As he gears towards the release of his debut EP, NAPOLEON GOLD releases his latest number, ‘I Only See You’.
Taking inspiration from artists such as Mura Masa, James Blake, Bonobo & Gorrilaz – ‘I Only See You’ marks a new beginning for the newcomer as he venture out and experiments with rich electronic textures with playful and summer-charged chords.
The French Luxembourg-based producer quickly came on the radar last year, with debut release – also the name of his forthcoming EP – ‘ A New Colour’, which lead him to sign with Cinematic Music Group (division of Sony & label home to the likes of Joey Bada$$ and Public Access T.V).The new-found fame already sees him touring across the globe, opening for acts including London Grammar, Glass Animals and SOHN.
The second single from the EP – out this Friday will feature guest vocals from T-Pain with the full EP release on 25th May 2018.
LIONESS has just dropped her ‘DBT’ Remix and it is one of the most socially significant and impactful records, arguably since Bashy released ‘Black Boys’. Receiving a wave of support and praise from her peers like JME, P Money, Clara Amfo and Funk Butcher, LIONESS takes a dignified, powerful and stealthy approach as she tackles colourism, marginalisation and sexism head on.
The stereotypes and insults that come with having a dark skin tone AND being a woman are not only raised but catapulted forward in this passionate, energetic and very real account, as they were in her original DBT freestyle. Alongside an incredible line up of respected black women and exceptionally talented emcees; Queenie, Stush, Shystie, Lady Leshurr & Little Simz, the remix, produced by grime lord Prince Rapid is a heavy hitting, energy laden vibe by all accounts but lyrically it is a power anthem that should not only be heard, but listened to, and listened to closely. But are we hearing it?
The response via social media and urban music platforms like MOBO, The Hype Magazine and Nation of Billions has seen an outpouring of support, praise and community for these incredible females that have gone against the grain, spoken out and empowered themselves, and those listening, with their strength and honesty. A small pocket of the grime scene is hearing it and standing proud of what is being achieved here, yet the wider media seems like it is not yet listening, proving one of the most important points that are being raised in the record.
This is some hard-hitting stuff…LISTEN to ‘DBT (Remix)’
LOUIS BAKER has been under the radar since the release of his single ‘Addict’ a year ago…however his the newest release ‘Black Crow’ makes up for his absence from the scene.
Written and produced in Sydney in just six hours, the soul-fuelled groover sounds like alchemy freed from an artist’s DNA, rather than the chiseled result of time and toil. Produced by Grammy-nominated Steve Rusch (Solange, Miguel, Rhianna), the deeply organic production bears a strong message of exorcising those demons and leaving the past behind in order to gain wisdom through experience.
Prior to ‘Black Crow’, the New Zealand singer/songwriter has earned ten million Spotify plays worldwide for songs including ‘Rainbow’ (4.7 million) and ‘Addict’ (over 850,000). ‘Addict’ also reached number six on the Radioscope Alt Charts and was premiered on MTV.
LOUIS BAKER proves that good things comes in time…when you hit play on ‘Black Crow’, you’ll hear why…
Inspired by the iconic cinema moment in Breakfast At Tiffany’s, THINCOEUR teams up with fellow Parisian and rapper Fang The Great on the emotive new video for ‘Farewell’.
Combining Fang The Great’s cold melodies and unique cadence with a melancholic trap instrumental, the track explores love, loss, friendship and loneliness. Born Eliade Krön, THINCOEUR explains that ‘Farewell’ “relates to partings, starting with Fang The Great’s positive outlook when he raps about distance making the heart grow fonder.” Comparatively, the farewell depicted by Krön is towards a lover, where he says he may never return, but he wishes the best for the girl he loves. This bittersweet message of self-preservation is bolstered by Audrey Hepburn’s famous quote from the 1961 film “People don’t belong to people. I’m not gonna let anyone put me in a cage.”
Thinceour
The accompanying video, directed by Randolph Lungela, takes a darker approach, as the protagonist attempts to come to terms with the loss of a loved one. Flicking between past and present, the cold colouring of the current day juxtaposes the heady flashback scenes, tinted in a warm sepia tone, as she turns to alcohol and drugs to cope with her bereavement.
‘Farewell’ is the first taste from forthcoming album that explores the seven facets of love through poignant songwriting and masterful production. In 2017, the artist released ‘Think’, a concept album separated into three acts tracing an emotionally conflicted young man seeking self-acceptance – via dark hip-hop beats and gritty vocals. The new LP ‘7 Layers of Love’, was inspired by cultural influences from cities such as his hometown of Paris, New York and Reykjavik.
Multi-layered and effortless, ‘Farewell’ displays THINCOEUR‘s talent for writing emotional and honest music, fusing elements of hip hop and electronica. Check out the video.
Adding to her rising popularity with bloggers and tastemakers after the success of her last release, ‘Cupid’ – which clocked over a million views on YouTube, BRKE launched her single, ‘Control Me’.
The last few years have been a progressive journey for BRKE, (pronounced Brooke) as she’s curated her sound, an eclectic blend inspired by the London Hip-Hop, Afro-swing and Grime movements, seen and heard in ‘Control Me’. Also influenced by, and echoing late 90’s to early 00’s R&B from the likes of Destiny’s Child (‘Writing’s On The Wall’) and Brandy (‘Full Moon’), her music sits in a distinct pocket, capturing the intricacies of love, sprinkled unapologetically with youthful undertones, as she openly invites you in to her own experiences.
BRKE’s attitude and determination is to never back down from a challenge and has a desire to have her voice heard, or as she puts it, “I just want my story to be heard”. With close to 2 million views on her own YouTube channel coming from just 2 previous singles her stealthy and unwavering approach to her music is unquestionable and clearly having the right effect.
Emerging as an entity not to be overlooked, BRKE has an ability to paint a vivid picture via her lyrics and with her sassy, loveable persona she is relishing the prospect of engaging new audiences, as she aims to become the defining sound of the UK.
