JESSICA WILDE‘s video for latest single, ‘Freak Out’, mirrors the song’s message of stepping into your power and following the call of spirit.
Musically, the track sizzles with bass loaded, rhythm inflected dirty alt-Hip hop / pop vibes, with Wilde’s candid and intelligent rap lyrics weaving around infectiously. Produced by Wilde herself, with atmospheric snappy percussion flourishing and quirky vocal samples scattered throughout making a truly unique sound with the distinctive finishing touch of co-production by Tom Maine (WU-LU, Kid Cruise).
‘Freak Out’, which has been picked up for plays on BBC 6 Music’s New Music Fix and BBC Radio 1’s Future Artists, is the first single of a powerful forthcoming album project from Wilde, which features some of the most insanely talented artists on the rise- Josh Barry (Nile Rodgers / Rudimental), Zoe Kypri (Black Coffee) and James Newman (Writer of Brit award winning song ‘Waiting all night’ by Rudimental’).
So let your inner freak out and watch the video below…
BEA ANDERSON’s forthcoming EP, ‘The Classroom of Silence’ is a glance into the personal growth and wisdom that she has gained from times of introspection on her journey of self-love and acceptance. Bea has processed personal trauma from heartache to flexing her growth as she finds love in the aftermath of adversity.
Lead track ‘Goodbye’ delves deeper into the idea of what true love should mean, Bea guides goes on a path of transformation and healing with her mesmerising R&B flavour and masterful storytelling. She knows that true evolution can only be achieved by facing one’s spirit, and true freedom comes from learning to coexist without depending on love from others.
Bea Shares – “This project signifies 6 lessons I learned in the classroom of silence. The name is derived from the life-changing book ‘The Rhythm of Life’ by Matthew Kelly. The concept explores the notion that true knowing of identity occurs when nothing else is occurring – also known as in the midst of silence. Each song depicts a different life lesson and ultimately the influential turning points in the development of my identity. The project explores the themes of healing, love and transformation.”
Produced by Jarom S’ua (Timbaland, Drake) and written by Bea, ‘Classroom of Silence’ explores the complexities of love, life and balance. Opening track ‘Inner Child’ is a heartwarming addition to the EP, as we hear ‘little Bea’ reflect on all of her learnings, delivering words of praise to the woman she’s become, gracefully setting the tone for the following tracks.
Previously released ‘Pieces’, ‘Picture Perfect’, and ‘Astronomical’ ft. Jords allows us a glimpse into Bea’s relationships from heartbroken to captivated. The narrative flow Bea creates on her journey of growth and transformation as she displays her storytelling prowess through her soulful lyrics and masterful songwriting, over the years she has captured the attention of major DSPs and publications – BBC Radio 1Xtra (track of the week and C-List), Spotify (New Music Friday, Fresh Finds) and backing from Notion, Apple Music (New Music Daily, New in R&B, Breaking R&B), HUNGER and most recently COMPLEX, CLASH & COLORS.
Listen to Bea’s ‘The Classroom of Silence’ EP below…
Must Listens: Pieces, Mirror Mirror, Goodbye (pt. Two)
Alt-Pop songstress APRIL JAI‘s new single ‘Morally Grey’ shows her exploring the complexities of affection for fictional morally ambiguous characters, showcasing her artistic depth and creativity.
April Jai made the following statement about the track: “I wrote “Morally Grey” mainly for my fellow book girlies who fall in love with fictional bad boys, it might be a red flag in real life but in the fictional world it’s perfection”
Bringing a fresh perspective to the alt pop genre, infusing it with a unique take that is all her own, ‘Morally Grey’ promises to be a captivating addition to April’s growing discography, solidifying her position as an artist to watch. Listen to ‘Morally Grey’ below…
MAYCE releases her first single since her rebrand launch and is ready to open up about how it feels to release music since her exit from record label, EMPIRE and her long-term management. A seasoned artist, highly-respected vocalist, songwriter, notable and coveted live performer, MAYCE decides on ‘The Man That I Met’ for her debut track drop. Although the record takes us down-memory-lane, in a melancholy, dreamy state of nostalgia, there is a striking shift in the MAYCE sound that showcases we are listening to an evolved, empowered female artist that we were not confronted with before.
