Thaïs Sala returns with her lusciously layered and immersive brand of electronic pop single ‘Sleeves’.

THAÏS SALA, the Paris-born singer/songwriter and cultural curator, is back with another stunning single, ‘Sleeves’, taken from her forthcoming debut EP, Echo Museum, which is set to release on 21st August.

Having grown up between the enchanting streets of Marrakech and the diverse landscapes of the UK, and now living in Montreal, Thaïs brings a rich, global perspective to her music. From a young age, Thaïs Sala has been immersed in a world of cultural diversity, and it shows in her music. Her unique sound blends electronic rhythms with soulful vocals, moving effortlessly between crystalline highs and husky lows. This mix of vulnerability and strength is a hallmark of her style, making her music resonate on a deeply emotional level.

Following the release of ‘Atonement’, Thaïs Sala now presents ‘Sleeves’, the second instalment from Echo Museum. Produced by Moses Belanger, ‘Sleeves’ is an intricate blend of subtle electronica elements and layers, making it an immediate and compelling listen. The track opens with emotive piano chords seamlessly mixed with Thaïs Sala’s ethereal harmonies, evolving into a rousing synth progression and a four-on-the-floor rhythm. This striking blend of soul and house music showcases her unique ability to merge genres effortlessly.

Lyrically, ‘Sleeves’ explores the theme of emotional honesty, likening the act of putting on and shedding emotions to wearing and removing clothing. Phrases like “uniform of feels” capture the routine of the psyche and the pressures to conform to external expectations. The song is a reflection on the struggle to be true to oneself and others while navigating life’s inherent highs and lows.

In the vein of artists like RY X, James Blake, and BANKS, ‘Sleeves’ is a modernised electronic and pop-infused masterpiece. Its deep, brooding quality soothes and enthuses simultaneously, showcasing the magic of Thaïs Sala’s craft.

As Thaïs Sala gears up for the release of Echo Museum, ‘Sleeves’ solidifies her place as a powerful new voice, with her ability to blend genres and create deeply personal yet universally relatable music making her an artist to watch for 2024 and beyond.

‘Sleeves’ was released on Wednesday (31st July). Why not have a listen below…

Connect with Thaïs Sala via:
IG: https://www.instagram.com/thesoulsphynx/

Arliston’s new single, ‘Vertical’ mountaineers through melancholy

ARLISTON‘s latest offering ‘Vertical’ is a brooding, introspective journey that delves deep into the heart of existential dread. The duo’s signature blend of intimate vocals and expansive soundscapes is in full force here, creating a sonic atmosphere that’s both suffocating and cathartic.

Opening with a delicate piano melody and Jack Ratcliffe’s soulful baritone, the track gradually builds to a crescendo of emotional intensity. It’s a familiar Arliston territory, but ‘Vertical’ feels like a particularly raw and vulnerable exploration of the band’s signature melancholia. The lyrics, both poignant and relatable, capture the paralyzing feeling of being overwhelmed by life’s challenges.

Musically, the track is a masterclass in dynamics. The tension between quiet introspection and soaring choruses is expertly handled, creating a sense of emotional catharsis. The addition of Sam Catchpole’s driving drums and Brett Shaw’s percussive flourishes adds a layer of complexity to the arrangement, without ever overshadowing the song’s core emotional impact.

While Arliston’s influences are clear – The National, Bon Iver, and Damien Rice cast long shadows over their sound – the duo have managed to carve out their own distinctive niche. ‘Vertical’ is a testament to their talent for crafting songs that resonate deeply with listeners, offering a much-needed soundtrack to those moments of doubt and despair.

Whether you’re a longtime fan or new to Arliston, ‘Vertical’ is a must-listen. It’s a song that lingers in the mind long after the final notes fade, leaving you with a sense of both melancholy and hope.

‘Vertical’ was released last Friday (26th July) via various music platforms. Why not have a listen below…

Follow Arliston via:
FB: https://www.facebook.com/officialarliston
IG: https://www.instagram.com/arliston/
X: https://x.com/arlistonband

OUT TODAY: Benny Bizzie is ‘Not Sorry’ for falling in Love in New Single

Singer, songwriter and producer BENNY BIZZIE brings on those hazy summer days in single, ‘Not Sorry’, with hypnotic synths, mesmerising guitar licks, and memorable hooks, topped off by the warmth of the North London-born R&B crooner’s soulful falsetto. ‘Not Sorry’ is hitting all streaming platforms on 1st  August.

With a soft bass line, inspired by UK garage classics, such as Shanks & Bigfoot’s hit, ‘Sweet Like Chocolate’ and Sweet Female Attitude’s  ‘Flowers’, ‘Not Sorry’ should have been a Valentine’s track as it is all about giving out love excessively, without any consequences. Bizzie sings: ‘If loving you is a crime, then I’m guilty for my crimes charge me so I can do the time, If I say I’m sorry, that’s a lie’

‘Not Sorry’ follows Benny Bizzie’s first single of 2024, ‘Dejavu’, which pays homage and love for families and children in Gaza affected by current conflicts. Bizzie calls on his younger self, as a rap/grime artist, to deliver gritty rap lyrics packed with emotion while keeping it warm with soulful R&B melodies. 

