Owner of NEW LEASE MUSIC blog, which showcases the latest releases from indie and unsigned artists, and NEW LEASE MUSIC PROMOTIONS, which promotes indie/unsigned artists via blogs/magazines, radio, independent and Spotify playlists
Devilishly infectious, FLORIAN PICASSO‘s Tech House banger, ‘Make Me Dance’ is attention-grabbing from the start. A Daft Punk-esque vocoder kicks in, filling it with charisma. Chord stabs add that extra something, while shakers shimmy and shine to the beat of Florian’s groove, a flavour similar to the work of Tchami and Malaa.
Florian Picasso details the ins and outs of the single: “Making this record was really fun as I wanted to have a catchy line that calls for a dance. ‘Make me dance on the floor’ is simple yet very effective. I call it a hybrid record since there’s a section with heavy bass that leads into a beautiful piano melody throughout the track.”
Florian is writing his own story with his own signature, never limiting his creative mind. He has also previously collaborated with hip-hop star NAS and famed singer-songwriter John Legend on the single ‘Tomorrow’, helping him reach 120 million streams on Spotify and Youtube.
Picasso is no stage name, Florian is the great-grandson of the mighty Pablo Picasso. He recently paid tribute to his great grandfather in the most artistic and innovative way with some exceptional shows in the unique location, the Picasso Villa ‘La Californie’.
Back from nearly a year-long hiatus full of self-reflection, therapy and partial sobriety, ALEX LUDOVICO gives a scorching single entitled ‘One of the Good Ones,’ featuring Curly Castro. In this triumphant return to releasing new music, Alex laces this Jason Griff/Illmind-produced bouncy cut with socially conscious lyrics reflecting on the constant challenges of his being a black man in America and not conforming to media-driven stereotypes.
“’You’re one of the good ones’ is a phrase I heard all my life without ever really taking stock of what it meant,” explains Ludovico, “It’s a phrase used to separate people from their Blackness. When you grow up being told your interests are ‘white,’ there’s two paths you can take. You can let it make you sad or you can take a road of intellectual superiority. But both of those paths are wrong,” he continues. “Black is NWA and Black is Living Colour. Black is being loud and proud and Black is being quiet and reserved. White supremacy forces people into boxes in order for them to be defined. We will not be defined by our interests. This is a reminder to watch out for it.”
To further emphasize the point, Ludovico enlists the lyrical swords of the incomparable Curly Castro, whose rebellious wordplay has been well-documented throughout the years, most notably on his revolutionary 2021 LP, Little Robert Hutton on Backwoodz Studioz.
‘One of the Good Ones’ is the first in a series of singles Ludovico will be releasing over the next few months, leading up to his upcoming LP this Summer. This new single is available to download for free at insubordinaterecords.com and on all streaming platforms. Check it out below…
On the heels of his critically-acclaimed F65 album release, Maryland rapper IDK returns with the nostalgia-tinged music video for ‘Pinot Noir’ [feat. SAUCY SANTANA & JUCEE FROOT]. Directed by Khari Johnson & Jason ‘IDK’ Mills, the visual flaunts nineties appeal and emanates warm throwback energy.
Behind the track, IDK shares, “And also, I don’t have to be a gay rapper to put an openly gay rapper on my song… I heard the beat, and I heard a very talented artist by the name of Saucy Santana on that beat. I love him forever for taking that risk with me. Now we have a banger for the summer.”
Shot in black and white, the Golden Age of Hip-hop vibes are heavy throughout, offering fans a full view of IDK’s artistic versatility and storytelling. An uptempo, jazz-driven sample of Khia’s 2001 hit single ‘My Neck, My Back,’ it strikes a balance between carefree and confident, creating a unique kind of high art within the rap world. IDK delivers dynamic bars and instantly makes his presence known, assuring, “You know me, I don’t need no introduction in this.” From quick-hitting lyrical flexes to the unapologetic raunchiness of Saucy and Jucee Froot, ‘Pinot Noir’ makes for another standout ballad from the naturally gifted multihyphenate.
