Month: May 2023

Watch IDK’s new video for track, ‘Pinot Noir’ ft. Saucy Santana & Jucee Froot

On the heels of his critically-acclaimed F65 album release, Maryland rapper IDK returns with the nostalgia-tinged music video for ‘Pinot Noir’ [feat. SAUCY SANTANA & JUCEE FROOT]. Directed by Khari Johnson & Jason ‘IDK’ Mills, the visual flaunts nineties appeal and emanates warm throwback energy.

Behind the track, IDK shares, “And also, I don’t have to be a gay rapper to put an openly gay rapper on my song… I heard the beat, and I heard a very talented artist by the name of Saucy Santana on that beat. I love him forever for taking that risk with me. Now we have a banger for the summer.”

Shot in black and white, the Golden Age of Hip-hop vibes are heavy throughout, offering fans a full view of IDK’s artistic versatility and storytelling. An uptempo, jazz-driven sample of Khia’s 2001 hit single ‘My Neck, My Back,’ it strikes a balance between carefree and confident, creating a unique kind of high art within the rap world. IDK delivers dynamic bars and instantly makes his presence known, assuring, “You know me, I don’t need no introduction in this.” From quick-hitting lyrical flexes to the unapologetic raunchiness of Saucy and Jucee Froot, ‘Pinot Noir’ makes for another standout ballad from the naturally gifted multihyphenate.

Elsewhere, IDK continues to make his claim as one of today’s most sought after collaborators in music, fashion, and beyond. Recently, he collaborated with Nike to unveil his limited-edition Nike Air Max Pro 97 “Free Coast” F&F sneaker. This fashion-forward feat follows IDK’s stellar performances at Coachella last month, where he donned a custom Lanvin race suit and helmet. But his commitment to style didn’t end there. Just last week, he created original content with the Jordan Brand for their new “Mini Hoops” series – a true testament to someone who’s in complete control of their creative output.

In addition to releasing his provocative new album, IDK is gearing up for his headlining “65 Tour” kicking off June 23rd in Paris, France. The 22-stop tour will make landfall in New York, Atlanta, Houston, Los Angeles, and more before wrapping up in Toronto, ON October 29th. The full list of dates can be found below — for more information please visit http://www.Thr33Dot.com.

It’s also important to note that IDK is using his influence to make a positive impact. With the fall return of his tuition-free music business seminar at Harvard University, No Label Academy, he’s merging industry with academia to help BIPOC students jumpstart their career in the music industry.

Check out the video for ‘Pinot Noir’ below…

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Song of the Day: I’m Not In Love (Remix) – Nsh Ghxst

Hailing from Philadelphia, NSH GHXST is hitting full speed with single, ‘I’m Not In Love’ (Remix) Ft Nsh Da Real. Melodic, catchy, and far from basic- Nsh Ghxst has found his sound.

Growing up, music always played a major part in the 22-year old singer/songwriter’s life. His growth in only a year paired with his grind, displays raw talent, individuality & most importantly, HUSTLE. Young and hungry, Nsh Ghxst plans to push out even more consistent music in an attempt to grow his popularity. Step by step, his efforts are beginning to pay off; having reached over 11K views on his “GYALIS” freestyle via TikTok!

Have a listen to ‘I’m Not In Love’ (Remix) below…

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Alt indie folk artist Yvonne Hercules shares stunning new single, ‘Narla’s Song ahead of EP

Rising alt indie-folk vocalist, composer and multi-instrumentalist YVONNE HERCULES makes a much anticipated return with the release of bittersweet new single ‘Narla’s Song’ today, a bluesy, melancholy sonic treasure of spinetingling vocals and poignant songwriting as it explores the notions of loss and grief.

‘Narla’s Song’ follows the release of Yvonne’s single ‘Phoenix’ which came out in April this year. The new track comes just ahead of the 9th June release of Yvonne’s 2nd EP ‘Olive’, which is centred on the narratives and experiences of Black women and Black femininity, with the title track inspired by Black British civil rights activist Olive Morris. Fuelled by her own experiences as a Black woman and creative, and inspired by Alternative Folk/Soul, Jazz and Rock, Yvonne has sought to showcase a body of work that she feels truly represents the nuances of her experiences and those of the Black women in her life and around her.

Produced by multi-instrumentalist/producer Malcolm McCarthy (Rita Ora, Jennifer Hudson, X Factor), the forthcoming five track EP ‘Olive’, follows up Yvonne’s critically acclaimed singles ‘Roving’ (2017), ‘Nene’ (2022) and five-track EP ‘Gladiolus’ (2018).

