Opening with a touch of the psychedelic, THE BURMA‘s latest single ‘23’ (released via The Burma Music Group) is an airy blend of retro-filtered synth stabs and indie rock grooves. The track captures the longing for what could have been dabbed with a touch of nostalgia that brings the work of Beach House, Real Estate, and Beach Fossils to mind.
Offering insight, The three-piece indie rock act from Ireland describes how the song was born: “‘23’” is the first song we wrote and recorded for our second album. It’s one of those songs that came together really quickly. The song you hear now has barely changed from its initial conception, which is a rare thing for us!”
2023 is looking to be a big year for the band: their sophomore album is due for release later this year. Additionally, they will be performing their first-ever live show in the UK on Saturday the 19th of August in London.
Their debut album, Sucker For Stars, was the No. 3 best-selling Independent Irish Album the week of its release, landing on the Irish charts and placing in both the Irish Homegrown Top 20 Singles and Top 5 Irish iTunes Singles.
Named after The Burma Steps in Cobh, The Burma has been praised by recognised webzines such as The Rolling Stone India, CLASH Magazine, Hot Press, Atwood Magazine, NOTION Magazine, and Medium.com/Pop Off and more, while receiving spins on RTÉ 2FM with Dan Hegarty.
Formerly known as Nikz & Booda, 916 deliver their sultry new cut ‘Nuisance Interlude’.
With velvet-smooth production and harmonious vocals from Nikz, combined seamlessly with Booda’s relaxed yet quick-witted bars, the 916 collective execute another flawless blend of R&B, Soul, and Hip Hop in this new song, showcasing their unique signature sonics.
The luxurious track clocks in at just over 2 minutes captivating the listeners with a stylish seductive sound, which no doubt leaves fans craving for more from the Oxford based collective.
Bursting onto the music scene representing their Punjabi heritage, British born collective 916 have garnered their own unique sound, blending elements of R&B, Hip-Hop and Soul. With records such as ‘Get To It’ and ‘Motion’, 916 have since built further anticipation for a full length project with their most recent releases ‘Mimosa’ and ‘Nuisance Interlude’.
Throughout their career, 916 have consistently showcased an impactful style and sound, demonstrating their uniqueness and conceptual artistry, both visually and sonically. Since their foray into the music industry, 916 has amassed an impressive array of accolades. From performing at the Titan Festival in 2022 alongside Lloyd, Ludacris, and Jon B, to gaining notable support from BBC 1Xtra’s Sian Anderson, who featured their track ‘Pull Up’ as her ‘Online Find’ upon its release. Additionally, their music has received airplay on prominent platforms such as BBC Asian Network, Reprezent, and Radio2Funky.
With a multitude of releases slated for this year, 916 are poised to continue captivating audiences and solidifying their presence in the industry…Check out their lush single below…
REVIVAL SEASON – comprised of rapper BEZ and Jonah Swilley, a founding member of Mattiel and also known for his production work with Moonwalks and Night Beats – share ‘Chop’, their latest single for Heavenly Recordings.
Claustrophobic as hell and crunching down in all the right places, ‘Chop’ is a close-quarters, rapid fire hip-hop track from the Atlanta based duo. Talking about the track they said: “This one came together naturally, and gives you a look into future lyrical and production themes coming from us The video happened the same way, just us walking through downtown Nashville making people uncomfortable.”
Revival Season released their debut single, ‘Iron Warrior’ for Heavenly in the summer of 2021 and most recently shared their Outernational mixtape to coincide with this year’s SXSW Festival. Assembled by Raf Rundell (O.M. Days, The 2 Bears), the 28-minute piece was a dub-infused fusion of riffs, rhymes and beats, equal parts King Tubby Prince Paul.
With their dreamy, dark, sensual sound, ARULA & QUIET SON form a duo whose music combines the qualities of both urban electronica, dance, and experimental folk with an infusion of melodic pop sensibilities. Initially starting as a remote song collaboration between the two California artists & producers, the project blossomed into a fully realised LP that winds through themes of self-discovery, reclamation, climate consciousness, and romantic vulnerability.
