The collaborative releases recorded between London and Tanzania, sees renowned junglist goddess SHEBA Q announcing her foray into 140 dubstep terrain by joining forces with Sub: Clef label boss CID POITIER to deliver two deep and soulful cuts that blend hypnotic vocals, stripped-back minimal dub and UK Sound System Weight.
Sheba Q treat us with her seductive storytelling skills. A combination with a unique blend, dubbed Sub: Soul, which provides a deeper exploration into the core of Sub:Clef ethos of Groove, Bass and Soul.
Let’s not forget the B-side which features two instrumentals for whose who like their meditation unguided…
‘Destiny’ and’ Spiral’ are now available for your pleasure across various music platforms. Why not check them out below…
EMILI’s self-written/produced single, ‘House Wife’ – out now across various music platforms – started as a fun idea from a funky beat she made.  Emili’s former day-to-day life could be described as a dutiful housewife, spending her time cooking and cleaning while steadily growing her music career. She once joked to a friend: ‘What about go for a walk, quick coffee shop, no 9-5 but the work never stops’? The quick witted line formed the first verse of ‘House Wife’.  With a gleeful fusion of jazz, funk and pop, ‘House Wife’ evolved into a playful anthem about loving the ‘housewife’ lifestyle – but when producing the single, Emili was conscious of the fact, while she enjoyed being a housewife, the role may be viewed as outdated and sexist by today’s standards. This prompted Emili to look into the typical life of a 1950s housewife, which inspired her to add a bridge to reflect the 50s ideals, and the ending as a little nod to how it was sold as ‘the dream’.  Among the feel good vibes and humorous lyrics, there is an underline statement to the single: being a housewife is only a pleasant experience if it’s a choice.  ‘House Wife’ serves as a teaser to Emili’s work-in-progress album set for an early 2026 release, and marks new chapter of incorporating humour in her music, bringing her closer to her quirky retro sound.
After making an expressive entry on the blog with debut piano-led single, ‘Bite Me!’ – which claimed the blog’s Song of the Week title for two consecutive weeks over on Instagram – award-winning singer/songwriter AMITY returns to the spotlight with a compelling follow-up, ‘To Be Known’.
While the music industry is forever saturated with love songs that glamorises the idea of the perfect loving relationship, ‘To Be Known’ addresses the grey areas of the topic, which is often overlooked. Delivered with a delicate piano backdrop, the 18-year-old adds that perfect touch of vulnerability to his usual soulfully raw vocals and explores how love can be a frightening experience, especially if one is not use to receiving such intense feelings.
This is why this young music maestro in the making became an overnight sensation; Amity is not afraid to wear his heart on his sleeve and explore topics that most would shy away from. Such bravery, coupled with uniquely compelling storytelling, has earnt Amity flowers from the likes of the Guardian and the BBC. Starting his music journey during lockdown, using music as a coping mechanism, Amity hopes to inspire and encourage his rapidly growing fanbase and prospective listeners to speak up in what they believe in. His latest single, To Be Known’ is a true testament to Amity’s artistry as the stunning ballad offers a safe space to ponder on the dubious areas that love can sometime presents.
‘To Be Known’ is the second single from Amity’s Albert Hall-backed debut EP, set to release with a launch show at The Royal Albert Hall itself in July…but for now, have a listen to the compelling single below…
Producer OBSIDIAN CANE and singer GIZELLA continue to craft their newfound collaboration with second release of the year, ‘Crazy World’, out today (17th April) across various music platforms.
With ‘Crazy World’, Obsidian Cane once again proves that Drum ‘N’ Bass doesn’t have to be a formulaic affair by venturing into a mesmeric and delicate version of the genre. Gizella’s three-octave vocal range perfectly intertwine with the captivating soundscapes, calling for more humanity in today’s unsettling and disruptive times.
‘Crazy World’ quickly follows their debut single ‘Never Change’, which received raving reviews on various notable online publications – YourEDM and Playy Magazine, hailed the duo as ‘musical geniuses’, whereas A&R Factory praised Obsidian Cane’s production prowess and compared Gizella’s vocal performance to the likes of Björk.
The collaboration is born out of Obsidian Cane’s search for a female vocalist. He asked an old school friend, who told him about a singer who rides a bike every morning, singing angelically. As Obsidian Cane and Gizella met for the first time it became very clear, although their music styles were very different, they could create something special that’s distinctive without comprising each other’s artistry.
Hailing from London, Obsidian Cane has produced music for artists signed to Warner Bros, EMI and Parlophone as well as producing music for TV shows on Channel 4, BBC1 and BBC2. He scored a club hit, ‘I Need A Rhythm’ as UKG duo KP and currently performs live with KP featuring Ferraz at events such as 51st state Festival, House of Silk. A Music Technology Graduate, Obsidian Cane bravely fuses R&B, Funk & Hip-Hop elements with electronic rhythms to create distinctive UK Garage, R&B/Hip Hop & Drum and Bass songs.
Debuting on Gotcha! Records in 1998 with the vinyl release of ‘Express Yourself,’ Gizella made a name for herself in the UK Underground Garage dance scene. Evolving as a versatile vocalist & singer-songwriter performing across a wide spectrum of genres – including Hip Hop, EDM, Drum n Bass, and Dubstep – Gizella has gained a well-earned reputation as a vocal chameleon and storyteller and has collaborated with various artists including Korostyle, Juleunique, Mizimo, Experimental Feelings and Ronny Becher.
With ‘Never Change’ steadily rising their burgeoning collaboration, their new single ‘Crazy World’ – out today (17th April) across various music platforms – may well nudge them into the limelight as the ones to watch. Why not check it out below…
Once in a while, you get a musician that instantly COMMANDS your full attention and 18 year old AMITY is that musician. The South-London artist turned to music as a coping mechanism during lockdown – and the very thing that saved him from the bloom of the pandemic made him an overnight sensation.
Making his debut at age of 15, Amity immediately caught the attention from the likes of The Guardian and the BBC. Accolades came in quick succession as the ASBO Magazine-tipped artist was named the Royal Albert Hall’s official Future Maker Artist in 2023 and became winner of an RBE Musical Excellence Award. A resident artist at Soho’s iconic Spice of Life, Amity had sold out shows across the UK in 2024, gracing stages at The Great Escape, Brighton Pride’s Fabuloso in the Park and, of course, The Royal Albert Hall.
The whirlwind acclaim didn’t happen by chance – Amity is a breath of fresh air in today’s materialistic music industry. He uses music to pose thought-provoking questions, shedding light on difficult subjects, including mental health, abuse and suicide. Being queer, autistic, and trans, Amity could be described as a singing advocate as he also speaks up for those communities.
Now Amity is preparing to launch his debut EP, set for release later in the year. He gives a taste of his highly-anticipated project with title track, ‘Bite Me!’, which challenges societal conventions. The stunning piano led ballad, which could be easily mistaken for one of Adele’s hit ballads, sees Amity giving the proverbial two fingers at dogmatic thinking from religious hypocrisy to the rise of demagogues and the aftermath of abuse. Personally ‘Bit Me!’ really struck a chord when Amity bellows out: ‘your hands around my neck feels like home’. This powerful statement cuts to the raw truth of the things we yearn for can be damaging. In revealing his truth in such statements, Amity hopes to heal and empower others through music – just how music empowered him during lockdown.
‘Bite Me!’ is out available across various music platforms. Why not have a listen….
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