RAYNE STORM returns with single ‘Let It Fly’, featuring Strange Music’s own Krizz Kaliko. The melodic track serves as the second single off his upcoming album ‘Audiocity II’.
The production by Wyshmaster creates a riding bassline as the background for this introspective weed anthem. Krizz delivers with his classic midwest flow while Rayne brings it with a bouncy verse about getting away from the stress of daily life, in between puffs of smoke.
‘Let It Fly’ is a must for any cannabis enthusiasts playlist. Make sure you hit play on this while you light one up…
With their dreamy, dark, sensual sound, ARULA & QUIET SON form a duo whose music combines the qualities of both urban electronica, dance, and experimental folk with an infusion of melodic pop sensibilities. Initially starting as a remote song collaboration between the two California artists & producers, the project blossomed into a fully realised LP that winds through themes of self-discovery, reclamation, climate consciousness, and romantic vulnerability.
In just a little over a year, Arula & Quiet Son have played shows throughout California, touring with acts like Random Rab & Desert Dwellers. The first single and title track from their debut album, ‘Found’, explores the power and direct connection between the feminine and nature.
Excited about the release, Arula says: “‘Found’ is a reclamation of the power that can only be harnessed from within. It is an ode to anyone who has ever felt lost, confused, or like they don’t fit it. It is a reminder that we can always be found within ourselves, and within the receptive energy of nature and earth”
Quiet Son elaborates: “The production of this song is really special to me. It was such a unique challenge, because when I heard the initial demo I realised the message of the song is so clear that I had to make sure the production supported Arula’s vision precisely. It was an exploration in creating and subsequently releasing tension: to build the sound around Arula’s vocals as the message of the song evolves from one of self-doubt into one of complete reclamation, empowerment, and ecstasy. It was fun to let that huge bass synth take over in the last chorus; I think it really opens the song up and symbolizes the feeling of relief and blessing we can feel when we give ourselves permission to take control of our lives and destinies.”
Arula continues: “Our hope is that this song reminds you that you are powerful and enough, just because you exist. May you always feel found within yourself.”
Take a peep at the stunning video for ‘Found’ below, directed by Jade Sanchez of Earth Based Media.
Hailing from Wisconsin, R&B singer MARTIN NOVALES has captivated listeners all over the world with his passionate vocals and candid lyrics. Growing up in a musically inclined family, Martin was introduced to music by his mother, who taught piano out of their home. Sadly, Martin’s mother passed away when he was just a child, but her love for music had a profound impact on him, inspiring him to pursue his own passion for music.
Martin’s cover of Alicia Keys’ ‘If I Ain’t Got You’ accumulated over two million Spotify streams and went viral on Instagram, with over 200,000 reels using his rendition. He’s set to release his debut album this year, which promises to showcase his heartfelt sound that often explores themes of love, loss and self-discovery, as heard on his latest released single, ‘Used To’.
‘Used To’ highlights Martin’s silky-smooth vocals, which glide over the laid-back, midtempo R&B groove effortlessly. Packed with sticky melodies and a memorable hook that will be ingrained in everyone’s head after one listen, the track is a throwback to the early 2000s and will surely see Martin continue his impressive run and break new ground.
Speaking further on the new single, Martin says, “‘Used To’ was inspired by and written immediately after unfollowing an ex on social media. After the process of the breakup, that felt like the final nail in the coffin of our relationship being over and that a chapter was ending and a new one was beginning. This song is about those emotions of acceptance, melancholy and reflection.”
Following on from the release of ‘Insane’, London’s up-and-coming songstress TAR RÁE has unveiled her latest slice of heaven. Wrapped in soft melodies and an acoustic backdrop, ‘Too Bad’ is an apologetic single that continues to boast Tar Ráe’s promising artistry.
