Song of the Day: Destiny – Aina More

South London artist and producer AINA MORE could easily be described as one of UK rap’s best kept secrets, or perhaps one of the UK’s best new and emerging rap artists.

Having already been championed by tastemakers such as BBC Radio 1, The FADER, MTV and BBC 1Xtra, among others, and with The BRIT Awards featuring her on their BRITs compilation album a few years ago, the British Nigerian native should firmly be on your radar. On the off chance that she isn’t, Aina More is back in the frame to make sure of it!

She closes out 2020 with a fiery new track titled ‘Destiny’ and an equally fierce music video to go with it. Co-produced by Aina More herself and long-time collaborator Musiek Mambu, the track opens with an attention-grabbing sample of the Seun Kuti afrobeat classic ‘Bad Man Lighter’, before Aina More gets in her bag for two minutes straight, as she waxes lyrical in braggadocios fashion, about everything from her superior rap skills to decrying false prophets to the excellence of black women, while giving listeners an update on what she’s been up to this year.

Speaking about the inspiration behind ‘Destiny’, Aina More says, “With what I’ve been creating lately, there’s so much that I’m going to give of myself musically in the coming year, I have this unquenchable hunger to express myself freely, and ‘Destiny’ is the first part of that. Lyrically, I needed to remind everyone of just who Aina More is, and overall, I feel it represents my identity well, even down to the Oye 2.0-directed visuals – I’m very authentically Yoruba, but I’m also that girl that grew up in London, and sometimes I let my ego just do its own thing”.

With a fusion sound that can be described as a cross between Kendrick Lamar, Skepta and Fela Kuti, and a performance prowess that has seen her touring with Professor Green and opening for her idol Lauryn Hill, Aina More is typified by her unapologetic lyricism and cutting edge sonics, as highlighted as far back as her 2016 EP ‘For People With Short Attention Spans’ as well as subsequent tracks like ‘Girls Killing It’, ‘Afrikan Lady’ and ‘Healer’ that led to rave reviews and support from the likes of BBC Radio 1, The FADER, MTV and The BRIT Awards.

Check it out below…

Lyrique Drops Video For Blazing Track, ‘Hunger’

Calgary rapper Lyrique has unveiled the video for his track, ‘Hunger,’ coming off his recently released debut full-length album, P.I.M.P. (Poetry Is My Pleasure). With wielding flashy future beats and a ravenous flow, the track’s message is simple: stay hungry.

Against a backdrop of contemporary landmarks and freshly painted murals (see: Jae Sterling’s homage to Black Albertans and an abstract work by artists Wilmer Aburto, Rosa Sana, Colin Menzies, and Harvey Nichol, who also appears in the video alongside Lyrique), the video is as much a love letter to the rapper’s vision of Calgary as it is a display of solidarity to other tenacious young artists striving for greatness.

Check out the video to Lyrique’s track ‘Hunger’ below…

Album Review: 2020 DIvision – JYellowL

Irish rapper JYELLOWL jumps right down to it with his highly-anticipated debut album, ‘2020 DIvison’ and addresses the issue of having self-worth through the introductory track ‘2020’, which possesses an intimate, stripped-back setting later joined by drums, idyllic runs of piano keys and a gusty thump of the b-line.

Melodic tones (which becomes patently clear that this is JYellowL’s trademark) against a seamlessly smooth hip-hop/R&B dropback and boisterous bass, continues through the first half of the album, putting a thought-provoking spin on serious topics such as systemic and institutional racism.

‘2020 DIvision’ then ventures into the realms tropical dancehall/Afrobeats (in ‘Hypocrite’ and ‘Change’), moving onto an air of tranquil trap-hop, 90-inspired afterhours in an acoustic setting and even elements of New Jack-ish era in ‘Tunnel Vision’. Along the breadth of genres, JyellowL continues to cover a breadth of tropics, including his experience in the music industry and taking proactive steps to elevating the youth in today’s society.

From the moment I hit play on ‘2020 DIvision’, it became very clear that JYellowL is more than just a musician who is instantly recognisable through his distinctive sound and catchy flow – he’s a strong activist that isn’t afraid to tackle political and social issues that intrigues as well as disturbs him, urging his audiences to find that inner flame to do the same.

Even through his singles ‘Ozone’, ‘Jewels’, ‘Doesn’t Feel Like’, ‘Mademoiselle’
and ‘Tunnel Vision’ were all well received ahead of the album’s release, JYellowL (personally) will be now further placed as one of the most intriguing and promising artists from the Irish rap scene and perhaps beyond – and may well be look upon as a Juggernaut-like political figure among his peers with ‘2020 DIvision’.

Check out 2020 DIvision check below plus the blog’s songs recommendation:

Must Listen: 2020, Call It What You Want, Doesn’t Feel Like, Change, Tunnel Vision 

Song of the Day: Rubber Bands – Rasstokyo

South-East London artist and producer, RASSTOKYO‘s latest, ‘Rubber Bands is no doubt catchy yet consciously charged, combined with an eye grabbing visual which shows Tokyo running for Prime Minister while spitting truths about the reality of life in the UK. Adding smooth transitions, rich tones and vivid colour into the mix – this is another example of why Rasstokyo is one of the most unique artists in the scene right now.

The artist first flooded the scene as a producer under the alias of Tokyo The Producer, before fixing his attention in front of the mic – singing and rapping. Soon he would be flowing through our playlists, on to our timelines and more, with a fluid and genre-less sonic that he brands ‘water music.’ Now, he’s looking to make a splash with ‘Rubber Bands’ and an upcoming project, so be careful or you might drown…

Check out the video for ‘Rubber Bands’ below…

AJ Mamba Sheds Light on Black Issues With New Single

With over a decade of experience in theatrical arts, Philly-born lyricist,  AJ MAMBA aims to push the boundaries of hip-hop and R&B with creative wordplay and fearless honesty that’s entertaining.

His first single release on Estabrook Road Records, ‘Black People’, was actually written and produced prior to the current moments occurring in America. The single chronicles the historical and reflective view of the trials and tribulations of African Americans as a whole and is intentioned to make the audience think about different perceptions of reality.

 Check out the official video for single below…