Song of the Day: 1993 – Bonnie Freechild

UK artist BONNIE FREECHILD returns with ‘1993’, a heartfelt R&B track that pays tribute to the golden era of love songs while showcasing her own modern, soulful edge.

Opening with gentle piano chords, dreamy strings, and twinkling textures, the song eases into a laidback percussive groove, setting the stage for Bonnie’s rich, buttery vocals. With lyrics like “love me like we’re stuck in 1993” and “rollerskates holding hands in the summer, mixtapes made just for your lover,” the song captures the sweetness of old-school romance – when love felt real, vulnerable, and lasting.

‘1993’ blends Bonnie’s signature sultry vocal delivery with classic R&B influences, echoing the lush soundscapes of the ‘90s while staying grounded in today’s scene. It’s a nostalgic love letter to an era defined by red roses, butterflies, and the kind of music that made you believe in forever love.

Speaking on the track, Freechild says “I just want to be loved like they loved in 90s R&B! That raw, simple, passionate romance- the videos were intrinsically romantic, the lyrics emotionally intelligent, the melodies silky and smooth. I wanted to write something that feels like being wrapped in nostalgia but still makes you move- soft, intimate vocals, a sexy slow-wind breakdown, all over rose-petal energy.” It’s a sentiment she’s also taking to local press: at a time when dating often feels chaotic, disconnected, and more about swipes than slow dances, ‘1993’ offers an antidote- a reminder of when love was simple, honest, and real.

Co-written with producer and artist Kwest, ‘1993’ draws inspiration from a foundational year in R&B, when timeless songs like SWV’s ‘Weak,’ Mariah Carey’s ‘Dreamlover,’ Janet Jackson’s ‘That’s the Way Love Goes,’ and Toni Braxton’s ‘Breathe Again’ defined a generation. Bonnie Freechild is no stranger to acclaim, either. She has performed at the BBC Proms, been recognised as a finalist in BBC 1XTRA’s Performing Arts Fund, and had her music featured across TV and radio in Southeast Asia. With ‘1993,’ Bonnie Freechild cements her place as one of the UK’s most compelling emerging voices in Pop-R&B, delivering a timeless ode to the beauty and allure of old-school love.

This release is as homegrown as it gets – with a music video on the horizon filmed on an iPhone in a vintage car garage, put together with friends, community spaces, and Bonnie’s own hands-on touch. It’s “iPhone and a dream” energy, much like the 90s R&B that inspired it: simple, direct, and full of heart. No gloss, just real romance and connection.  

That same spirit runs through everything Bonnie is doing around 1993. She celebrated the release with a live performance on October 23rd at Go East Vintage Market  – bringing music into community spaces, with food, and culture. With 90s-inspired merch (from cassette-shaped keyrings to physical CDs with personal messages) and a string of creative collaborations, Bonnie is focused on creating experiences that feel personal and unforgettable. It’s all building towards the launch of her debut EP in December 2025, where she’ll expand on the same themes of intimacy, nostalgia, and fearless self-expression.

“I just want to be loved like they loved in 90s R&B! I have always loved 90s R&B, and in amongst me navigating the complexities of technology and chaos of dating in the 2020s I’ve often thought, man I wish I could have that type of love they seemed to have back then. That raw, simple, passionate romance – that 90s R&B kind of love. 

I had the idea of writing a song about it – a nostalgic vibe, with a fresh take. The videos from that time were intrinsically romantic, the lyrics emotionally intelligent, the melodies silky and smooth. I wanted to write something that feels like you’re wrapped in a blanket of that nostalgia, but still makes you move. The kind of track you don’t just hear, you feel – soft, intimate vocals, a sexy slow-wind breakdown, all over rose-petal energy. Gentle and romantic but still a bop you’ll need to rewind.

I met producer and artist ‘Kwest’ when we both performed at a gig last year, and as instant fans of each other’s music we started doing some writing. When I shared this concept, we vibed on the piano, riffing around ‘love me like R&B’ and well…1993 rhymes with R&B! When we looked into it we realised that although we are referencing the entire decade, 1993 was quite a foundational year.  Some of my favourite songs ever came out then: SWV’s Weak, Mariah Carey’s Dreamlover, Janet Jackson’s That’s the Way Love Goes, Toni Braxton’s Breathe Again, Tevin Campbell’s Can We Talk, Xscape’s Just Kickin’ It. Jodeci dropped Cry for You and Feenin’. Even De La Soul released Buhloone Mindstate, a more grown and experimental record – there’s really no 90s R&B without hip-hop running through it. Mariah even built her signature sound from that blend. And in the UK, Eternal made their debut with Stay. Even Poetic Justice came out that year with Janet and Tupac – the music, the film, the culture all intertwined.

