the Godfather of Soul James Brown, impressing judges Adam Lambert, Beverley Knight, Rowland Keating and Jason Mansford. A new member of The Recording Academy/Grammy Awards Class of 2023, Raphael Tate has been put up for a Grammy consideration for Best New Artist of the Year (general category). ‘Love’ EP will be put forward for this year’s Grammy nomination.
Raphael Tate is becoming a firm figure in the UK gig scene; a resident artist at London’s The 606 Club since the beginning of 2023, Raphael Tate has been an opening act for the legendary Odyssey at The Robin in Wolverhampton and Camden’s iconic venue, Jazz Café in last year.
Raphael Tate continues in 2024 to circulate various venues across the UK with his compelling yet exhilarating live performances. He opened for Odyssey once more at The Robin in May and recently opened for the legendary reggae group, Black Uhuru at Jazz Café and Band on the Wall in Manchester during their UK & European tour. Raphael Tate will take the stage at his residency, The 606 club on 11th August.
With a busy schedule ahead of him, Raphael Tate still finds the time to show some ‘Love’ via his latest EP, out now across various music platforms. Continue to witness the remarkable rise of Raphael Tate by connecting with him via social media (see below).
THAÏS SALA, the Paris-born singer/songwriter and cultural curator, is back with another stunning single, ‘Sleeves’, taken from her forthcoming debut EP, Echo Museum, which is set to release on 21st August.
Having grown up between the enchanting streets of Marrakech and the diverse landscapes of the UK, and now living in Montreal, Thaïs brings a rich, global perspective to her music. From a young age, Thaïs Sala has been immersed in a world of cultural diversity, and it shows in her music. Her unique sound blends electronic rhythms with soulful vocals, moving effortlessly between crystalline highs and husky lows. This mix of vulnerability and strength is a hallmark of her style, making her music resonate on a deeply emotional level.
Following the release of ‘Atonement’, Thaïs Sala now presents ‘Sleeves’, the second instalment from Echo Museum. Produced by Moses Belanger, ‘Sleeves’ is an intricate blend of subtle electronica elements and layers, making it an immediate and compelling listen. The track opens with emotive piano chords seamlessly mixed with Thaïs Sala’s ethereal harmonies, evolving into a rousing synth progression and a four-on-the-floor rhythm. This striking blend of soul and house music showcases her unique ability to merge genres effortlessly.
Lyrically, ‘Sleeves’ explores the theme of emotional honesty, likening the act of putting on and shedding emotions to wearing and removing clothing. Phrases like “uniform of feels” capture the routine of the psyche and the pressures to conform to external expectations. The song is a reflection on the struggle to be true to oneself and others while navigating life’s inherent highs and lows.
In the vein of artists like RY X, James Blake, and BANKS, ‘Sleeves’ is a modernised electronic and pop-infused masterpiece. Its deep, brooding quality soothes and enthuses simultaneously, showcasing the magic of Thaïs Sala’s craft.
AsThaïs Sala gears up for the release of Echo Museum, ‘Sleeves’ solidifies her place as a powerful new voice, with her ability to blend genres and create deeply personal yet universally relatable music making her an artist to watch for 2024 and beyond.
‘Sleeves’ was released on Wednesday (31st July). Why not have a listen below…
ARLISTON‘s latest offering ‘Vertical’ is a brooding, introspective journey that delves deep into the heart of existential dread. The duo’s signature blend of intimate vocals and expansive soundscapes is in full force here, creating a sonic atmosphere that’s both suffocating and cathartic.
Opening with a delicate piano melody and Jack Ratcliffe’s soulful baritone, the track gradually builds to a crescendo of emotional intensity. It’s a familiar Arliston territory, but ‘Vertical’ feels like a particularly raw and vulnerable exploration of the band’s signature melancholia. The lyrics, both poignant and relatable, capture the paralyzing feeling of being overwhelmed by life’s challenges.
Musically, the track is a masterclass in dynamics. The tension between quiet introspection and soaring choruses is expertly handled, creating a sense of emotional catharsis. The addition of Sam Catchpole’s driving drums and Brett Shaw’s percussive flourishes adds a layer of complexity to the arrangement, without ever overshadowing the song’s core emotional impact.
While Arliston’s influences are clear – The National, Bon Iver, and Damien Rice cast long shadows over their sound – the duo have managed to carve out their own distinctive niche. ‘Vertical’ is a testament to their talent for crafting songs that resonate deeply with listeners, offering a much-needed soundtrack to those moments of doubt and despair.
Whether you’re a longtime fan or new to Arliston, ‘Vertical’ is a must-listen. It’s a song that lingers in the mind long after the final notes fade, leaving you with a sense of both melancholy and hope.
‘Vertical’ was released last Friday (26th July) via various music platforms. Why not have a listen below…
Singer, songwriter and producer BENNY BIZZIE brings on those hazy summer days in single, ‘Not Sorry’, with hypnotic synths, mesmerising guitar licks, and memorable hooks, topped off by the warmth of the North London-born R&B crooner’s soulful falsetto. ‘Not Sorry’ is hitting all streaming platforms on 1st August.
With a soft bass line, inspired by UK garage classics, such as Shanks & Bigfoot’s hit, ‘Sweet Like Chocolate’ and Sweet Female Attitude’s ‘Flowers’, ‘Not Sorry’ should have been a Valentine’s track as it is all about giving out love excessively, without any consequences. Bizzie sings: ‘If loving you is a crime, then I’m guilty for my crimes charge me so I can do the time, If I say I’m sorry, that’s a lie’
‘Not Sorry’ follows Benny Bizzie’s first single of 2024, ‘Dejavu’, which pays homage and love for families and children in Gaza affected by current conflicts. Bizzie calls on his younger self, as a rap/grime artist, to deliver gritty rap lyrics packed with emotion while keeping it warm with soulful R&B melodies.
Benny also makes zero apologies for the love he is pouring out to his ever-expanding fan base as he plans to unleash a string of releases throughout 2024, which includes his upcoming album, ‘Project Human’.
Growing up in the estates of Tottenham, in north London, Benny wanted to find his place in society, where he can be his true self. He found solace in music, which led to his journey as a grime/rap artist, often swapping and dropping verses with childhood friends. His childhood friends would later become firm figures in UK’s grime scene which includes Ghetts, BoyBetterknow and Ruff Sqwad.
In his adult years, Benny transitioned into R&B artist, perfecting spine-tingling falsetto over the years, often touching on current topics that are close to his heart (as featured in single ‘DejaVu’), self-development/self-discovery – and, of course, love in all forms. To date, Benny has generated over 650,000 views on YouTube and over 250K streams on Spotify alone and has generated firm support from the likes of BBC1xtra and BBC London.
Bizzie continues building momentum with cross-platform visibility through recent appearance in National Lottery advert and various podcast appearances. His collaborative single with Audio Attack, ‘Crazy For Your Love‘, was featured on Australia’s TV hit shows, Home and Away and Bachelors.
Forming part of his upcoming album, ‘Project Human’, ‘Not Sorry’ is available from 1st August on various music platforms.
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