Song of the Day: This I Miss – Anabella Paige

NYC based singer-songwriter ANABELLA PAIGE‘s sophomore single ‘This I Miss,’ a timeless pop offering which takes form as her own version of a love letter. Produced and co-written alongside Henry Bloomfield, the track’s production samples The O’Jay’s ‘A Prayer,’ boasting heavenly strings and soulful piano licks that evoke a warm sense of nostalgia. At only 17 years old, Anabella Paige’s vivid storytelling abilities solidify that she is wise beyond her years, as she details the appreciation of a relationship while acknowledging that it is not meant to last forever. Through her lyricism, listeners come to understand that this relationship is stored in a time capsule, serving as a beautiful piece of history that both parties can reflect on with admiration and love.

On the inspiration behind the single, Anabella Paige explains, “Some people come into your life at a specific place and time for a reason, and I’ve found that it’s better to acknowledge that rather than wish you could have it forever, allowing it to lose the specialness that it had.”

Anabella Paige creates music that is thought provoking and sophisticated, painting a sonic world that puts a modern touch on sentimentality. She draws inspiration from artists including Norah Jones, Jane Birkin, SZA and Olivia Dean. Growing up, she moved from state to state frequently, which resulted in lots of time for soul-searching. At a young age, songwriting became her most trusted vessel when it came to expression; but at the time, she didn’t realize that the verses she penned in her diary would manifest into songs she would share with the world.

‘This I Miss’ follows the release of her debut single ‘Bandage’ (April 2023), which earned placements on Spotify Fresh Finds and Fresh Finds Pop. The rising artist opened for Rosie (Sony/Arista) on her most recent full US tour, and made her debut NYC performance opening for William Joseph Cook (Atlantic Records) at Mercury Lounge.

She’s definitely worth a listen..click play on the blissful ballad below…

Song of the Day: I Kissed A Girl – April Jai

London’s singer-songwriter APRIL JAI returns, this time to the blog’s Song of the Day hot spot, with a nostalgic summer feel cover of ‘I Kissed A Girl’ – the latest in a string of singles from the independent artist. Delicate acoustic guitars blend with an indie pop feel, April Jai has brought a brand new vibe to the 2008 Katy Perry hit, bringing it forward to suit the current musical landscape.

April Jai says of her cover: “I’ve been a huge fan of Katy Perry since I was a kid and I absolutely love making covers and changing them to suit my own style. I had a blast making this cover and love that it has that coming of age, end of summer nostalgic feel to it”

Making a name for herself on the London pop scene with her chilled production style and emotionally heavy lyrics, April’s TikTok viral hit ‘It Ends with Us’ saw her rack up over 500K streams for the
release on Spotify; meanwhile her previous more sultry alt pop release ‘Stop Fighting It’ emerged as her first release since her sold-out headline show in December at London’s Troubadour –
proving her potential to translate online viral attention into a real-life fanbase.

With a growing catalogue of heartfelt releases under her name, like the latest single ‘You Didn’t Notice’ and November’s pop- rock flavoured ‘Not Like the Movies’, April Jai’s personal pop numbers matched with her natural storytelling abilities sees her continuing to attract listeners from around the world, tapping into the ups and downs of navigating life and relationships. Now ready to continue her natural progression into the upper sphere of the pop world, ‘I Kissed A Girl’ is something new and exciting from the Scottish native – April Jai is undeniably one to watch. Have a listen below…

Listen To Laura Groves’ Full-Length Album, ‘Radio Red’

Much of ‘Radio Red’, the first full length album LAURA GROVES has released under her own name, was written, produced and recorded by Groves in her studio, watched over by two radio transmitting towers. “I became very drawn to them and they became like symbols to me; they were always awake, sending their messages, the red lights always came on at night and watched over whatever was going on in my life.” The album deals with themes of communication – missed and intercepted signals, chance meetings, synchronicities, the channels through which we try to express our true feelings, the outside interference that can get in the way and the joy of letting go and allowing the messages to flow freely.

Working its way through years of Laura’s life as an artist – early experiences of releasing music, live performance, touring, build up and breakdown, the record was a way to tune in to the many, often conflicting signals of fragmented memories. “I’ve always been very sensitive and open to what’s happening around me, and also struggle with the sheer amount of noise sometimes. There was a radio tower on the hill opposite the house where I grew up – I would look out at the network of streetlights winding up towards it and it all had a sort of mystery to me. It was a kind of escapism and a comfort, with an undertone of melancholy that was hard to put into words. I think that glow, that strange feeling, is what I’m always searching for and exploring through making music and artwork.”

This is the wavelength Laura is tuning into and trying to pin down in ‘Sky at Night’ and the ‘faraway feeling’ that she talks about being consumed by in the hymn to miscommunication and determination ‘Any Day Now’. This faraway feeling makes itself known as the need to open up and show emotion in the chord voicing of ‘Synchronicity’, true friendship, togetherness and isolation in our online world in ‘Sarah’ and the heartbreak that can come with the breakdown of communication in electric piano love song ‘I’m Not Crying’. The ‘Silver Lining’ of the final track, which returns to Laura’s early love for fingerpicked guitar, leads us back to the power of the redemptive love that always seems to show up just when everything seems lost.

