London-based BLISS WILLIAMS’ first memories of music are the tapes of 60s pop and soul his parents kept in the car when he was little. This early introduction to timeless songwriting from the likes of The Beach Boys, not to mention all those Motown classics, left an indelible mark.
Fast-forward to 2024 and Williams’ tunes have been championed by John Kennedy on Radio X and Gary Crowley on the BBC, while recent single ‘A Thousand Times Before’ (featuring Paul Weller drummer Ben Gordelier) was playlisted by Spotify.
Sharing his childhood memories of music, Bliss Williams shares his new acoustic EP ‘Gramercy’, which is out now across various music platforms. Recorded live in just a handful of takes, ‘Gramercy’ sees Williams momentarily depart from his usual brand of electric soul to showcase his songwriting in its rawest form – stripped-back, sensitive and no less soulful.
Multidisciplinary music & visual artist LAURA PIERI reveals her new EP, ‘Frankie’. The EP will be accompanied by a short film which will premiere on June 17th.
The 4-track EP came to be when Pieri was at the point of almost giving up on her career. Inspired by what her farewell to the industry should sound like, the story of Frankie, a woman reclaiming her power, was born. In an EP that cycles through the great, bad, good, and ugly of self-discovery, Pieri emerges as an artist who has rediscovered her voice. The EP was co-written with an all-female team of songwriters and executive produced by Skyler Cocco.
The EP follows the protagonist, Frankie, who represents a woman navigating male-dominated environments. She is a foil story for women in predatory industries. Inspired by stories like Frankenstein, Suspiria, and Persephone, the characters in the Frankie story represent not only the ability of women to adapt and camouflage according to the circumstances of the moment, but also the sensation of imprisonment of having the need to have a myriad of versions in order to do so.
Across the EP’s 4 tracks, Pieri guides us through Frankie’s journey from disillusionment, anger, and finally, acceptance. “The EP was born out of a transitional phase for me,” Pieri writes. “I was mourning what I believed was me needing to give up on my career. I had felt that walking away was a necessity, and instead set my goals into pivoting into academia with corporate America as the end goal. However, leaving one male dominated field for another and feeling similar feelings come up made me see I was trying to run away from ghosts. Instead of running, I sat with them, and from that the story of Frankie, a woman reclaiming her voice and power, was born.”
Born in São Paulo, Brazil, where she lived until the age of 16, Laura Pieri always dreamed of being a pop star. In 2014, she moved to America and split her time between New York and Los Angeles to further her education and simultaneously pursue a music career. Inspired by a wide array of artists like Prince, Billie Eilish, Taylor Swift, and Michael Jackson, Pieri hopes to blend her pop influences with her Brazilian roots and use her songwriting to connect with others.
‘Frankie’ was released last Friday (31st May) across various music platforms. Why not check it out below…
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Montreal-born, Toronto-raised queer pop artist JENNARIE‘s sophomore luscious jazz single ‘Stop (you can let it go),’is a vibey and motivational piece, anchored by luscious vocals and a splash of jazz harmonies reminiscent of Yebba and Amy Winehouse.
“I’ve learned to detect the subtle yet potent presence of resentment in my body—a tightening in my chest, a tendency to ruminate on others’ choices or actions (or lack thereof). Recognizing this, I redirect my focus inward,” Jennarie explains on the track. “The opening line, “When you point your finger at another, you are pointing at the mirror,” speaks to the process of healing people-pleasing tendencies and transforming resentment into self-empowerment and love.”
“Stop (you can let it go),” is a vibey R&B and pop track featuring lush vocal stacks and a splash of jazz harmony that inspires listeners to choose compassion and self-love. “I aim for “Stop (you can let it go)” to serve as a beacon of empowerment for those grappling with comparison, judgment, and gossip,” Jennarie said. “Drawing from my DBT practice, I hope the song’s themes offer both instruction and comfort to those in need.”
Jennarie first cut her teeth in the Toronto music scene, where she gained a powerful stage presence by performing regular live shows all over town. She’s continued to make waves and build a strong name for herself in the years since, with renowned Canadian print and online magazine. The WholeNote recently hailing her for her “big voice, fearless delivery, ebullient sense of rhythm, and bubbles of humor.”
She enlisted producer Nick Tateishi for the project, who recently provided production to singer and songwriter Francois Klark’s JUNO Award-nominated 2022 sophomore album, Adventure Book, and is known for his work with the likes of Clerel, HILLARI, and Kiki Rowe, to name a few.
Renowned house vocalist, songwriter, and producer SHYAM P, celebrated for his collaborations with industry giants like Ferreck Dawn, Second City, and Josh Butler, has joined forces with legendary Afro House producer, DJ, and piano virtuoso MOON ROCKET, who has been delivering his magical live shows at some of the biggest clubs in New York, Miami and across Italy.
Together, they present a groundbreaking electronic album that transcends boundaries and defines a new era in electronic music. Titled ‘More Than Art and Science,’ the album is a testament to the collective talent and sonic breadth of these two exceptional artists. Both artists have accrued over 25 million streams on Spotify alone, and Shyam P’s distinctive vocals, effortless songwriting, and soulful performances have earned him support from Radio 1, CamelPhat, and Annie Mac. Meanwhile, Moon Rocket’s unparalleled piano playing and production skills have solidified his status as a legend in the Afro House scene.
The album’s second single, ‘Leave The World Behind, emerges as an instant standout, epitomising the perfect fusion of elements that define a cross-genre, radio-friendly dance anthem. This track effortlessly intertwines emotion-drenched vocals with a buoyant, uptempo production, encapsulating the essence of a chart-topping hit.
With its infectious chorus, “All I do is close my eyes and leave the world behind me,” the song not only captivates with its catchiness but also resonates deeply. In today’s whirlwind of existence, the track embarks listeners on a transformative odyssey of introspection, underscoring the significance of gratitude, liberation, and authenticity.
Radiating a feel-good vibe and pulsating tempo, ‘Leave the World Behind’ embodies the essence of summer, serving as the quintessential soundtrack for carefree moments and sun-kissed dance floors. The vocals, brimming with passion, seamlessly harmonise with the production, immediately uplifts spirits and strikes a chord with listeners.
London-born singer/songwriter SOFIA GILLANI‘s new single, ‘WYN’ (Without You Now) focuses on a particular phase in her life where, she cast out any toxicity in order to really progress through with life.
Sofia explains further of her latest offering: “It gave me a fresh perspective and is quite a lovely song as it became version of me that could heal and be playful in the musicality and melodies of the song whilst adding uplifting messages. WYN is the next part of me, the next cleansing of my soul. Quite profound in its message, yet still fun for me – just as music always has been.“
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