Song of the Day: Past The Evening – Michael Baker

Following singles ‘One God Damn’ and ‘Baby Books’, the Bright-based artist MICHAEL BAKER reveals another piece of empathic songwriting in ‘Past The Evening’ from his forthcoming album, ‘Salt’ out next year.

This time around, not only are we treated to the Anglo-French musician’s serene soundscape, but also his authentic performance style which shows Baker as someone deeply connected to his craft. Sonically rich throughout, ‘Past The Evening’ is connected to one of Baker’s personal life moments.

Speaking of the intimate release, Baker says: “I remember that feeling of listening to vinyl records and how an album can fill a room. In this song I talk about listening to ‘Ring Of Fire’ by Johnny Cash in my university days as it was one of the first vinyls I got at an old charity shop. The music industry can feel like an uphill struggle, but this track is about remembering why I got into music in the first place, a reminder to sow down enough to keep enjoying the process. This song is my realisation that I don’t think I’ll ever stop making music. Maybe not for everyone else, but just for me.”

Check out the lyric video below and sing along to Baker’s nostalgic single…

Song of the Day: Soliloquy (Wouldn’t Feel Alone) – Marshall Cecil

Genre-blending Danish group MARSHALL CECIL‘s poignant latest cut, ‘Soliloquy (Wouldn’t Feel Alone)’ – out now through their own label Heady – takes the listener on a symbolic journey through frontman Daniel Abraham’s mind.

Speaking on the track, the lead singer and songwriter explains; “It’s a self-examining conversation with myself that spins out of control and ends in a cathartic rap. It’s a song open for interpretation but for me, it’s about the relationship between excessive self-examination and loneliness.”

Addressing social isolation, a phenomenon increasingly common in an era where the physical is being replaced by the digital, the visuals feature auto-fictional elements including iPhone clips, personal footage from the trio’s recording sessions and live shows, alongside more intimate images showing a glimpse of the lead singer’s daily life.

Born from a close collaboration between the band and directors to create a visual story that draws from the song’s deeply afflicting and raw lyrics perfectly depicting “loneliness, this complex and unpleasant emotional response to isolation,” explains Daniel, talking about the concept behind the song and video. “We’re exploring loneliness while being surrounded by people. Sometimes the answer to our isolation is right in front of us – companionship – but we’re usually too busy finding the answers within ourselves. The song and video are not an answer to this problem – rather an abstract depiction of it’’.

Having made their mark on the international music scene with a series of enthralling singles and videos, gaining praise from the likes of Vice/Noisey and Clash Magazine, and notching up memorable live performances at some of the biggest international festivals including Reeperbahn and Roskilde – MARSHALL CECILl is not like any other band out there. Using their individual production skills, fusing elements from r&b, pop, hip-hop, with ‘Soliloquy’ they created a unique and potent music formula, one that is both triumphant, forward-thinking and touching at the same time.

Check it out below…

Song of the Day: Toxicity – Teri Eloise

Singer, songwriter and record producer, TERI ELOISE  is calling out all the emotional vampires for her latest single ‘Toxicity’, a fierce and riveting trap infused pop song that showcases a never before seen or heard side of the 22 year old artist.

The track’s distinctive sound was produced, mixed and mastered by Richard Mcclashie –  aka M.R.I. –  a fellow Caribbean producer who has worked with the likes of Post Malone, Cardi B, French Montana and Caribbean heavyweights Sean Paul, Vybz Kartel and Shenseea.

In contrast to her sweet, bright and summery single, ‘Common Sense’ which laments the idea of being blinded by infatuation, ‘Toxicity’ delves into a darker aesthetic with fiercely direct and defiant lyrics over an infectious trap beat.

Lyrically, ‘Toxicity’ embodies impeccable word play that fires up a fierce and resilient attitude, juxtaposed perfectly with her airy-toned yet commanding vocals. “Your toxicity is too persistent, and I’m just tryna keep the peace consistent” Teri chants, followed by savagely written verses which directly point out negative unhealthy traits of a toxic relationship. Teri ends the song singing “I don’t want it, get out of my way” and there is no denying that this is an anthem for anyone who is over toxic relationships and ready to fight back. Once again, the British born, Trinidadian raised songwriter shows her ability to express loaded emotional experiences in a way that is very relatable.

Since its release late last month, ‘Toxicity’ received support from the likes of BBC Introducing  as well as Dan Blakes’ set on Pulse88 Radio.

This one’s a must listen…check out ‘Toxicity’ below…

Song of the Day: 25 Miles From Vegas – The Tribe Of Good

’25 Miles From Vegas’ is the latest single from Soul/Disco supergroup – THE TRIBE OF GOOD.

THE TRIBE OF GOOD are the secret weapons behind your favourite chart hits. Imagine a present-day version of LA’s Wrecking Crew, if they hung out in Ronnie Scott’s, performed live with Dizzee Rascal and knew their way around a synthesiser. These are the talented artists you’ve heard performing with, or on records by artists as diverse and influential as Stormzy, M.I.A., The xx, MNEK, and Kanye West.

A sprawling supergroup that combines vintage soul and disco with modern production techniques, THE TRIBE OF GOOD are steered by Grammy-nominated producer Hal Ritson (Chemical Brothers, Katy Perry, Duke Dumont, High Contrast). With producers Michele Balduzzi (Phonat – OWSLA), Rich ‘Fiasco’ Adlam (Nas, Cee Lo, Taylor Swift) and Thomas Gandey (Southern Fried, Suara) in tow—alongside a cast of musicians from Basement Jaxx singer Vula Malinga and Jamiroquai guitarist Rob Harris, to Ritson’s long-time drummer Alex Reeves—the group are creating retro-futurist fireworks to light up the pop horizon.

’25 Miles From Vegas’ features the vocals from Daniel Pearce, Elroy ‘Spoonface’ Powell, James Anderson & Vula Malinga (Basement Jaxx), having been produced by core members Rich ‘Fiasco’ Adlam & Hal Ritson. The single continues the groups efforts in the bid to lift listeners amidst times of political uncertainty, yet open their eyes to what is going on in the world.

’25 Miles From Vegas’ will appear on their forthcoming debut album which is due for release on Ultra Records later this year…check it out below…

Song of the Day: Hey Hey Hey – Tamaraebi

Nigerian-born singer-songwriter TAMARAEBI is slowly shaping up to be tomorrow’s torchbearer within the realm of Soul and RnB music, elevating the genres with his own inimitable iterations. Having recently signed a publishing deal with Sony/ATV after being scouted and approached by Tinie Tempah on Instagram. One to never stop, TAMARAEBI is back with single ‘Hey Hey Hey’.

With a strong promise of longevity, TAMARAEBI is an alluring and enigmatic master of his craft, what sets him apart from his contemporary counterparts is an instantly identifiable sonic distinctiveness.

Being exposed to a plethora of diverse countries, cultures, and people at such a young age was an experience that transformed TAMARAEBI into a self-proclaimed social chameleon, which equipped him with the ability to easily adjust to different environments.

The skilled wordsmith and storyteller states it’s the melody that is always at the heart of each of his songs, very much involved in the production process, he is skilled at the piano and guitar. Produced by Greatness Jones, his latest single ‘Hey Hey Hey’ has  rich sultry tones complimenting the dulcet, jazzy production, likened to that of The Weeknd, TAMARAEBI gives off a no holds barred account of showing no love. The one-to-watch is on the run up to releasing his debut EP ‘Heavens Gate’ featuring ‘Innocence’ and recently released ‘Heavens Gate’ singles.

Check out ‘Hey Hey Hey’ below…