New York’s producer/Artist Bryce Alvord slams down his brand new single, ‘I’m Sorry’, under his new moniker BRYCE! BEATS!
Alvord also forms part of rap/pop act, Soho Kings, alongside rapper/DJ Celsius911 who, with fellow musicians Troy Ave, Nitty Scott and Fame School, co-produced this electrifyingly pop banger.
I’m Sorry’ was released yesterday (9th June) on all major download/streaming sites. Check it out below….
Alternative pop-rock trio, HUNGER, have revealed their brand new single ‘Light It Up’ (via Born and Raised Records), the first release of a monthly release cycle leading up to their debut album Mosaik to be released on December 20, 2019.
Boasting a solid, driving instrumental serving as the foundation for the uplifting choir-esques vocal arrangements, ‘Light It Up’ is a rousing anthem exhibiting the fine chemistry the trio has established over the years.
Friends since childhood, Daniel Rumpel, Johannes Herbst and Lucas Fendrich grew up listening to punk-rock and pop in their hometown of Vienna, Austria. They formed HUNGER in early 2015, following the dissolution of their former bands, with the initial intention of establishing themselves as a songwriting trio. However, when they recorded their first songs in the studio, they realized that they were yearning to be played in front of a live audience. Standard song structures and melodies were disregarded in favour of the tone and evocation of the music, resulting in vast, dark, cinematic sounds and a moody blend of alt-rock and synth-pop.
Hunger
To date, HUNGER has garnered global attention through their track ‘Amused’ being featured as part of the soundtrack to Netflix’s ’13 Reasons Why’, on several TV and online commercials, and amassing over 3 million Spotify plays. The band has amassed over one million views on Youtube as well as heavy rotation on Austria’s Hitradio Ö3, the New Music Friday Playlist on Spotify, and the Global Viral 50 Chart. Their extensive touring schedule has seen them perform at a string of festivals, including Out Of The Woods Festival with the likes of Alt-J, Phoenix, Feist, Sohn, Milky Chance, and The Strumbellas.
Electro-pop princess UFFIE continues her return to music with the release of a sparkly new single titled ‘Mine’. Co-written with Imad Royal (Panic! At The Disco, Bea Miller) and Rogét Chahayed (Travis Scott, Kendrick Lamar, Halsey), the latest offering is melodic electronic perfection that calls back to UFFIE‘s signature “party-ready” vibe while still maintaining the more nuanced pop aptitude that the French-American artist has demonstrated in her recent work.
Since releasing her ‘Tokyo Love Hotel’ EP earlier this year, UFFIE has been welcomed back, arms wide open, to the music industry. Her new music has been praised by key tastemakers such as V Magazine, PAPER, i-D, FLAUNT, and DAZED, and has led to headlining gigs at Elsewhere (NYC) and Moroccan Lounge (LA). In addition to sharing her own music, UFFIE also recently co-wrote P!NK’s new single “Hurts 2B Human (ft. Khalid).” 2019 is proving that she’s is ‘ufficially’ back!
Reflecting on her experiences – from a turbulent childhood, living on the streets, to being in a codependent relationship, geared by drugs and alcohol, LA-based power-pop singer MONTI takes back control and power through her debut EP, ‘This Is For You.’
Introducing a slight misty bed of soft indie electro pop soundscapes, the tempo picks up with third effort ‘Shadow’, which gives off a big band-ish feel to the electro/pop combo, before reverting back to those floating tones. The star of the show is, no doubt, MONTI‘s powerfully soulful vocals, which is not only pleasing to the ears, but also invites the listener into her world of past hardships, enabling them to feel the pain she went through.
Although it’s autobiographical, ‘This Is For You’ serves as a source of inspiration for anyone to overcome any adversity in life. If this talented newcomer can rise above her troubles, surely so can you.
What I’ve always perceived of Art – pop songstress KILL J is that she is one of the few artists who truly pushes the boundaries and places pop music to another level, often with jarring and industrious bass line and contrastingly light tones.
Her latest album, ‘Superposition’ predominantly continues with the combo, but more stripped back, making those airy soundscapes barely audible, allowing (at times) the boisterous drive and quirky rhythmic tones to shine through.
Singles, ‘Second Chance’ and ‘Stutter’ breaks the album’s main theme with a full-bodied production, thanks to the industrious foundation and electronic backdrop. Often feathery light, KILL J‘s lets go of her secret weapon and provides those breathtaking moments through a touching ballad, ‘Moon Sick’ and piano-led, ‘This Is It Rowdy’, where her octave vocal range really brings both arrangements to life.
Although it’s more minimal than what I expected, ‘Superposition’ does provide interesting moments (for example, the rhythmic tones that resembles a raindrop, through ‘Cloud Chamber’). Furthermore, the album perfectly showcases her killer vocals…something I’ve never noticed before in her previous releases.
Have a listen to the album below:
Must Listen: Second Chance, Stutter, Moon Sick, This Is It Rowdy