Benny also makes zero apologies for the love he is pouring out to his ever-expanding fan base as he plans to unleash a string of releases throughout 2024, which includes his upcoming album, ‘Project Human’.

Growing up in the estates of Tottenham, in north London, Benny wanted to find his place in society, where he can be his true self. He found solace in music, which led to his journey as a grime/rap artist, often swapping and dropping verses with childhood friends. His childhood friends would later become firm figures in UK’s grime scene which includes  Ghetts, BoyBetterknow and Ruff Sqwad.

In his adult years, Benny transitioned into R&B artist, perfecting spine-tingling falsetto over the years, often touching on current topics that are close to his heart (as featured in single ‘DejaVu’), self-development/self-discovery – and, of course, love in all forms. To date, Benny has generated over 650,000 views on YouTube and over 250K streams on Spotify alone and has generated firm support from the likes of BBC1xtra and BBC London.

Bizzie continues building momentum with cross-platform visibility through recent appearance in National Lottery advert and various podcast appearances. His collaborative single with Audio Attack, ‘Crazy For Your Love‘, was featured on Australia’s TV hit shows, Home and Away and Bachelors.

Forming part of his upcoming album, ‘Project Human’, ‘Not Sorry’ is available from 1st August on various music platforms.

Connect with Benny Bizzie via:
FB: https://www.facebook.com/BENNYBIZZIE/
X: https://x.com/BennyBizzie
IG: https://www.instagram.com/bennybizzie/
TikTok: https://www.tiktok.com/@bennybizzie

Oloye Coldman’s new single, ‘I’m Enough’, spreads empowerment and self-love

Nigerian artist OLOYE COLDMAN‘s latest single, ‘I’m Enough,’ is a powerful tune promoting self-acceptance and empowerment. The song is a heartfelt message that encourages listeners to embrace their true selves and recognise their worth.

With soulful vocals in the hook and uplifting lyrics, ‘I’m Enough’ delivers a positive and inspiring message that resonates with audiences of all ages. The catchy melody and heartfelt delivery make this track a must-listen for anyone in need of a confidence boost.

‘I’m Enough’ is available on all major streaming. Expect more music from Oloye throughout the year. Have a listen below…

OUT TODAY: Ashley Barron flips the script in single, ‘Cryin’ In A Bar’.

She has shared the stage with some of country music’s best, including opening for the legendary T. Graham Brown, Dylan Scott, Maddie & Tae, Tyler Farr, and Craig Campbell. As a rising artist ASHLEY BARRON takes a bold step away from traditional heartbreak and redefines the narratives in her new single, ‘Cryin’ In A Bar.’ Steering clear of the typical love story plot, this song flips the script on challenging the notion that a broken heart comes from surprising strength rather than ‘Crying In A Bar.’ The song, co-written by Ashley and acclaimed songwriter Pete Sallis, is a testament to their combined storytelling prowess. Pete, known for his work with artists like Ronnie Dunn, Maddie & Tae, Bucky Covington, and the multi-platinum hit ‘Shut Up and Fish,” brings his signature touch to ‘Cryin’ In A Bar.’

I should be crying in a bar
In the corner in the dark
Drowning in the bourbon wishing I was hurting
More than I am
But when I hear those
jukebox sad songs play
They don’t sting as bad as yesterday
They were wrong whoever said you can’t mend a broken heart
I should be crying in a bar

Ashley says, “When we wrote this song, I was very much overwriting your typical love story. ‘Cryin’ In A Bar’ is a twist. When you feel like your heart should be broken, but in reality, you’re okay!”

‘Cryin’ In A Bar’ is the second single to follow the first titled ‘Betrayed,’ which was released earlier this year with placements in Cowgirl Magazine, The Women of Country, and featured as a cover story three-page spread on Poze Magazine. It served as the opening move, setting the stage for a journey of overcoming personal challenges where every song is a strategic move and the ultimate victory is found within herself.

Ashley adds, “The production on this song is hands down one of my favorites. I remember being in the studio trying to feel the rhythm, so I started doing the waltz in front of my vocal mic.”

Whether playing in an intimate venue or on a large festival stage, Ashley commands the attention of the audience, leaving a lasting mark. Her concerts are a dynamic blend of country and rock, infused with a sense of authenticity and grit drawn from her personal experiences.

As a touring artist, Ashley recently headlined her show at the National Scleroderma Walk in Napa County, CA, a foundation close to her heart as she was selected to be their celebrity ambassador. She is also set to perform at the Platteville Fire Department Celebration on June 22, 2024, in Platteville, WI; the Winneshiek County Fair in Decorah, IA, with Joe Nichols on July 12, 2024; and the Dallas County, Iowa, with Craig Morgan on July 13, 2024.

‘Cryin’ In A Bar’ was released today across various platforms. Why not listen below…

Connect with Ashley Barron via:
FB: https://www.facebook.com/ashleybarronofficial/
IG: https://www.instagram.com/ashleybarronofficial/
YouTube: https://www.youtube.com/channel/UCchP2A4P0Jh22O4sGekG_MA
Website: https://www.ashleybarronofficial.com/