GENA PERALA has released her sophomore album, ‘Somewhere New’ last Friday (13th February), across all leading music platforms. Produced by Erik Nielsen, the 12-track album was recorded at Afterlife Studios and finished at Smooth Operator Studios, the result of nearly three years of work, shaped slowly by people in a room making music together.
‘Somewhere New’ is about motion rather than milestones—leaving without spectacle, choosing yourself, and continuing forward even when it feels like pushing the same boulder uphill, again and again. There’s no grand arrival here, no welcome-home party. Just quiet resolve.
The sense of time passing is embedded in the album itself. Songs like ‘Baby Girl’ were written years ago, while others, including ‘Machete,’ came together in the studio. “Letting the band shape and challenge the songs in real time was one of the great gifts of making this record,” Perala says.
“Somewhere New is a journey—about who we were, who we’re becoming, and learning to accept ourselves somewhere in between,” she continues. “I’ve often been described as disarming, difficult, or defiant. Those words are usually meant as insults, and this record spends a lot of time sitting with that—what it means to take up space, to stay true without explaining or apologizing, and to stand your ground, especially as a woman.”
Nielsen’s production keeps the focus on feel, leaving room for silence, tension, and breath. In an era dominated by speed and polish, ‘Somewhere New’ leans into something increasingly rare: musicians listening to each other in real time. The songs linger in the spaces between messages, the silences left by ghosting, and the quiet work of staying present in an increasingly online, distracted world. Rather than rejecting modern life outright, the record gently asks what we lose when attention becomes fractured—and what it means to seek real connection anyway.
Subtle instrumentation deepens that sense of forward motion. A string quartet threads through the album with visceral tension, while pedal steel appears on nearly every track, bending and holding emotion in place. Nielsen’s role was often one of restraint, continually reining things in and giving the songs space. The result is a sound that feels intimate and expansive, guided more by instinct than excess.
The album’s cover image reflects that same spirit. Shot by Perala’s late father, the photograph captures a hot air balloon, carnival swings, and light caught at just the right moment—fleeting, weightless, and quietly beautiful. Motion suspended in time.
Raised traveling the carnival circuit with her family, Perala has long been attuned to impermanence, memory, and the strange comfort of movement. Those early experiences continue to shape her songwriting—work that finds meaning in the everyday and beauty in the overlooked.
‘Somewhere New’ is a record about arrival—not at a place, but at a self. No ceremony. No applause. Just forward motion as quiet cause for celebration. Have a listen below…
Must Listens: Machete, Lucky One, Goodbye Friend, Losing Ground, Baby Girl
Connect with Gena Perala via:
FB: https://www.facebook.com/GenaPeralaMusic/
IG: https://www.instagram.com/genaperala
TikTok: https://www.tiktok.com/@genaperala
YouTube: https://www.youtube.com/@genaperala
Source: Gena Perala
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