To coincide with the release of Olive, Yvonne is also about to embark on a five-date tour through June taking in Brighton (June 9th), London (June 10th), Bedford (June 15th), Peterborough (June 16th) and Cambridge (June 17th). Tickets for the tour are now on sale here. There will also be some workshops hosted by Yvonne on signwriting and lyrics on 11th June at The Place Bedford – https://www.theplacebedford.org.uk/shows/yvonne-hercules-lyrics-poetry-workshop/ and 4th June 2023 at The Metal, Peterborough on 12th June, more info at http://www.yvonnehercules.com .

Yvonne Hercules says of her latest offering “ ‘Narla’s Song’ is about loss, grief and all the complex emotions around losing a loved one. During my grieving process, I wrote the song as a way to eulogise but also to heal. I remember coming across Olive Morris by chance as I stumbled upon a piece about her work as an activist and her life. I felt disappointed and a sense of loss that as a young Black girl, who needed to hear stories about impactful Black British women like Morris, nobody had ever mentioned her name. That particular connection to Olive Morris was even stronger, because I remembered when I was young I used to be called ‘Olive’, so in that moment, I felt that the significance of her life and activism needed to be remembered.”

Have a listen to Narla’s Song’ below…

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Song of the Day: Badgurl – Groovy

Rising neo-pop/R&B artist GROOVY returns with the release of his intoxicating Jersey Club single ‘BADGURL’. The breakthrough act taps into the cultural phenomenon that put 2000’s R&B on the map, channeling love, lust and desire as he shares his ode dedicated to all the ladies who are looking to set themselves free by embracing their wild side. GROOVY’s vocals are easy on the ears, gracefully crossing between genres as go-to producer Alejandro flexes his ability to take a smooth slice of Y2K R&B and morph it into an ambitious Jersey Club anthem. Booming staple triplet drums, velvety sampled vocals and hypnotic keys swirl together to create a world fuelled by steamy passion, one that is sure to draw listeners in upon first listen.

The sophisticated badgurl anthem is accompanied by an official music video directed by Chris Andrade. The cult-inspired visual follows a beautiful girl who yearns for sexual empowerment and freedom. She stumbles across a magazine ad calling for all badgurls and decides to call the number listed. Soon after, she finds herself at an eerie warehouse surrounded by a group of alluring women dressed in black cloaks. GROOVY makes his entrance as the charismatic leader figure, and the two share a drink from a chalice, symbolizing the indoctrination of the newest badgurl.

‘BAD GURL’ follows the Union native’s latest release “jersey luv,” which was praised by media tastemakers around the world including BET, Mixtape Madness and more. The track also landed placements on top editorial playlists, including Spotify’s Fresh Finds, Fresh Finds Hip-Hop and Apple Music’s The New New York. Keep an eye out for GROOVY as he continues to shine with his eclectic blend of neo-pop, R&B, and house while solidifying himself as one to watch in 2023.

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OUT TODAY: Listen To Natanya’s Candid Single, ‘Angel’

NATANYA shares heartfelt new single ‘Angel’ via AURA – a new London-based imprint under the seminal label for global sounds, MOVES Recordings. The follow up to 2022 single, ‘Foolish’ (reaching over 1.3 mil streams), ‘Angel’ is a seemingly euphoric slice of R&B.

Natanya’s stunning silken vocals are layered upon nostalgic, glossy chords, reminiscent of Stevie Wonder, sparkling synths and futuristic percussion that mirrors the likes of ‘Provider’ by Frank Ocean, as she reflects candidly on the duality of deep infatuation versus fear of abandonment. Presenting itself as a saturated, bright ode to a lover, beneath the surface, the lyrics detail an anxious attachment, with a dark obsession over love and its departure.

Speaking on ‘Angel’, Natanya says: “I wrote “Angel” in two parts. The first began on a flight back from DC, after I felt I’d fallen for someone who showed me something new, but was not completely present when I needed them most. I kept singing the tune of the chorus as I fell asleep on the plane, [and] rushed to my piano to write the rest of the song as I landed. It’s got a sadder meaning than its sonic presentation, though. I wrote it as an introspective ballad first, in production, we decided to up the tempo. I’m exploring the juxtaposition between infatuation and that obsessive fear of abandonment; I want to show how the two can coexist in front of the shape of an insecure young woman who hasn’t yet developed a sense of self or boundaries – so she clings to the first sign of understanding she sees, even if it’s no good for her.”

Natanya recently supported R&B superstar girlgroup FLO in Manchester and London after hitting 1+million streams with self-released single ‘Foolish’ (2022). Standing out from the crowd with her refreshing take on alternative R&B and her striking visual aesthetic, she has gained tastemaker support and has a grown a dedicated fan base and online community via Instagram, her recent ascent on TikTok and her newsletter. Natanya’s forthcoming gigs at The Great Escape, Lower Third, and We Out Here are also a testament to her beautifully crafted sound and live show, proving she has laid the foundations for a bright future the rising star is truly set to transcend. Listen to ‘Angel’ below…

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