Elsewhere, IDK continues to make his claim as one of today’s most sought after collaborators in music, fashion, and beyond. Recently, he collaborated with Nike to unveil his limited-edition Nike Air Max Pro 97 “Free Coast” F&F sneaker. This fashion-forward feat follows IDK’s stellar performances at Coachella last month, where he donned a custom Lanvin race suit and helmet. But his commitment to style didn’t end there. Just last week, he created original content with the Jordan Brand for their new “Mini Hoops” series – a true testament to someone who’s in complete control of their creative output.
In addition to releasing his provocative new album, IDK is gearing up for his headlining “65 Tour” kicking off June 23rd in Paris, France. The 22-stop tour will make landfall in New York, Atlanta, Houston, Los Angeles, and more before wrapping up in Toronto, ON October 29th. The full list of dates can be found below — for more information please visit http://www.Thr33Dot.com.
It’s also important to note that IDK is using his influence to make a positive impact. With the fall return of his tuition-free music business seminar at Harvard University, No Label Academy, he’s merging industry with academia to help BIPOC students jumpstart their career in the music industry.
Hailing from Philadelphia, NSH GHXST is hitting full speed with single, ‘I’m Not In Love’ (Remix) Ft Nsh Da Real. Melodic, catchy, and far from basic- Nsh Ghxst has found his sound.
Growing up, music always played a major part in the 22-year old singer/songwriter’s life. His growth in only a year paired with his grind, displays raw talent, individuality & most importantly, HUSTLE. Young and hungry, Nsh Ghxst plans to push out even more consistent music in an attempt to grow his popularity. Step by step, his efforts are beginning to pay off; having reached over 11K views on his “GYALIS” freestyle via TikTok!
Rising alt indie-folk vocalist, composer and multi-instrumentalist YVONNE HERCULES makes a much anticipated return with the release of bittersweet new single ‘Narla’s Song’ today, a bluesy, melancholy sonic treasure of spinetingling vocals and poignant songwriting as it explores the notions of loss and grief.
‘Narla’s Song’ follows the release of Yvonne’s single ‘Phoenix’ which came out in April this year. The new track comes just ahead of the 9th June release of Yvonne’s 2nd EP ‘Olive’, which is centred on the narratives and experiences of Black women and Black femininity, with the title track inspired by Black British civil rights activist Olive Morris. Fuelled by her own experiences as a Black woman and creative, and inspired by Alternative Folk/Soul, Jazz and Rock, Yvonne has sought to showcase a body of work that she feels truly represents the nuances of her experiences and those of the Black women in her life and around her.
Produced by multi-instrumentalist/producer Malcolm McCarthy (Rita Ora, Jennifer Hudson, X Factor), the forthcoming five track EP ‘Olive’, follows up Yvonne’s critically acclaimed singles ‘Roving’ (2017), ‘Nene’ (2022) and five-track EP ‘Gladiolus’ (2018).
To coincide with the release of Olive, Yvonne is also about to embark on a five-date tour through June taking in Brighton (June 9th), London (June 10th), Bedford (June 15th), Peterborough (June 16th) and Cambridge (June 17th). Tickets for the tour are now on sale here. There will also be some workshops hosted by Yvonne on signwriting and lyrics on 11th June at The Place Bedford – https://www.theplacebedford.org.uk/shows/yvonne-hercules-lyrics-poetry-workshop/ and 4th June 2023 at The Metal, Peterborough on 12th June, more info at http://www.yvonnehercules.com .
Yvonne Hercules says of her latest offering “ ‘Narla’s Song’ is about loss, grief and all the complex emotions around losing a loved one. During my grieving process, I wrote the song as a way to eulogise but also to heal. I remember coming across Olive Morris by chance as I stumbled upon a piece about her work as an activist and her life. I felt disappointed and a sense of loss that as a young Black girl, who needed to hear stories about impactful Black British women like Morris, nobody had ever mentioned her name. That particular connection to Olive Morris was even stronger, because I remembered when I was young I used to be called ‘Olive’, so in that moment, I felt that the significance of her life and activism needed to be remembered.”
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