Album Interview: Don’t Come In Here – Oloff

Ever since OLOFF graced this blog with his album, ‘Life’s Got You Riveted’, which was placed at #6 on New Lease Music’s Top Ten Albums of 2016 list, I’ve been so mesmerised how this Bristolian artist experiments with different genres without fear. So I’m absolutely pleased to have a chat with him about his album ‘Don’t Come In Here’. So sit back and have a read as this convo this an absolute belter. Enjoy!

NLM: Hey, thank you for taking part in an interview with NEW LEASE MUSIC. How is 2021 treating you so far?

O: You’re welcome. 2021 has been kind of crazy, I’ve released 2 albums and gone through a breakup. I have a 3rd album and a book on the way. I’m keeping extremely busy, time is passing by quite slowly.

NLM You released your album, ‘Don’t Come In Here’ back in March. What is the public perception on the project so far?

O: I haven’t done enough to promote it so I don’t know. I’ve temporarily given up on promoting music because I don’t have the time or the money for it, so right now I’m focusing on building up a catalogue and not paying any attention to the numbers at all. Then when I have some leverage I will have loads of songs already released.

NLM: How would you describe the album’s sound to potential fans?

O: Electronic experimental hip-hop. Drugs.

NLM: What inspired you to produce the album?

O: I had a bad acid trip a couple of years ago and this album was kind of the culmination of my efforts to get over the things I saw on that trip. It was also about being stuck in a room during lockdown, the ups and downs of my relationship, and at times also the fun/humour of living such a life and experimenting with weird substances. In the end the theme is about trust I suppose, not really being able to ever fully trust people but having to do so for your own sanity.

NLM: What is/are your favourite single(s) from the album and why?

O: Parsons and Be Yourself. I think Parsons is the best sounding song I’ve made and I think Be Yourself is the most meaningful.

NLM: What message would you like the listeners to take away from your album?

O: Do whatever you can to be happy, stay true to yourself, be wary, get outside as much as you can.



NLM: If you had to feature one mainstream artist on the album, who would it be and why?


O: Good question. I think Kevin Gates would be interesting, because it would be such a different sound for him, but some of the themes are kind of similar (love, trust issues, substance abuse etc.) Maybe a verse on I Don’t Wanna Know.

NLM: Do you have other project(s) for 2021?

O: Yeah, shortly after this I released Oak Tree which I think is a masterpiece. I also have a project called Sameways coming out in the next few months. And a self-help book, which I think is going to be really good and will help a lot of people with their depression. I’m also regularly releasing singles and videos on my YouTube channel.O

NLM: How can potential fans find you?

O: @oloffmusic on Instagram, Oloff on spotify or YouTube.com/OloffMusic

NLM: Finally, any special shout outs to those involved in the production of ‘Don’t Come Back Here’?

O: Just me. So, hang in there Oloff! You big bald c**t.

Don’t Come Back Here is now out

Album Interview: Not A Yout Anymore – Trigga Ryder

I have been following Matt Wride – aka TRIGGA RYDER – ever since he slipped me his 2016 track, ‘That’s A Fact’, so it’s an absolute pleasure to welcome back the Manchester-based spitter to talk about his latest project, ‘Not A Yout Anymore’. As I was immediately intrigued by the album’s title, I asked him what inspired him to produce the ten-track set plus his plans for the rest of the year.

NLM: Hey, thank you for taking part in an interview with NEW LEASE MUSIC. How is 2021 treating you so far?

TR: Yeah 2021 is going good so far, definitely better than 2020. 2020 was pretty hard to be honest due to COVID but it seems like there’s hope on the horizon and stuff is hopefully going to get back to normal soon.

NLM: You released your album, ‘Not A Yout Anymore’ last November. What is the public perception on the project so far?

TR: Definitely been a lot of love for the project and people supporting the final product I feel like it could have done better In terms of numbers of streams sales etc. But I’m happy with it and these days I’m making music for myself so if anyone else buzzes of it that’s a bonus

NLM: What inspired you to produce the album?

TR: The birth of my son Dylan in 2017 inspired me and made me think wow I’m actually a grown up now, hence the title Not A Yout Anymore, also the breakup of me and his Mum which was a struggle, but it inspired me on some of the tracks with lyrics and concepts.

NLM: How would you describe the album’s sound to potential fans?

TR: I’d say the project has a mixture of sounds which is something I intended by my choice of using three different producers/ beat makers there’s some Boom Bap , Grime and Modern Rap in the vein of D Block Europe and Nafe Smallz minus the auto tune which I’m not opposed to using but didn’t think it would fit with the project this time around.