‘The Man That I Met’ stems from a time where MAYCE uprooted the complex life she was living in Los Angeles to build a much simpler existence in Utah. Accompanied by alternative and western influences, whilst holding a pop edge with her trademark power vocals, the song lives as a time capsule of the good things about a certain person despite how bad it ended, finding yourself wondering how things could have been had the circumstances been different.
MAYCE says of her new single, “I wrote ‘The Man That I Met’ based on a relationship that ended in so much pain but I didn’t let that feeling blind me from remembering all of the good things about that person. When something ends in hurt, it usually leaves a bad taste in our mouths, causing us to forget that those moments highlighted the worst versions of ourselves. This song brings maturity to light, especially once a relationship comes to a close. To recall someone for their light in this world instead of the dark shows growth, and I’ve never been more proud to release a song.”
As anticipation builds for the release of ‘The Man That I Met’, MAYCE continues to tease her following on social media with new visuals and content from this new chapter. Her socials showcase sneak peaks and tease clues for what MAYCE is planning on dropping next…for now, listen to ‘The Man That I Met’ below…
One year on from her acclaimed 2022 heater ‘Taboo’ and 2021’s sun-soaked Sensei II EP, ‘Goddess of Rhythm’ KAREN NYAME KG shares single, ‘P.L.L’ (Pretty Little Liar) with the announcement of her new imprint, Rhythm In The City.
A lush and luxurious slice of deep Afro-house, drawing on her experiences with the darker side of romance, KG describes the track as, “a diary entry in music format”. Unafraid to dive deep with soul-baring productions, in her own words, ‘P.L.L’ is darker in mood, an electronic, low-end, Afro Percussive bounce. It is a tale of heartbreak, jealousy and unrequited love.”
Self-described as “a party for the grown and sexy”, Rhythm in the City began life as an event, carefully curated by Karen herself. Developing into a sell-out event series, the strong community around RITC is a testament to Karen’s bold creative vision and her much sought-after sonics. The evolution of the platform into a label, (Rhythm in the City / RITC Records), was a no-brainer – the label sonically is a reflection of Karen Nyame KG and the parties – it’s all about soul, percussive bounce, mood and melody. In her own words,”it will make you dance, seduce, but better yet, feel.”
Karen adds, “RITC is an extension of my own production signature that embodies a multitude of styles, UK Funky, Altè r&b, Afro Altè, Gqom, Amapiano, Highlife, Afro House. The RITC sound is unconventionally rhythmic, a hub for genre-bending, Afro-Electronic music. The label is all about breaking conventions and formulas in electronic dance music.” Due for release on her own imprint, the anticipated Red EP is a sentimental, candid insight to KG’s deepest musings on romance, passion and lust.
Returning in 2018 after a break from the music industry, KG has been in the scene for over a decade and has become an iconic name. Adored globally across diasporic and electronic spheres she stands out from the crowd with her sensual, melodic sonics, and penchant for groove-laden sounds that sit at the intersection of UK club music and the sounds of African diaspora.
2022 saw Karen mark the end of summer with her sizzling single ‘Taboo’, tipped by COMPLEX, DJ Mag and The Wire in their best tracks for 2022. This year, she flexed her A&R hands, enlisting the mighty Afrotech pioneer DJ IC, and Batido maestro, Vanyfox to create two huge remixes for ‘Taboo’.
In 2021, Karen stunned faithful followers and new fans alike with the glorious EP Sensei II (Black Acre Records), featuring the widely-celebrated sound of the summer, ‘Koko’ (reaching over 2 million streams) and with support from Resident Advisor, Mixmag, DJ Mag, Pan African Music and more, Sensei II truly reignited the flame for her. Truly dedicated to her craft, Karen Nyame KG continues to reach new heights as her creative and personal evolution continues.
‘P.L.L’ is the first offering from her forthcoming EP, Red, and marks another step in the British-Ghanaian polymath’s journey. Have a listen below…
New Lease Music 