In just a little over a year, Arula & Quiet Son have played shows throughout California, touring with acts like Random Rab & Desert Dwellers. The first single and title track from their debut album, ‘Found’, explores the power and direct connection between the feminine and nature.
Excited about the release, Arula says: “‘Found’ is a reclamation of the power that can only be harnessed from within. It is an ode to anyone who has ever felt lost, confused, or like they don’t fit it. It is a reminder that we can always be found within ourselves, and within the receptive energy of nature and earth”
Quiet Son elaborates: “The production of this song is really special to me. It was such a unique challenge, because when I heard the initial demo I realised the message of the song is so clear that I had to make sure the production supported Arula’s vision precisely. It was an exploration in creating and subsequently releasing tension: to build the sound around Arula’s vocals as the message of the song evolves from one of self-doubt into one of complete reclamation, empowerment, and ecstasy. It was fun to let that huge bass synth take over in the last chorus; I think it really opens the song up and symbolizes the feeling of relief and blessing we can feel when we give ourselves permission to take control of our lives and destinies.”
Arula continues: “Our hope is that this song reminds you that you are powerful and enough, just because you exist. May you always feel found within yourself.”
Take a peep at the stunning video for ‘Found’ below, directed by Jade Sanchez of Earth Based Media.
London alt rock band SAD BOYS CLUB‘s latest single ‘Lumoflove’, is a powerful and vulnerable piece of their upcoming debut album Lullabies From The Lightning Tree, out 5th May via Modern Sky.
Radically changing up from their previous singles and back catalogue of music, ‘Lumoflove shows Sad Boys Club, and particularly lead singer Jacob Wheldon, at their darkest, but also most alluring. Paring sparse piano and murky production elements with bursts of vocal passion highlights the dichotomies of love and lust.
Dark, mysterious and brooding, Sad Boys Club are set to have their breakout year. The band’s upcoming debut album Lullabies From The Lightning Tree builds upon their previous string of EP releases that have seen them co-signed by the likes of Fred Macpherson, Matty Healy, Phoebe Bridgers and more.
Speaking on the album – Wheldon says: “It’s almost like a little bit of a coming of age record, it’s just 10 years later than it’s supposed to happen. It’s just for your late twenties and realising the ephemerality of all of that stuff, at this age we’ve all had relationships that haven’t worked out that we thought would last forever, we’ve all loved bands that we thought we were gonna love forever, we’ve all seen beauty in different ways.”
The story of Sad Boys Club is one of yearning, the feeling of reaching, but never quite touching. The constant ebb and flow of euphoric success and seemingly inescapable set-backs. Debut album Lullabies From The Lightning Tree not only marks a journey of four friends, but a generational rallying cry for self acceptance and love for those lost in the quagmire of their mid-to late twenties.
As Milan Kundera writes in his 1984 classic ‘The Unbearable Lightness Of Being’: “Anyone whose goal is ‘something higher’ must expect someday to suffer vertigo. What is vertigo? Fear of falling? No, Vertigo is something other than fear of falling. It is the voice of the emptiness below us which tempts and lures us, it is the desire to fall, against which, terrified, we defend ourselves.” Kundera’s comical scepticism of life is an ever present theme for Sad Boys Club on their debut outing.
Combining The Cure’s penchant for emotionally vulnerable rock anthems, The 1975’s lyrical aptitude and driving guitar based sound of Death Cab for Cutie, Sad Boys Club have cut their teeth on the live circuit for a number of years, supporting Spector, Swim Deep, Bombay Bicycle Club and The Slow Readers Club to name but a few. Their live shows are dynamic, dramatic, and with a wealth of new music to play for the first time, they’re set to be one the UK’s “must see” live shows from a break-out group.
For their previous releases, Sad Boys Club have garnered support from the likes of BBC Radio 1’s Jack Saunders, The Independent, CLASH Magazine, Dork Magazine, The Rodeo, Gigwise, The Line Of Best Fit, Whynow and more.
Sad Boys Club’s debut album Lullabies From The Lightning Tree is out 5th May via Modern Sky. New single ‘Lumoflove’ is out now. Sad Boys Club embark on tours of the UK and Europe in the spring. Have a listen to their stunning ballad below…
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