A singer all her life, Groves has spent over a decade developing a practice as an autonomous multi-instrumentalist and recording artist as well as a collaborator (Ragz Orginale, Darkstar, Sampha, Jamie Leeming), releasing EPs on DEEK Recordings and the 2020 EP ‘A Private Road’ on Bella Union. Much of the creation of Radio Red was solitary, but a small group of people helped bring it to fruition. A meeting with mix engineer TJ Allen (Portishead, Adrien Utley) through her work in Bat for Lashes’ live band led to an important creative relationship. “Working with Tim provided me with a safe and nurturing studio environment in which to finish the record. It also means a lot to have Sampha’s voice on ‘D 4 N’ and “Good Intention”, because we first met near the beginning of this journey and so much has happened since then – singing together again feels like coming full circle in the most positive way and a reminder that there are constants running through it all.”

‘Radio Red’was released 11th August. Have a listen below…

Must Listens: Sky At Night, Good Intention, D 4 N, Any Day Now,

Alt Pop Duo Lucky Iris Share Their Hotly-Tipped Ep, ‘maybe i’m too much’

Following a wave of tastemaker hype and fresh off the back of having a sync on Love Island, Leeds based alt-pop duo LUCKY IRIS release their hotly anticipated new EP ‘maybe i’m too much’.

Released alongside the new single and title track ‘maybe i’m too much’, Maeve and Jasper (the duo behind Lucky Iris) continue to capitalise on the mass acclaim coming their way from the likes of BBC Radio 1, Radio X and Earmilk. Making infectious multi-faceted soundscapes that blend melodic hooks with alternative electronics and rich musicality, the duo make music to dance or cry to as they tread through lessons learnt in love and friendships.

Written and produced by the duo, and mixed by Richard Wilkinson (Adele, Kaiser Chiefs) and mastered by Antony Ryan (Oh Wonder), the new single ‘maybe i’m too much’ is another fine addition to Lucky Iris’ glittering catalogue. Blending punching lo-fi electronic beats with glitching arpeggiators and washing synth pads, the pair create a glimmering alt-pop soundscape for the silky and understated lead vocal to glide above. Capturing a striking commercial edge with its bouncing beats and earworm vocal melodies, ‘maybe i’m too much’ is radiantly relatable and likeable.

Speaking on the track the band share: “This song is for anyone who’s ever been made feel like they’re ‘too much’. And particularly for those who’ve been made feel like they’re ‘too much’ by someone they
love. Because there really is no need to minimise yourself to fit into a neat little box packaged by someone else. But it’s taken me far too long to realise that…”


Having formed during lockdown, the pair have rapidly gained momentum, receiving taste maker press (Earmilk, Louder Than War, Punk News, God Is In The TV, Music Crowns, Lock Magazine, Gigwise), radio plays from BBC Radio 1, Radio X, BBC 6 Music, BBC Introducing Live Sessions and support from Amazing Radio as well as landing a number of Spotify and Apple Music editorial playlists, the Premier League Official Playlist and Soccer AM’s ‘ones to watch’ playlist.

The duo started performing live in September 2021, which has seen them touring cities such as Leeds, London, Liverpool and many in between supporting the likes of: Stealing Sheep, Real Lies and the Lottery Winners, as well as appearing on festival lineups including Live At Leeds, Long Division, 110 Above and most recently The Great Escape.

maybe i’m too much was released last Friday (11th August). Have a listen below…

Must Listens: 23, blowing kisses, maybe i’m too much

Song of the Day: 11:11 – LUCI

Following the critical success of her debut EP Juvenilia released at the end of 2022, ’11:11′ marks a triumphant return for North Carolina raised/New York based artist LUCI.

A year since LUCI’s debut release Ash & Dust, ’11:11′ elevates the artist to the next level with an uplifting summer hit contender that sparks joy in every listen (think Kaytranada meets Santigold). Heralding a new sound and chapter in her life she finds herself in a place of great comfort and ease as she confidently aims for the mainstream with a track comprising alarmingly catchy lyrics and beats.

On the track, she says: “I was laying on the vocal booth floor of Lou’s studio (lineage studios in LA), listening to him and Elias chop it up, bonding over drums and chords. I was hunting for melodies and searching for words. We knew we wanted to make something different from the rest of our work together, that’s for sure.”

The accompanying video, directed by Emily Garlund, is a feel good offering shot across New York City and showcases queer love with the artist as the main character, LUCI adds: “I’ve laid eyes on a beautiful woman in a local bar and somehow coerced her into enduring the joys of the evening with me. I’ve got this dance I am trying to teach her and get her to loosen up and play with me. While shy at first, she gives in and it turns into a glorious night.”

Check out the video for ’11:11′ below…