Following her string of the pop covers earlier this year, which includes, Miley Cyrus’, ‘We Can’t Stop’ and Whitney Houston’s ‘I Wanna Dance With Somebody’, GENA PERALA circles back with another cover, this time taking on Britany Spears’ ‘Baby One More Time’
Recorded in her ‘home studio’ – only using a microphone and a laptop – Gena adds a smooth country twang to the 90’s pop classic, which pays homage to the #freebritney movement, a fan-led social media campaign which supports the Queen of Pop’s liberation from her conservatorship. Britany’s conservatorship was finally terminated last Friday (12th November), after 13 years under her father’s control.
Have a listen to Gena’s version of ‘Baby One More Time below…
Ever since Toronto-based singer/songwriter, DENIM BLÙ came on my radar with single, ‘I’ll Die’, I was immediately captivated by his breath-taking storytelling along with the dramatic cinematic production. So when he released his debut album, ‘Blue’, I had to catch up him with about his inspiration behind the new eight-track set.
I really love what this guy stands for… and I hope you do too…
NLM: Hey, thank you for taking part in an interview with NEW LEASE MUSIC. How is 2021 treating you so far?
DB: Hey, New Lease Music, thanks for having me! 2021 has been treating me well – I know a lot of people hate 2021 because the pandemic has stopped them from living their life in the way they used to, but hey – because of the pandemic, I got to slow down and experience my life in different perspectives. It made me cherish my life more and I got to taste different flavours of my life. I have no complaints!
NLM: You released your album, ‘Blue’ last Wednesday (10th November), where you unveiled singles ‘Extraordinary Feel’, ‘I’ll Die’ (both featuring Lizzy Clarke) and ‘Burn (ft. Randy) ahead of its release. What is the public perception on the singles so far?
DB: I guess the public perception is good, hehe. My songs were played on the radio, featured on different media platforms, and I made lots of friends in the music industry. I just started my journey, and I was overwhelmed by the support I got from my supporters.
NLM: How would you describe the album’s sound to potential fans?
DB: My music is both compelling and complex, but infectious and accessible. Today’s youth want to get lost in music, but they demand narratives that reflect their experiences in a real way. Sonically I would describe my album’s sound as pure pop fantasy with emotional intrigue – sounds draw from blues, dance, electronica, and R&B elements, all while being unapologetically queer. However, it is the lyrical content making the connection with my audience: it speaks about love, loss, heartbreak, and lament. It gives you a sound that you can get lost in, but if you dive deeper, there’s a powerful story being told.
NLM: What inspired you to produce the album?
DB: Love – youthful love, volatile love, queer love, and my love for music. The concept for the album is centred around a relationship. It takes the listener on a journey from the exuberance and magic of falling in love (“Extraordinary Feel”), to deep and dark places of lament (“Blue”, “I’ll Die”, “I Miss You”), to coming to terms with love lost (“Young and Foolish”, “Burn”, “Again”). The album is the physical manifestation of my love for music. The whole process of making the album, from song-writing to producing, recording, mixing, and mastering, is me expressing my love for music. The sound of every sound, every foreshadowing, every push, every climax, and every reveal, is about my love of music.
NLM: What is/are your favourite single(s) from the album and why?
DB: My favorite song from the album is the last track – Again. I would describe this song as “an epic love ballad in the galaxy”. The songwriting is classic me – smooth melody, pop but dramatic. I produced the song in a way that reflects the songwriting, a way that corresponds to the development of the song. When listening to the song in the right sonic environment, you would see the galaxy evolving from nothing, to everything, and to nothing again – there is emergence, collapse, collision. It is an experience.
NLM: What message would you like the listeners to take away from your album?
DB: Never be afraid to love, because love is beautiful, love is an experience, love is the meaning of life. No matter where life goes, it always comes down to love.
NLM: If you had to feature one mainstream artist on the album, who would it be and why?
DB: Paloma Faith. She is from the UK, and I have been a fan for almost 1o years! She is not well-known in North America, but she is pretty big in Europe. She is so artistic, I love her visuals, her outfits, her artworks, not to mention her music is extremely amazing. So if I could have her on my album, that would be a dream come true! – Actually, going to her show is one of my dreams too :)
NLM: Do you have other project(s) for 2021?
DB: Well, there is only one month left for 2021, and I am not planning to release a Christmas song…but I do have some projects coming next year! I worked with some amazing Toronto artists on the remixes for Blue that I am going to release in 2022. Also the pandemic gave me time to slow down and see my life from different perspectives. I drew inspiration from those perspectives, sat down with my song-writing partner, exchanged our feelings, and we got to finish another album together. I am planning to work on these songs next year and release the album in summer 2023.
NLM: How can potential fans find you?
DB: That is also a question I want to ask – how can potential fans find me?! It is really hard to promote myself as an independent artist, so my next stop is to find an artist manager, A&R, or a record label. Hope that can happen soon!