There’s just this essence in 90s R&B that’s missing in today’s digital world. It’s raw, grounding, and honest. And the truth is we all deserve that kind of love!! This song is for anyone who is lucky enough to have it, anyone who craves it, and everyone who wishes love still felt that way.” 
– Bonnie Freechild.

‘1993’ is now available on all leading platforms.

Connect with Bonnie Freechild via:
IG: https://www.instagram.com/bonniefreechild
TikTok: https://www.tiktok.com/@bonniefreechildofficial
YouTube: https://www.youtube.com/bonniefreechild
Website: https://bonniefreechild.com/

New Lease Music’s New Music Roundup – 07/11/25

Welcome to NEW LEASE MUSIC’s first ever New Music Roundup!

You can now discover great music from indie and unsigned artists at a quick glimpse! If a release catches your ear, don’t be shy – share your thoughts below in the comment box!

NEW LEASE MUSIC’s New Music Roundup will be featured on Mondays or Fridays. If you are a indie or an unsigned artist and would like your music featured on the list, send your music links and a short info about the release to submit@newleasemusic.com, with NEW MUSIC ROUNDUP in the subject line.

Thank you for visiting and I hope you enjoy the music featured!

Lavendine – Deep Blue

Sister duo LAVENDINE, share their album, ‘Deep Blue’, out today (7th November) across all leading platforms. Produced by Mark Needham of The Killers and Fleetwood Mac, the album is a raw, powerful exploration of faith, perseverance, and hope in the face of life’s toughest challenges. Why not check it out here: https://ffm.to/lavendinedeepblue

samuel evanson – christmas bells

Welsh singer-songwriter SAMUEL EVANSON rounds off 2025 with a gift for listeners everywhere, his brand-new festive single, ‘Christmas Bells’, out today (7th November). Known for his spellbinding blend of introspection and pop brilliance, Evanson offers a modern twist on the classic Christmas anthem, channelling his love for 1980s synth-pop while embracing the warmth and wonder that define the season. Check it out here:

sebastian horton – stay (when the light does down)

At just 19 years old, UK-based artist SEBASTIAN HORTON emerges as a vibrant new voice with debut single, ‘Stay (When The Light Goes Down)’, a dance-pop and R&B-pop number, fusing infectious rhythms, soulful emotion, and a story of resilience. ‘Stay (When The Light Goes Down)’ was released 31st October. Check it out here:

rena angel – beauty when i bleed

Brooklyn-born singer-songwriter RENA ANGEL returns with her most evocative release yet, the hauntingly beautiful new single, ‘Beauty When I Bleed’. Blending the intimacy of indie pop with the cinematic textures of alt-leaning soundscapes, Rena’s music feels like a confession whispered at a party; soft, emotional, and impossible to forget. Check it out here:

Handshake In Space shares new single ‘Feel This Free’ – A Powerful Tribute on National Coming Out Day

Swedish EDM artist HANDSHAKE IN SPACE returns with a strong and meaningful new single, ‘Feel This Free,’ released last Saturday, 11th October, on National Coming Out Day. In a year when LGBTQ+ rights are being challenged worldwide, HANDSHAKE IN SPACE sees it as especially important to release this song as a celebration of the power of love and freedom.

Composed by HANDSHAKE IN SPACE, with lyrics and melody by Tim Heller, ‘Feel This Free’ combines a driving kick drum with a warm heartbeat, emphasizing the theme of freedom and the strength found in loving openly and without fear. With lyrics like “All I’m ever gonna need / Is a kick drum and your heart beat” and repeated choruses urging to Feel this free, the song captures a feeling of rebellion, community, and courage.

‘Feel This Free’ is an anthem for anyone fighting to be themselves, a call to not let any rules or obstacles stop love. With an uplifting message and danceable beats, the song is equally a celebration of freedom as it is a reminder of the importance of solidarity and acceptance.

HANDSHAKE IN SPACE has become a voice in the Swedish EDM scene with previous releases, and this single strengthens messages of hope and resilience during a time when they are needed more than ever.

