Following his feature on NEW LESE MUSIC with ‘Zoombies’ last November, Boston native JAY BOOGIE BAWSE resurfaces with an addictively smooth joint entitled ‘Narcotta’. The Beanstock Records recruit enlists fellow spitter, Big Trayne Klemenza to give the three-and-half minute slammer that extra lick.
This will get your head rocking…press that play button…
With the release of his debut album ‘Konfidence’ drawing closer, British singer/songwriter KIT RICE continues to tease us with latest single ‘Always Been This Way’.
Following on from the groovy funk of ‘Dance All Night’ and the power ballad ‘Just A Kiss’, the new single is an emotive strings-led soulful/R&B esque offering, which sees the South Londoner at his most vulnerable, while still retaining those well-controlled harmonies.
Speaking about the inspiration for ‘Always Been This Way’, the BRIT School alumni says, “The record is about letting go. It was one of the hardest songs to write on this album because it is so personal. I like to live my life through love & light, but sometimes people take me for granted. When that happens, I have to let go. Life is hard enough! You need people helping you push the cart uphill. If someone is sitting in it and weighing you down, you have to let go and most times it’s a hard decision to make! But you have to look after yourself first. Don’t let people weigh you down! Live your best life”.
‘Always Been This Way’ is the third release from the album ‘Konfidence’, out 25th June via KAR Records/AWAL. It’s too good to pass by; better have a listen…
LIONESS has just dropped her ‘DBT’ Remix and it is one of the most socially significant and impactful records, arguably since Bashy released ‘Black Boys’. Receiving a wave of support and praise from her peers like JME, P Money, Clara Amfo and Funk Butcher, LIONESS takes a dignified, powerful and stealthy approach as she tackles colourism, marginalisation and sexism head on.
The stereotypes and insults that come with having a dark skin tone AND being a woman are not only raised but catapulted forward in this passionate, energetic and very real account, as they were in her original DBT freestyle. Alongside an incredible line up of respected black women and exceptionally talented emcees; Queenie, Stush, Shystie, Lady Leshurr & Little Simz, the remix, produced by grime lord Prince Rapid is a heavy hitting, energy laden vibe by all accounts but lyrically it is a power anthem that should not only be heard, but listened to, and listened to closely. But are we hearing it?
The response via social media and urban music platforms like MOBO, The Hype Magazine and Nation of Billions has seen an outpouring of support, praise and community for these incredible females that have gone against the grain, spoken out and empowered themselves, and those listening, with their strength and honesty. A small pocket of the grime scene is hearing it and standing proud of what is being achieved here, yet the wider media seems like it is not yet listening, proving one of the most important points that are being raised in the record.
This is some hard-hitting stuff…LISTEN to ‘DBT (Remix)’
LOUIS BAKER has been under the radar since the release of his single ‘Addict’ a year ago…however his the newest release ‘Black Crow’ makes up for his absence from the scene.
Written and produced in Sydney in just six hours, the soul-fuelled groover sounds like alchemy freed from an artist’s DNA, rather than the chiseled result of time and toil. Produced by Grammy-nominated Steve Rusch (Solange, Miguel, Rhianna), the deeply organic production bears a strong message of exorcising those demons and leaving the past behind in order to gain wisdom through experience.
Prior to ‘Black Crow’, the New Zealand singer/songwriter has earned ten million Spotify plays worldwide for songs including ‘Rainbow’ (4.7 million) and ‘Addict’ (over 850,000). ‘Addict’ also reached number six on the Radioscope Alt Charts and was premiered on MTV.
LOUIS BAKER proves that good things comes in time…when you hit play on ‘Black Crow’, you’ll hear why…
Inspired by the iconic cinema moment in Breakfast At Tiffany’s, THINCOEUR teams up with fellow Parisian and rapper Fang The Great on the emotive new video for ‘Farewell’.
Combining Fang The Great’s cold melodies and unique cadence with a melancholic trap instrumental, the track explores love, loss, friendship and loneliness. Born Eliade Krön, THINCOEUR explains that ‘Farewell’ “relates to partings, starting with Fang The Great’s positive outlook when he raps about distance making the heart grow fonder.” Comparatively, the farewell depicted by Krön is towards a lover, where he says he may never return, but he wishes the best for the girl he loves. This bittersweet message of self-preservation is bolstered by Audrey Hepburn’s famous quote from the 1961 film “People don’t belong to people. I’m not gonna let anyone put me in a cage.”
The accompanying video, directed by Randolph Lungela, takes a darker approach, as the protagonist attempts to come to terms with the loss of a loved one. Flicking between past and present, the cold colouring of the current day juxtaposes the heady flashback scenes, tinted in a warm sepia tone, as she turns to alcohol and drugs to cope with her bereavement.
‘Farewell’ is the first taste from forthcoming album that explores the seven facets of love through poignant songwriting and masterful production. In 2017, the artist released ‘Think’, a concept album separated into three acts tracing an emotionally conflicted young man seeking self-acceptance – via dark hip-hop beats and gritty vocals. The new LP ‘7 Layers of Love’, was inspired by cultural influences from cities such as his hometown of Paris, New York and Reykjavik.
Multi-layered and effortless, ‘Farewell’ displays THINCOEUR‘s talent for writing emotional and honest music, fusing elements of hip hop and electronica. Check out the video.
New Lease Music 