NLM: Finally, any special thanks to those involved in the production of ‘Blue’?
DB: I have a lot of special thanks – I want to thank my lyricist Nick Ram for sharing his stories with me, and allowing me to tell his stories in my way. I want to thank my friend Lizzy Clarke, Randy Chang, Kristen Antunes, and Marshall Jacklin for being there and being my friend. It was really fun writing music together. I want to thank Jack Hughes, Julian Fatsound, Tyler Novak, and Eugene Hwang for their amazing musical performances on the album. I want to thank Elizabeth Petzold, Keshav Sharma, Eliot Britton, Issac Nemec for their remixes and friendships. I want to thank Francis TQ Hudson for bringing my mixes to life. I want to thank Fernando Nickolas and Jason Tenn for their photography and creation. I want to thank Zetong Liu for his amazing creative design with my album cover. Last but not least, I want to thank my family for believing in me and supporting me along the way. THANK YOU!
Following the release of his first two Trilogy EPs, Toronto R&B artist THEO TAMS shares a cover of the much-loved Destiny’s Child classic, ‘Say My Name.’
Tams has made the track his own by adding further grit and dirt to the production, a soulful, unapologetic and sexy flipping of the script on the traditional cheating narrative.
‘Say My Name’ is the first of a series of covers that Tams is releasing ahead of Trilogy III, taking time to find meaning and connection in songs that aren’t his own while delivering them as though they were.
With her debut album ‘Phoenix’ arriving this Friday, 29th October, Canadian Cameroonian artist, songwriter, actress, burlesque performer, and poet EROCKFOR [pronounced eh-ROCK-for] brings along the blog’s second song of the day titled ‘Crown’, the last of five singles she has been revealing every month since May in the lead up to her album. ‘Crown’ comes on the back of recent support for Erockfor from the likes of Rolling Stone India, Wonderland Magazine, Earmilk, Ones To Watch, MTV Base, Flaunt Magazine and MEFEater, to mention a few.
Produced by LA-based electronic musician Blaire Michael, ‘Crown’ represents the seventh and final chakra ‘Sahasrara’, following Erockfor’s two previous singles ‘Sacral’ and ‘Heart’ that were named after the second and fourth chakra, with each song signifying different elements of her healing and rebirth journey so far. With ‘Crown’, Erockfor has delivered a rousing and free flowing opus with exquisite indie and pop sensibilities, held together by Erockfor’s spellbinding vocal performance, her magnetic lyricism, lush drum patterns and ethereal guitar arrangements.
Speaking about the inspiration behind ‘Crown’, Erockfor says, “The song is about recognising my true essence and my connection to the divine. I am at my happiest when I prioritize my spirituality. Sometimes, I fall off course, but when I walk that path of seeing myself as part of something greater, that’s when magic happens. This whole album is a co-creation with the universe and my ancestors. I wrote ‘Crown’ at a time when I was building my spiritual toolbox and rediscovering the power and importance of community – ‘Crown’ is a time capsule of that period of my life”.
Erockfor has come full circle after spending six years in Seoul, and is now back in her hometown in Montreal, where she crafted her forthcoming debut album ‘Phoenix’, which chronicles her journey between the abusive and adulterous marriage that caused her to escape to Korea and where she is now, over a genre-bending fusion of sonic beds. With a distinctive voice that has brought comparisons to Cyndi Lauper, Macy Gray and Amy Winehouse, Erockfor’s creative outlets also extend beyond music, as she is also revered as a burlesque performer, actress and poet.
KIANA‘s latest single ‘Strangers’, oozes a dark R&B tone. Looking into the future and the past all at once, she considers the infinite possibilities of what could alternatively play out between two people who once felt deep love and now nothing.
The Toronto-based artist confides, “It’s ultimately a sad title, but it’s probably the most common human thought and experience. I know everyone who reads the title will think about the time they experienced that thought too and will think about that person – who could at the time be a stranger, a lover, or somewhere in between.”
The single takes inspiration from the likes of Jorja Smith and Amy Winehouse, emitting rolling waves of melancholic shadows throughout and echoing adlibs of curiosity and wonder. The soul meets dark R&B sound has a minimalist approach to the production, while the closely-knit piano notes give off a flutter of soulful magic, alongside her fierce, controlled and sultry vocals. Overall alluring in its nature, the track drips in tender backing synths and a calm, soft beat.
Her music has gained recognition from multiple radio stations including Toronto’s Flow 93.5 FM and Vibe 105.5 FM and received immense positive reception from her hometown. Today, KIANA has earned over half a million plays globally and has been featured in publications such as Lyrical Lemonade, Ones to Watch and Red Bull Music, to name a few. She has touched major stages like The Mod Club Theatre and performed at significant Canadian festivals including NXNE and Canadian Music Week.
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