Song of the Day: Jasmine – MANX

I hope you’re ready to get really weird-out, as producer and multi-field artist Maria Nyström – aka – MANX invites you inside a tripped-out yet fruitful journey of experimental modern day trip-hops beats with single ‘Jasmine’.

Since coming on the scene in 2020 with single, Yoga While Crying’, MANX has created a claiming world based off of daydreams and heavy synesthesia that’s so lusciously comforting.

Maria states: “Suddenly I started making fiery dance tracks out of nowhere. I felt the need to inspire both myself and people around me to grow out of something, and be unapologetically alien and radically proud of it.”

Having recorded her own music since age thirteen, Maria’s creative DNA has grown into a doubtless originality that naturally ingrains every aspect of MANX. Aside from musical influences like Aphex Twin, Björk and Oklou, Maria dares to dance across unexpected genres and cultures, with a habit of messing around with both pop cultural framework as well as the expectations of listeners.

Her debut in 2019 had audiences and press sizzle over her luscious sound settings and eccentric style, calling it “addictive” and “incredibly vibey”.

‘JASMINE’ is available now via Adrian Recordings. Check out the equally tripped-out video below…

Song of the Day: Damage – DJ GANZ (ft. Beach Season)

GANZ, A.K.A Jordy Saämena is an Amsterdam-based producer/DJ extraordinaire who developed his masterful blend of hip-hop and electronica from a young age. Over time, GANZ’s sound has evolved, seeing him explore new territories and experiment with indie, pop and avant-garde music. His latest releases showcase his time spent playing with a multitude of genres and ambient soundscapes, creating something that is truly unique to GANZ.

In collaboration with Canadian duo Beach Season, comprised of Sam Avant and Simon Blitzer, GANZ unveils ‘Damage’. This latest partnership has involved international cooperation like no other. Bringing the lyrical ingenuity to life, Beach Season’s euphoric vocals pair seamlessly with lavish lofi beats. They explain, “The lyrics for “Damage” were inspired by the notion of mindless self-indulgence, even at the cost of one’s own well-being. The main root of the song centres around catharsis – a release that Sam and Simon felt even as they composed the lyrics. We have all experienced the need to be self-destructive in order to move past trauma or feel emotion.”

Taking inspiration from 90’s hip-hop and R&B elements, GANZ has developed euphonious musical elements like no other, adding a dimensional feel to “Damage”. Offering bulging basslines, echoing melodies and pulsing rhythmic sounds, this single is set to soar in success. With over 200,000 monthly listeners, his synth-focused productions and remixes helped usher in a new era of electronic music. With streaming numbers in the millions, we’re set to see huge things from GANZ and future collaborative opportunities in the coming months…Have a listen to ‘Damage’ below…

Watch itsnatevendahk’s Video For Latest Single, ‘And Even In The Ice’

Sam Frost- aka ITSNATEVENDAHK – makes his second appearance on the blog with video for second release of the year, ‘And Even In The Ice,’ a smooth lick of experimental take on 80s-inspired soul.

The latest release is taken from the mancunian-based musician’s forthcoming album, ‘Wedontdothatanymore’. Check out the video below…

Song of the Day: Demon – Fayme

Heavily inspired by Bon Iver, James Blake, Yung Lean and Travis Scott, UK artist FAYME‘s offering, ‘Demon’, is a portfolio of experimental sounds with ominous vocals that results in an enjoyable night time vibe.

With the aim to create a Bon Iver esque trap song,  Fayme uses his producing, engineering and vocal skills to create his own genre which he likes to call, “Neon Trap” – a dark eerie instrumental that allows him to create techno esque synths that work well with his vocals.

Check out the menacing sound of ‘Demon’ below…

Song of the Day: Wizard Girls – Kitzl

Canadian producer and composer, KITZL is the first to enter the blog’s SOTD spotlight of the Month with single, ‘Wizard Girls’. The single forms part of her album 40 Moons That We Know Of (April 2019), mastered by Michael Fong (Ryuichi Sakamoto, Electric Youth).

Inspired by the likes of Baths, The Knife, Empress Of, Asgeir, Sigur Rós, M.I.A, Bon Iver, Four Tet, Phosphorescent, SolarSolar, Imogen Heap, and José González, each piece of KITZL’s music is emotionally rooted in humanoid experiences. Instrumentally and lyrically it might bring up images of anthropomorphized planets and objects, as well as imaginary races of probably non-existent life-forms. There is subtle conflict in KITZL’s work and aesthetic. It’s a disquieted feud between a playful, child-like wonder, and a darker, more displeased bitterness at something. Enigmatic in genre, Kitzl’s sound draws parallels to that of her contemporaries such as Grimes and Regina Spektor.

Eschewing categories, ‘Wizard Girls’ is a shining offering, combining elements of ambient-electronic-pop, art pop, and experimental shoe-gaze into one remarkably cohesive whole. A humane glow envelops the track, rendering quixotic sketches into tangible, hook-heavy electro-pop – beautifully conceived and executed. There is a fearless, uninhibited confidence to KITZL’s work, a delightful whimsy which takes her already-arresting sound and expands it to widescreen.

The up-and-coming ambient pop-creationist has garnered support from CBC’s Radio 1’s The Key of C show hosted by Craig Norris, and wowed audiences at Hillside Inside Festival, and Kazoo! Fest in her native Canada. She has seen substantial media support, including features in Canadian Beats, New Noise Magazine, Ride The Tempo and Aesthetic Magazine.

Have a listen to ‘Wizard Girls’ below: