OLOFF circles back to the limelight with second project of the year, ‘Sameways’, which sonically takes on a more sombre route than its predecessor, ‘Expat’, which carries an appeasing presence of retro soul and samples that’s associated with the Golden Hollywood era.
A downtempo, yet somewhat airy electronic drive dominates the ten track set momentarily interrupted by melodic chants (as heard in intro track, ‘Always’), 808/hip-hop beats (in ‘Bonce’ and ‘Half Open’).
Covering the themes of eternal recurrence, amphetamines, paranoia and circular living, ‘Sameways’ concludes with alternating sounds of industrial soundscapes, that can pierce through the coldest of souls, and hypnotic chants.
Sometimes, I wonder what goes through the mind of this indie rapper, who creatives extreme off-the-cuff material that somehow (I think) has potential widespread appeal. If you’re inquisitive enough to enter Oloff’s world, why not hit the button on the album below.
The Palace Discothequeis the second single from NIKO’s new album Electric Union, released last Friday (22nd October) via ATIC Records. Upping the tempo and getting all ‘electronic’ the track is built on a foundation of pulsing bass and Linn Drum-ish beats with layers of intricate micro melodies and synthetic vocals.
Produced by and written with long-time partner in crime Aim(Cold Water Music, Hinterland) ‘The Palace Discotheque’ has echoes of early Tubeway Army, a perennial influence on the Barrow-based beat maker that combine with Niko’s abstract pop sensibilities to create a heady, neon cocktail.
Take a peep at the accompanied nostalgic video below…
Bristol-based indie-pop / electronica artist HECTOR WHO LIVED‘s debut single, ‘Monkey’, was written when the first lockdown hit as an acknowledgement of one’s headspace being the first step towards self-help.
With sharp DIY production and earnestly self-aware lyrics, it’s a raw communication of mental struggles throughout lockdown and slipping into bad habits. Noise samples from a gameboy are sprinkled throughout to add texture to the track. ‘Monkey’ widens as it drops into the chorus where it sits atop a pulsing, funk-infused electronic bass. It reaches its pinnacle as it enters the final chorus; the vocals becoming stronger and more confident as they represent the willpower to get through bad mental states.
Hector has an array of musical achievements under his belt since his move to Bristol in 2017, having played venues such as The O2 Academy Oxford, The Bullingdon, Jericho Tavern and Truck Festival with his band ‘The Outside’. With his current band Try Me, Hector has a variety of festivals coming up this year including Dot To Dot. Hector has also featured on a charity album ‘Poland Has A Task’, alongside Lynks, Jessica Winter, Brodka and more; raising awareness for Women’s and Queer rights in Poland.
‘Monkey’ is now out on various digital music platforms. Why not have a peep at the accompanied 70s-inspired video below…
Following the release of his first two Trilogy EPs, Toronto R&B artist THEO TAMS shares a cover of the much-loved Destiny’s Child classic, ‘Say My Name.’
Tams has made the track his own by adding further grit and dirt to the production, a soulful, unapologetic and sexy flipping of the script on the traditional cheating narrative.
‘Say My Name’ is the first of a series of covers that Tams is releasing ahead of Trilogy III, taking time to find meaning and connection in songs that aren’t his own while delivering them as though they were.
With her debut album ‘Phoenix’ arriving this Friday, 29th October, Canadian Cameroonian artist, songwriter, actress, burlesque performer, and poet EROCKFOR [pronounced eh-ROCK-for] brings along the blog’s second song of the day titled ‘Crown’, the last of five singles she has been revealing every month since May in the lead up to her album. ‘Crown’ comes on the back of recent support for Erockfor from the likes of Rolling Stone India, Wonderland Magazine, Earmilk, Ones To Watch, MTV Base, Flaunt Magazine and MEFEater, to mention a few.
Produced by LA-based electronic musician Blaire Michael, ‘Crown’ represents the seventh and final chakra ‘Sahasrara’, following Erockfor’s two previous singles ‘Sacral’ and ‘Heart’ that were named after the second and fourth chakra, with each song signifying different elements of her healing and rebirth journey so far. With ‘Crown’, Erockfor has delivered a rousing and free flowing opus with exquisite indie and pop sensibilities, held together by Erockfor’s spellbinding vocal performance, her magnetic lyricism, lush drum patterns and ethereal guitar arrangements.
Speaking about the inspiration behind ‘Crown’, Erockfor says, “The song is about recognising my true essence and my connection to the divine. I am at my happiest when I prioritize my spirituality. Sometimes, I fall off course, but when I walk that path of seeing myself as part of something greater, that’s when magic happens. This whole album is a co-creation with the universe and my ancestors. I wrote ‘Crown’ at a time when I was building my spiritual toolbox and rediscovering the power and importance of community – ‘Crown’ is a time capsule of that period of my life”.
Erockfor has come full circle after spending six years in Seoul, and is now back in her hometown in Montreal, where she crafted her forthcoming debut album ‘Phoenix’, which chronicles her journey between the abusive and adulterous marriage that caused her to escape to Korea and where she is now, over a genre-bending fusion of sonic beds. With a distinctive voice that has brought comparisons to Cyndi Lauper, Macy Gray and Amy Winehouse, Erockfor’s creative outlets also extend beyond music, as she is also revered as a burlesque performer, actress and poet.
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