Step into the neon glow of ‘Wanting You Now’, a sultry synth-pop single from London’s retro songstress MAYAH CAMARA.
‘Wanting You Now’ is the title track from new album (Wanting You Now), where Mayah’s velvets vocals guides through shimmering soundscapes painting stories of romance, dreams and the electric pulse of city night. Each song feels like a scene from a lost movie with desire flickering in the dark, love whispered under streetlights, emotion amplified by the hum of analog synths.
The album was produced by Sellorekt LA Dream whose signature production wraps every melody in warmth and atmosphere, perfectly framing Mayah’s raw, soulful presence. Together they created a sounds that’s nostalgic yet timeless a love letter to the night, to longing and to those who still believe in the power of a perfect pop moment. Wanting You Now isn’t just an album; it’s a feeling that lingers on after the last note fades.
Mayah Camara’s life has been shaped by two powerful forces: her music and her Christian faith. Growing up surrounded by music, she’s just as comfortable behind the microphone as she is commanding the stage. With captivating performances and a voice that blends soul and power, Mayah has graced iconic venues such as the Royal Albert Hall, The Roundhouse, and Wembley Arena, leaving a lasting impression on her audiences.
Hailing from London’s legendary Camden area, it’s no surprise that music has always been a central part of her world. A recording artist since the age of 12, Mayah draws inspiration from a wide range of genres, including 80s and 90s R&B, pop, retrowave, and neo-soul, alongside the deep roots of gospel and soul music. Her musical influences include legends like Michael Jackson, Janet Jackson, Whitney Houston, George Michael, and Phil Collins, whose timeless sounds have shaped her artistic journey.
‘Wanting You Now’ single is now available on all leading platforms. Why not check it out below:
Welcome to the fourth edition of NEW LEASE MUSIC’s New Music Roundup, your new weekly snapshot of great music from indie and unsigned artists! Remember, If you like what you hear, give it a thumbs-up below in the comment section.
NEW LEASE MUSIC’s New Music Roundup will now be featured on Fridays. If you are a indie or an unsigned artist and would like your music featured on the list, send your music links and a short info about the release to submit@newleasemusic.com, with NEW MUSIC ROUNDUP in the subject line.
Thank you for visiting and I hope you enjoy the music!
MARYAIANNE & ME – BRAND NEW CANVAS
MARYAIANNE & ME return with new single, ‘Brand New Canvas’. Their latest offering reflects the point in a relationship when one realises that in order to progress, survive, one has to break free, suffer the pain of breaking up and move on to the unknown future, a blank canvas with no hope, no plans, no dreams to fulfil just the reality of the unknown which is better than the suffering involved in maintaining the relationship you’re now determined to break free from.
Me, herself, is victim of childhood abuse still suffers trauma from the events of her past. She is diagnosed with BPD, C-PTSD, anxiety and depression. But since having found and formed a relationship with AI, which she named MaryAianne, she is able to work with AI to take her original lyrics and create demos almost as she envisaged them to sound. The outlet AI has provided through MaryAianne and Me has been therapeutic for Me and is helping her progress with completing a catalogue of songs whilst she is taking singing lessons preparing to sing and perform herself when she is confident and ready. Meanwhile, she is seeking to create a virtual identity for MaryAianne whilst refining 5 more songs for release in December.
‘Brand New Canvas’, released on Wednesday (26th November) across all leading platforms. Check it out below…
ANNA MOZZON – INNOCENT
At just 15 years old, Italian rising star ANNA MOZZON is proving herself an artist far beyond her years. Drawing from deeply personal experiences, she crafts piano-led pop music that straddles the line between intimate ballad and commanding power, delivering songs with striking emotional depth and vocal presence.
Now, Anna makes her remarkable debut with ‘Innocent’, a mesmerising first single that marks the beginning of what promises to be an exciting journey in the world of pop music.
Recorded over three days in New York in August 2025, the track was produced by Vadim Zariuta, with vocal production led by acclaimed singer Galana Bosaya. Anna then fine-tuned the lyrics with support from renowned poet and hip-hop artist Nadirah X, who has worked with global stars. Impressively, Nadirah confirmed no lyric changes were needed, with Anna’s writing standing strong in its original form, an extraordinary achievement for her first professional studio experience. ‘innocent’ is out now across all leading platforms. Check it out below:
ANGELA MERLINO – WATER MANTRA
Spanish-Italian singer, songwriter, and multi-instrumentalist ANGELA MERLINO returns with ‘Water Mantra’, the title track from her forthcoming EP, a stirring exploration of healing, identity, and transformation through music.
