ORITSÉ WILLIAMS returns with a brand new single ‘Language’ showcasing his unique, authentic style of music which he describes as ‘Afro-Island’ whilst stepping into a new chapter in his career.
An undeniable modern love anthem that steers away from the generic love themed songs, ‘Language’ connects people as human beings incorporating the universal expression ‘now you’re talking my language’ as an infectious hook. Oritsé takes you on a feel-good wave right from the start, that he smoothly rides with his unique vocal style, playfully switching up his flow along the songs hypnotic groove, exuding pure vibes and flavour.
The single produced by Jhn Alxs (Central Cee ‘I Will’) reminds us that love is a universal language which Oritsé understands having grown up between the UK, the Caribbean and Africa.
After achieving longevity in the music industry as the founding member of the multi-award winning band JLS with whom he sold over 15 million records, achieved five no.1s, two BRIT Awards and five MOBO awards, along with many other notable achievements, Oritsé took a leap of faith, broke away from the corporate major record label system and ventured out on his own as an independent artist.
Oritsé is now on an exciting new path in his solo career, working with the likes of Davido who he went to school with in Nigeria and Oritsé also mentored, along with other collaborators that feature on his debut forthcoming project such as Stylo G, producer/rapper Ayo Beatz, and Central Cee producer Jhn Alxs.
Tune into ‘Language’ and let Oritsé take you on a beautiful journey….
‘Shoulda Known Better’ is a sonic masterpiece by two rising stars in the music industry, L DIZZY (pictured right) and SOVEREIGN TUGZ,that fuses aggressive flows and high-level punchlines over a dark and intense instrumental. L Dizzy’s razor-sharp delivery, combined with Sovereign Tugz’s in the pocket offering, as well as guidance in the form of executive production, results in a track that is set to captivate audiences and elevate the duo to new heights.
ErrorTheProducer’s innovative beat sets the stage for L Dizzy and Sovereign Tugz to deliver a powerful performance that pushes the boundaries of UK rap. The single serves as a testament to label See No Equal Entertainment’s commitment to pushing artistic boundaries and delivering unparalleled music experiences to fans.
“This song is not just a track; it’s an experience. It represents the evolution of our artists and the unique sound that See No Equal Entertainment is known for,” says Sovereign Tugz, Creator of See No Equal Entertainment. “Im gassed to kick off 2024 with such a powerful release and set the tone for an exciting year ahead.”
‘Shoulda Known Better’ is the first in a series of releases planned by See No Equal Entertainment for 2024. The label continues to be a driving force in the music industry, dedicated to providing a platform for emerging talent and delivering music that resonates with diverse audiences. Why not check out the blazing joint below…
MARIE DAHLSTROM today releases the new Deluxe edition of her acclaimed 2023 album ‘A Good Life’ – out now via JFH Records. Alongside of the album release, Marie also shares a new video for album opener ‘Confide In Me’.
Fresh off the back of her landmark headline show at London’s famous Village Underground, Danish Londoner Marie Dahlstrom possesses a voice with the kind of divinity that could only be god-given. Braiding together sun-kissed R&B, Nordic jazz, and resonant neo-soul across ‘A Good Life’, Dahlstrom constantly pushes the parameters of what R&B is, and can be.
The newly released deluxe edition of ‘A Good Life’ includes new singles ‘Glass’ and her collaboration with Odeal ‘Nothing On You’, as well as two new remixes and reworks of album tracks ‘If I Belong’ – with drums courtesy of Samson Jatto (Dave, Dua Lipa, Nao) and bass from Jay Asafo, and ‘On My Own’ featuring new contributions from frequent collaborator – London rapper Aligo.
Featuring collaborations elsewhere on ‘A Good Life’ with acts including Jay Prince, Kofi Stone, Cory McKenzie Tribbett and Delleile Ankrah, and working with some of her closest musical allies across the album on its production, notably Young Poet/Ninja Tune signee Conor Albert and her partner Dan Diggas – on ‘A Good Life’ Dahlstrom strove to create a tapestry that presents life completely and truthfully, where leaning into moments of the dark and the light which make the days – and the music – all the richer.
Marie Dahlstrom is supported and praised widely at press by the likes of Billboard, NPR, Complex, The Line Of Best Fit, Mixtape Madness, NYLON, New Wave Magazine, Wonderland Magazine and more, as well as being listed as a ‘Sleeper Pick’ by Joe Budden (three times) on The Joe Budden Podcast (the most influential podcast in R&B and hip-hop globally). Marie Dahlstrom has also received substantial radio airplay from BBC 1Xtra DJ’s Jamz Supernova, DJ Target, Toddla T and Rinse FM’s Jyoty.
The deluxe edition of Marie Dahlstrom’s album ‘A Good Life’ is out now, released 13th March via JFH Records. Why not check out the album and video for ‘Confide In Me’ below…
Born in Zimbabwe and raised in Leeds, LEI HOPE is the project of Manchester based musician Hope Chiguvo. He recently announced his new EP ‘Matrices’ which will be released 10th May via Heist or Hit and shares the project’s second single and opener ’21’.
On his ambitious new 7 track EP ‘Matrices’, Hope’s textured, wide-ranging songs skip between sacred melodies and secular sentiment, all wrapped in a sound that jitters somewhere between the deluxe-digital-age psychedelics of indie and R&B.