NLM: What is/are your favourite single(s) from the album and why?

It depends what mood I’m in but I’m pleased with the lead single Not A Yout Anymore. The Chorus kept getting stuck in my head so we shot a video for it with Chris Lucas of Arun productions in Bristol you can watch it here:

I also really like how the track path that I choose turned out in terms of production.

NLM: If you had to feature one mainstream artist on the album, who would it be and why

TR: Probably Potter Payper although I’m not really sure if he’s classed as mainstream, but I’m feeling all the stuff he’s been putting out recently and followed him Since the beginning of his career.

Met him a couple of times once in Manchester and then at a gig in Birmingham and he was really safe plus he went in with his performance.

NLM: Did the Covid pandemic presented any drawbacks in the production of your EP?

TR: Yeah potentially would have had some features on the project if the rappers I had in mind had access to a studio but COVID meant they couldn’t record, also the project was started just before COVID with the intention of having it all mixed by one of the beat makers on the project but when it kicked in he ended up having other commitments to fulfil so I ended up mixing it myself which was good because I enjoy the production side of things.

NLM: Do you have other project(s) for 2021

TR: Working on a couple of features should have a track dropping with a rapper called Thrash Thorn from LA produced by Yello Blac who I’ve done tracks with in the past.

NLM: How can potential fans find you

TR: https://www.instagram.com/triggaryder/

https://mobile.twitter.com/TriggaRyder

https://m.facebook.com/trigga.ryder

https://li.sten.to/ZfBfshK

NLM: Finally, any special shoutouts to those involved in the production of ‘Not A Yout Anymore’?

TR: Yeah I’d like to shout out Subvert The Cynic

Trooh Hippi, Nineteen, Chris Lucas and the Raptographer also all my friends and family and anyone who helped throughout the project. Also like so say thanks to you for interviewing me and always supporting bless up.

Trigga Ryder’s ‘Not A Yout Anymore’ is now out on download/streaming sites.

Album Interview: HomeBody – Bill Jr. Jr.

Introducing East Vancouver’s musician Russell Gendron into the blog’s interview hot seat. He’s the frontman and songwriter for indie folk band BILL JR. JR. whose third album, ‘Homebody’ was released back in January. So I spoke to Gendron about the eight-track project and whether the pandemic impacted the production of the album.

NLM: Hey, thank you for taking part in an interview with NEW LEASE MUSIC. How is 2021 treating you so far?

BJ: My pleasure. 2021 has been great thus far. I’ve definitely had to adjust some plans and be at peace with the uncertainty around me but all in all, I’m good.

NLM: You released your album HOMEBODY back in January. What is the public perception on the singles so far?

BJ: It’s been going well thanks. The press’ thoughtful reviews we’ve received for Homebody has been fun to watch roll in and I’ve been packaging up vinyl to post every other week since the album’s release. It sure would have been nice to play some shows however.

NLM: What inspired you to produce the album?

BJ: The idea to make the album was borne from a collaboration at the Banff Centre for Arts and Creativity during an artist residency. I had a bunch of finished and unfinished songs about Vancouver and the idea of “home” and I joined forces with Dan Nettles and Daniel McNamara in order to bring them to life.

NLM: What is/are your favourite single(s) from the album and why?

BJ: I like “Run Home” because it’s fun to play live and it goes on for a long time.

NLM: So how would you describe the album’s sound to potential fans?

BJ: Hmmmm, pleasant, expansive, emotional and pulsing.

NLM: If you had to feature one mainstream artist on the album, who would it be and
why?

BJ: Is Sufjan Stevens available??? His voice is magical and devastating and I’d love to hear
it blended into this record.

NLM: Did the Covid pandemic present any drawbacks in the production of your
album?

BJ: Covid disrupted the tour we had planned so that was tough to let go of. At this
point, I don’t think that this album will be what we all feel like playing by the time
shows are happening again. Is what it is, we pivoted and I’m happy with how it
went despite the challenges.

NLM: Do you have other project(s) for 2021?

I’ve been tucking myself away in a little cabin this spring to give myself space to write
songs. I’m not sure what that will end up looking like but I’m enjoying the process.

NLM: How can potential fans find you?

BJ: Bandcamp is a great place to listen to and support our music. Otherwise, we’re all over
the internet in all the usual places.

NLM: Finally, any special shoutouts to those involved in the production?

BJ: Daniel Mcnamara and Dan Nettles!

Bill jr. Jr’ s ‘Homebody’ is available now on download and streaming sites.