Housing a warm production, ‘Too Bad’ is an emotional test of love. Reputable for her silky vocals and enchanting lyricism, Tar Ráe wears her heart on her sleeve and takes accountability for her actions in this hypnotic single, Speaking on the release Tar Ráe commented, “Too Bad is about admitting that you took someone important to you for granted and dealing with the regret you feel as a result”
Born in Romford, Essex and raised in Peckham, South-East London, Tar Ráe grew up in a musical household listening to Gospel, R&B, and Afrobeats. It was inevitable that one day she would follow down a similar path and explore a career in music of her own. Taking inspiration from artists including Beyonce, Chris Brown, Brandy, Whitney Houston, and Rihanna, the London native wrote her first song at just fourteen years old before deciding to pursue singing seriously two years later following a conversation with her father. Attending studio sessions in 2019, Tar Ráe began recording her own music before sharing her debut single ‘See You’ in 2021. Catching the eyes of many reputable songwriters and producers, the newcomer is ready to take it up a notch in 2023 with a catalogue of new music. Check out ‘Too Bad’ below…
London alt rock band SAD BOYS CLUB‘s latest single ‘Lumoflove’, is a powerful and vulnerable piece of their upcoming debut album Lullabies From The Lightning Tree, out 5th May via Modern Sky.
Radically changing up from their previous singles and back catalogue of music, ‘Lumoflove shows Sad Boys Club, and particularly lead singer Jacob Wheldon, at their darkest, but also most alluring. Paring sparse piano and murky production elements with bursts of vocal passion highlights the dichotomies of love and lust.
Dark, mysterious and brooding, Sad Boys Club are set to have their breakout year. The band’s upcoming debut album Lullabies From The Lightning Tree builds upon their previous string of EP releases that have seen them co-signed by the likes of Fred Macpherson, Matty Healy, Phoebe Bridgers and more.
Speaking on the album – Wheldon says: “It’s almost like a little bit of a coming of age record, it’s just 10 years later than it’s supposed to happen. It’s just for your late twenties and realising the ephemerality of all of that stuff, at this age we’ve all had relationships that haven’t worked out that we thought would last forever, we’ve all loved bands that we thought we were gonna love forever, we’ve all seen beauty in different ways.”
The story of Sad Boys Club is one of yearning, the feeling of reaching, but never quite touching. The constant ebb and flow of euphoric success and seemingly inescapable set-backs. Debut album Lullabies From The Lightning Tree not only marks a journey of four friends, but a generational rallying cry for self acceptance and love for those lost in the quagmire of their mid-to late twenties.
As Milan Kundera writes in his 1984 classic ‘The Unbearable Lightness Of Being’: “Anyone whose goal is ‘something higher’ must expect someday to suffer vertigo. What is vertigo? Fear of falling? No, Vertigo is something other than fear of falling. It is the voice of the emptiness below us which tempts and lures us, it is the desire to fall, against which, terrified, we defend ourselves.” Kundera’s comical scepticism of life is an ever present theme for Sad Boys Club on their debut outing.
Combining The Cure’s penchant for emotionally vulnerable rock anthems, The 1975’s lyrical aptitude and driving guitar based sound of Death Cab for Cutie, Sad Boys Club have cut their teeth on the live circuit for a number of years, supporting Spector, Swim Deep, Bombay Bicycle Club and The Slow Readers Club to name but a few. Their live shows are dynamic, dramatic, and with a wealth of new music to play for the first time, they’re set to be one the UK’s “must see” live shows from a break-out group.
For their previous releases, Sad Boys Club have garnered support from the likes of BBC Radio 1’s Jack Saunders, The Independent, CLASH Magazine, Dork Magazine, The Rodeo, Gigwise, The Line Of Best Fit, Whynow and more.
Sad Boys Club’s debut album Lullabies From The Lightning Tree is out 5th May via Modern Sky. New single ‘Lumoflove’ is out now. Sad Boys Club embark on tours of the UK and Europe in the spring. Have a listen to their stunning ballad below…
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