Latest single and EP opener ’21’ at once feels familiar, nostalgic, yet distinctly singular. Written as a reminder to himself of his own growth as a person and artist, the song’s woozy, soulful ascending guitar chords and jazzy instrumental inflections provide a warming base for Lei’s musings on personal progression.
Speaking more on the release of new single ’21’, Lei Hope said: “The title of the EP ‘Matrices’ came around as the plural of ‘matrix’. It’s a bit of a nerdy explanation but in Maths, a matrix is used to communicate transformation, movement, or change (similar to coordinates). Throughout the making of this project, I underwent multiple layers of change. I like starting projects with an update on my state of mind – and on ’21’ I was looking back at times when my mental health was a lot worse and appreciating the growth I’ve made in terms of overcoming a lot of struggles. This was the first song Will Levison and I co-produced in December 2022, and it features vocals from Manchester R&B singer Mxzvita.”
Having already impressed with his self-released debut EP ‘Autonomous Affection’ and on the live stage – with buzzy showcases at Beyond The Music and Manchester Psych Fest, Lei Hope’s music arrives at a fascinating intersection between indie-pop, psychedelia, bedroom-pop, R&B and soul.
The hallmarks of his sound – layered vocal harmonies, vibrant synthesisers and smouldering hooks are all there, dappled in sunshine and in full plain sight. A guitarist first and foremost by his own admission, Lei’s musical genesis was in the church. “Whilst I was living with my family in Leeds, we would go to church maybe two or three times a week. It was non-denominational, but I guess you could say it was most similar to a Pentecostal service, with live musicians every service.” he states.
Following a period of father-son osmosis whereby he soaked up every chord shape his dad could show him, the church musicians rallied to fill in the gaps. “Once I got better at guitar, I joined the church band and was playing live every week. Now, my guitar is like my musical calculator and compass.”
And there is a navigational intelligence to the way in which he uses the various shorelines of genre as jumping off points for his own compositions. From making beats at home around the age of 15, Lei discovered and immersed himself in the material of Omar Apollo, Clairo, Yeek, Blood Orange and Spencer.
However, it wasn’t until the enforced cocoon of the pandemic that Lei began the process of recording. Isolation proved to be a creative chrysalis from which he emerged fully formed: “I didn’t know anyone in the industry or any musicians in Manchester but I knew that Steve Lacy had recorded his first EP on his phone. I took inspiration from that. Quickly, I wrote, produced, recorded and engineered my first project and people reacted.”
Lei Hope is a man making whatever music that comes into his head with the power to dismantle and reassemble genres. A pallet cleansing, no filter aesthetic; not just indie for the sake of it, but affectingly human. When you factor in that he’s capable of wringing soulfulness out of any bar of music seemingly at will, it sets him apart as one of the most exciting prospects on the Manchester indie scene.
Lei Hope’s new EP ‘Matrices’ will be released on 10th May via Heist or Hit. Why not watch the visualiser for ’21’ below…
I’m absolutely chuffed to have caught up with London’s emerging singer/songwriter NIA CHENNAI, who is – in my opinion – one of most exciting acts to come out of the capital’s alt-R&B scene. She released her debut album EP, ‘Diary Is A Waste of Paper’ last November which stormed straight to #8 on the NEW LEASE MUSIC’s Top Ten Albums of 2023 list. So sit back and relax and take time out to find more about this very promising songbird and her blazing project…
NLM: Hey, thank you for taking part in an interview with NEW LEASE MUSIC. How is 2024 is treating you so far?
NC: Hey, Thanks for having me! 2024 is treating me great. I’ve been loving all the support I’ve been receiving on my EP ‘Diary Is A Waste Of Paper’. I’m super excited to drop some new music this year.
NLM: You released your EP, ‘Diary Is A Waste Of Paper’ back in November 2023. What is the public perception on the project so far?
NC: The feedback has been super sweet on the EP. Everyone has been tagging, listening, and telling me their favourite lines and stories within the project. I think it allowed my fan base to get to know me a little bit more and was a good introduction to me as an artist
NLM: How would you describe the EP’s sound to potential fans?
NC: The EP sound is what I like to call Nia-soul. It’s a mix of soul, neo-soul, r&b! And I’ve got so many influences so you’re just gonna have to take a listen!
NLM: What inspired you to produce the EP?
NC: Making the EP I wasn’t going into the studio, thinking “oh we’re making a project”. I just went into the studio and was making songs that I loved and it came to a point where we were thinking this would be a great time to drop a project.
NLM: What is/are your favourite single(s) from the EP and why?
NC: My favourite songs on the project change all the time, but my current favourite is ‘Call It Quits! That song has attitude, and I love it.
NLM: What message would you like the listeners to take away from your EP?
NC: I would like to take them through a journey of self-discovery, as that’s what I was going through whilst making the project. Hopefully, they can relate to my lyrics and make some better decisions than I did.
NLM: If you had to feature one mainstream artist on the EP, who would it be and why?
NC: I would love to feature Raye, I’ve been obsessed with her 21st-century blues album and I just got it on vinyl. I think she would make a sick feature!
NLM: So what plans do you have for the rest of 2024?
NC: 2024, expect singles singles singles!
NLM: How can potential fans find you?
NC: Everyone can find me @niachennai on all socials!
NLM: Finally, any special shout outs to those involved in the production of ‘Diary Is A Waste of Paper’?
NC: Yes, a massive shout out to my manager who helped me and guided me through it all. I literally couldn’t have done it without him and all the producers that worked on the project. We made magic in the studio!