A tribute to love, freedom, and feeling free, ‘Feel This Free’ is on all major streaming platforms…why not check it out below…

Connect with HANDSHAKE IN SPACE via:
FB: https://www.facebook.com/handshakeinspace
IG: https://www.instagram.com/handshake_in_space
TikTok: https://www.tiktok.com/@handshakeinspace

Source: Stefan Halling (Handshake In Space)

Canadian singer-songwriter Gena Perala unveils her newest single, ‘Lucky One’.

Canadian singer-songwriter GENA PERALA unveils her latest single, ‘Lucky One’, the fourth release from her upcoming 12-track album ‘Somewhere New’.

Equal parts biting, vulnerable, and defiant, ‘Lucky One’ dives headfirst into the contradictions of being human—too much of everything, not enough of anything, and somehow still finding a way to laugh through it all. With brutally honest lyrics like, “Drink too much, smoke too much, fuck just enough, talk too much,” Perala captures that razor-thin line between self-destruction and self-awareness. It’s raw, it’s self-exposing, and it’s delivered with a dark wit that cuts deep.

The song’s cover art features a striking photograph of Perala’s mother and godmother, taken during their days on the carnival circuit in the 1970s. For Perala—who spent her own childhood traveling with her family from town to town under the lights of the carnival—this image isn’t just a nod to the past. It’s a metaphor. A reminder of what “luck” really means in a place where the games are rigged, the odds are stacked, and people still show up, coin in hand, hoping for a win.

That same tension—between hope, illusion, and survival—runs straight through ‘Lucky One.’

The chorus lands like both confession and anthem:
“I’ve never been a sad girl, turning into such a sad world / I’ve never been the lucky one, count my blessings zero to some.”

While Perala has always acknowledged her blessings, she’s not afraid to admit that optimism doesn’t come easy. In a world that so often feels tragic and unjust, holding on to any kind of hope means confronting grief, loss, and all the spaces in between. ‘Lucky One’ lives in that uneasy emotional terrain—where joy and sorrow coexist without cancelling each other out.

“I’ve never really been the lucky one,” Perala reflects. “But maybe that’s the point—there’s strength in still showing up, still playing, even when the odds are against you.”

Following the momentum of her earlier singles, ‘Lucky One’ further cements Perala’s reputation for fearless storytelling and for finding beauty in life’s hardest truths. It’s not just a song—it’s a statement. One that reminds us that sometimes, showing up is its own kind of win.

Have a listen below…

Connect with Gena Perala via:
FB: https://www.facebook.com/GenaPeralaMusic/
IG: https://www.instagram.com/genaperala
TikTok: https://www.tiktok.com/@genaperala
YouTube: https://www.youtube.com/@genaperala

LUCKY IRIS Shares New Single, ‘play me like a speaker’ Ahead Of ‘fall in love with the dj’ Mixtape

Leeds-based hyper-pop duo LUCKY IRIS have announced their upcoming mixtape, ‘fall in love with the dj’, set for release on 23rd January through EMI North in partnership with Launchpad+. The six-track project includes explosive new single ‘play me like a speaker’, released yesterday (30th September), across all leading streaming platforms.

Building on the momentum of their acclaimed ‘day to night’ EP—praised by Rolling Stone UK, DIY, and BBC Introducing—this new release marks a bold sonic evolution for the duo. Described as a “full-throttle surge of club-ready energy,” lead single ‘play me like a speaker’ pairs sharp-edged synths with chopped vocals to reflect a year of fearless experimentation. The track is so intense, it reportedly blew the duo’s car speakers on first playback.

“We’re so tired of holding back, so really ‘play me like a speaker’ was used as an exploration into seeing what we can create and very literally leaning into that,” tells Maeve. “We wrote almost every track on the mixtape on the South West coast of Ireland, using only a laptop, a mic, and a twenty-five key mini keyboard with a wireless speaker. ‘play me like a speaker’ was one of the first tracks we created for this mixtape – maybe that’s ironic – but we were having fun, creating new sounds and making music we wanted to hear.”

With earlier mixtape teaser ‘i just want to dance’ already earning praise from Wonderland, NME, BBC 6 Music, and placements on key Spotify editorial playlists, fall in love with the dj is shaping up to be a major statement in the UK pop landscape.

To celebrate, Lucky Iris will embark on their first UK tour, supporting Master Peace with shows across Nottingham, Cardiff, Southampton, Margate, and Norwich.

Why not listen to ‘play me like a speaker’ below…

Connect with Lucky Iris via:
FB: https://www.facebook.com/luckyirisband
IG: https://www.instagram.com/luckyirisband
TikTok: https://www.tiktok.com/@luckyirisband?
X: https://x.com/luckyirisband