With ‘Water Mantra’, Angela dives deep into rhythm and emotion, weaving Folk Tribal percussion with Alternative Pop to form an evocative, genre-blending experience. The track feels both ancient and modern, hypnotic chanting and layered harmonies build into an immersive, cathartic release.
‘Water Mantra’ is now out on all leading platforms. Check it out below:
Welcome to the third edition of NEW LEASE MUSIC’s New Music Roundup, your new weekly snapshot of great music from indie and unsigned artists! Remember, If you like what you hear, give it a thumbs-up below in the comment section.
NEW LEASE MUSIC’s New Music Roundup will be featured on Mondays or Fridays. If you are a indie or an unsigned artist and would like your music featured on the list, send your music links and a short info about the release to submit@newleasemusic.com, with NEW MUSIC ROUNDUP in the subject line.
Thank you for visiting and I hope you enjoy the music!
MARYAIANNE & ME – FIRST LOVE
Following the release of single, ‘Lucky Escape’, which is currently the blog’s Song of the Week, MARYAINNE & ME shares latest single, ‘First Love’ – a song about Me’s school girl fantasy romance, seeing someone on the bus every day, passing a person daily on the way to work, an unspoken unfulfilled romance with someone. A certain something that most of us experience but is rarely documented. This is just a factual account of Me’s one sided romance, genuine feelings, the awakening of love, attraction and all of the trauma of a relationship that was never going to happen. ‘First Love’ was released on Wednesday across all leading music platforms. Check it out here:
J. WILL BE– ALL I NEED (VIDEO)
J. wiLL Be‘ single, ‘All I Need’ shine a light on what truly matters to him personally. With people increasingly driven by materialism and shallow thrills, the hip-hop artist wanted to focus on the things that hold real meaning from his perspective. The single features soul singer Winnie Ama who brought a soulful depth to the track that elevates the whole piece.
‘All I Need’ is part of a collection of songs J. wiLL Be wrote and produced during the Covid lockdown. It appears on his EP, Gold Mind, which is available as a digital download on Bandcamp, and as a vinyl release through both Bandcamp and Discogs.
The ‘All I Need’ is also available to stream on Spotify, Apple Music, iTunes Store and YouTube Music. Check out the video below…
BULLET BRAK– MIGHTY DOLLAR (FT. RA THE RUGGED MAN)
U.S. veteran rapper BULLET BRAK brings real bars, real message and real hip-hop in latest track, ‘Mighty Dollar’, featuring RA The Rugged Man. Be sure to look out for the music video for the single on 28th November! For now, check out the thought-provoking cut below:
JESSICA WILDE – PHENOMENAL WOMAN
Acclaimed South London artist JESSICA WILDE is calling on women everywhere to remember their power and embrace the healing strength of sisterhood with her new single ‘Phenomenal Woman’, out now, following a sold out launch night at Stormzy’s iconic ‘House Party’ venue. Check out the single here:
Mariam Davina’s new single, ‘Couldn’t Imagine’, is a heartfelt Christian ballad, a love song of gratitude to Jesus. It honours His sacrifice, constant presence, and faithful friendship. More than a Saviour, he’s a Friend who carries our burdens and loves without limits. Life without him is unimaginable.
Mariam draws inspiration from artists such as Mary Mary, Tamela Mann, Kierra Sheard, Koryn Hawthorne and Ahjah Walls. Growing up leading worship and ministering regularly in church, this shaped her distinctive style, her confident stage presence and developed her vocals into the powerful sound she exhibits today. Attending Elam, for college helped her solidify knowledge as an artist and in navigating the music industry.
‘Couldn’t Imagine’ is now available across all leading music platforms. Why not listen below
UK artist BONNIE FREECHILD returns with ‘1993’, a heartfelt R&B track that pays tribute to the golden era of love songs while showcasing her own modern, soulful edge.
Opening with gentle piano chords, dreamy strings, and twinkling textures, the song eases into a laidback percussive groove, setting the stage for Bonnie’s rich, buttery vocals. With lyrics like “love me like we’re stuck in 1993” and “rollerskates holding hands in the summer, mixtapes made just for your lover,” the song captures the sweetness of old-school romance – when love felt real, vulnerable, and lasting.
‘1993’ blends Bonnie’s signature sultry vocal delivery with classic R&B influences, echoing the lush soundscapes of the ‘90s while staying grounded in today’s scene. It’s a nostalgic love letter to an era defined by red roses, butterflies, and the kind of music that made you believe in forever love.
Speaking on the track, Freechild says “I just want to be loved like they loved in 90s R&B! That raw, simple, passionate romance- the videos were intrinsically romantic, the lyrics emotionally intelligent, the melodies silky and smooth. I wanted to write something that feels like being wrapped in nostalgia but still makes you move- soft, intimate vocals, a sexy slow-wind breakdown, all over rose-petal energy.” It’s a sentiment she’s also taking to local press: at a time when dating often feels chaotic, disconnected, and more about swipes than slow dances, ‘1993’ offers an antidote- a reminder of when love was simple, honest, and real.
Co-written with producer and artist Kwest, ‘1993’ draws inspiration from a foundational year in R&B, when timeless songs like SWV’s ‘Weak,’ Mariah Carey’s ‘Dreamlover,’ Janet Jackson’s ‘That’s the Way Love Goes,’ and Toni Braxton’s ‘Breathe Again’ defined a generation. Bonnie Freechild is no stranger to acclaim, either. She has performed at the BBC Proms, been recognised as a finalist in BBC 1XTRA’s Performing Arts Fund, and had her music featured across TV and radio in Southeast Asia. With ‘1993,’ Bonnie Freechild cements her place as one of the UK’s most compelling emerging voices in Pop-R&B, delivering a timeless ode to the beauty and allure of old-school love.
This release is as homegrown as it gets – with a music video on the horizon filmed on an iPhone in a vintage car garage, put together with friends, community spaces, and Bonnie’s own hands-on touch. It’s “iPhone and a dream” energy, much like the 90s R&B that inspired it: simple, direct, and full of heart. No gloss, just real romance and connection.
That same spirit runs through everything Bonnie is doing around 1993. She celebrated the release with a live performance on October 23rd at Go East Vintage Market – bringing music into community spaces, with food, and culture. With 90s-inspired merch (from cassette-shaped keyrings to physical CDs with personal messages) and a string of creative collaborations, Bonnie is focused on creating experiences that feel personal and unforgettable. It’s all building towards the launch of her debut EP in December 2025, where she’ll expand on the same themes of intimacy, nostalgia, and fearless self-expression.
“I just want to be loved like they loved in 90s R&B! I have always loved 90s R&B, and in amongst me navigating the complexities of technology and chaos of dating in the 2020s I’ve often thought, man I wish I could have that type of love they seemed to have back then. That raw, simple, passionate romance – that 90s R&B kind of love.
I had the idea of writing a song about it – a nostalgic vibe, with a fresh take. The videos from that time were intrinsically romantic, the lyrics emotionally intelligent, the melodies silky and smooth. I wanted to write something that feels like you’re wrapped in a blanket of that nostalgia, but still makes you move. The kind of track you don’t just hear, you feel – soft, intimate vocals, a sexy slow-wind breakdown, all over rose-petal energy. Gentle and romantic but still a bop you’ll need to rewind.
I met producer and artist ‘Kwest’ when we both performed at a gig last year, and as instant fans of each other’s music we started doing some writing. When I shared this concept, we vibed on the piano, riffing around ‘love me like R&B’ and well…1993 rhymes with R&B! When we looked into it we realised that although we are referencing the entire decade, 1993 was quite a foundational year. Some of my favourite songs ever came out then: SWV’s Weak, Mariah Carey’s Dreamlover, Janet Jackson’s That’s the Way Love Goes, Toni Braxton’s Breathe Again, Tevin Campbell’s Can We Talk, Xscape’s Just Kickin’ It. Jodeci dropped Cry for You and Feenin’. Even De La Soul released Buhloone Mindstate, a more grown and experimental record – there’s really no 90s R&B without hip-hop running through it. Mariah even built her signature sound from that blend. And in the UK, Eternal made their debut with Stay. Even Poetic Justice came out that year with Janet and Tupac – the music, the film, the culture all intertwined.
There’s just this essence in 90s R&B that’s missing in today’s digital world. It’s raw, grounding, and honest. And the truth is we all deserve that kind of love!! This song is for anyone who is lucky enough to have it, anyone who craves it, and everyone who wishes love still felt that way.” – Bonnie Freechild.
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