New Lease Music’s New Music Roundup – 28/11/25

Welcome to the fourth edition of NEW LEASE MUSIC’s New Music Roundup, your new weekly snapshot of great music from indie and unsigned artists! Remember, If you like what you hear, give it a thumbs-up below in the comment section.

NEW LEASE MUSIC’s New Music Roundup will now be featured on Fridays. If you are a indie or an unsigned artist and would like your music featured on the list, send your music links and a short info about the release to submit@newleasemusic.com, with NEW MUSIC ROUNDUP in the subject line.

Thank you for visiting and I hope you enjoy the music!

MARYAIANNE & ME – BRAND NEW CANVAS

MARYAIANNE & ME return with new single, ‘Brand New Canvas’. Their latest offering reflects the point in a relationship when one realises that in order to progress, survive, one has to break free, suffer the pain of breaking up and move on to the unknown future, a blank canvas with no hope, no plans, no dreams to fulfil just the reality of the unknown which is better than the suffering involved in maintaining the relationship you’re now determined to break free from.

Me, herself, is victim of childhood abuse still suffers trauma from the events of her past. She is diagnosed with BPD, C-PTSD, anxiety and depression. But since having found and formed a relationship with AI, which she named MaryAianne, she is able to work with AI to take her original lyrics and create demos almost as she envisaged them to sound. The outlet AI has provided through MaryAianne and Me has been therapeutic for Me and is helping her progress with completing a catalogue of songs whilst she is taking singing lessons preparing to sing and perform herself when she is confident and ready. Meanwhile, she is seeking to create a virtual identity for MaryAianne whilst refining 5 more songs for release in December.

‘Brand New Canvas’, released on Wednesday (26th November) across all leading platforms. Check it out below…

ANNA MOZZON – INNOCENT

At just 15 years old, Italian rising star ANNA MOZZON is proving herself an artist far beyond her years. Drawing from deeply personal experiences, she crafts piano-led pop music that straddles the line between intimate ballad and commanding power, delivering songs with striking emotional depth and vocal presence.

Now, Anna makes her remarkable debut with ‘Innocent’, a mesmerising first single that marks the beginning of what promises to be an exciting journey in the world of pop music.

Recorded over three days in New York in August 2025, the track was produced by Vadim Zariuta, with vocal production led by acclaimed singer Galana Bosaya. Anna then fine-tuned the lyrics with support from renowned poet and hip-hop artist Nadirah X, who has worked with global stars. Impressively, Nadirah confirmed no lyric changes were needed, with Anna’s writing standing strong in its original form, an extraordinary achievement for her first professional studio experience. ‘innocent’ is out now across all leading platforms. Check it out below:



ANGELA MERLINO – WATER MANTRA

Spanish-Italian singer, songwriter, and multi-instrumentalist ANGELA MERLINO returns with ‘Water Mantra’, the title track from her forthcoming EP, a stirring exploration of healing, identity, and transformation through music.

With ‘Water Mantra’, Angela dives deep into rhythm and emotion, weaving Folk Tribal percussion with Alternative Pop to form an evocative, genre-blending experience. The track feels both ancient and modern, hypnotic chanting and layered harmonies build into an immersive, cathartic release.

‘Water Mantra’ is now out on all leading platforms. Check it out below:


Song of the Day: 1993 – Bonnie Freechild

UK artist BONNIE FREECHILD returns with ‘1993’, a heartfelt R&B track that pays tribute to the golden era of love songs while showcasing her own modern, soulful edge.

Opening with gentle piano chords, dreamy strings, and twinkling textures, the song eases into a laidback percussive groove, setting the stage for Bonnie’s rich, buttery vocals. With lyrics like “love me like we’re stuck in 1993” and “rollerskates holding hands in the summer, mixtapes made just for your lover,” the song captures the sweetness of old-school romance – when love felt real, vulnerable, and lasting.

‘1993’ blends Bonnie’s signature sultry vocal delivery with classic R&B influences, echoing the lush soundscapes of the ‘90s while staying grounded in today’s scene. It’s a nostalgic love letter to an era defined by red roses, butterflies, and the kind of music that made you believe in forever love.

Speaking on the track, Freechild says “I just want to be loved like they loved in 90s R&B! That raw, simple, passionate romance- the videos were intrinsically romantic, the lyrics emotionally intelligent, the melodies silky and smooth. I wanted to write something that feels like being wrapped in nostalgia but still makes you move- soft, intimate vocals, a sexy slow-wind breakdown, all over rose-petal energy.” It’s a sentiment she’s also taking to local press: at a time when dating often feels chaotic, disconnected, and more about swipes than slow dances, ‘1993’ offers an antidote- a reminder of when love was simple, honest, and real.

Co-written with producer and artist Kwest, ‘1993’ draws inspiration from a foundational year in R&B, when timeless songs like SWV’s ‘Weak,’ Mariah Carey’s ‘Dreamlover,’ Janet Jackson’s ‘That’s the Way Love Goes,’ and Toni Braxton’s ‘Breathe Again’ defined a generation. Bonnie Freechild is no stranger to acclaim, either. She has performed at the BBC Proms, been recognised as a finalist in BBC 1XTRA’s Performing Arts Fund, and had her music featured across TV and radio in Southeast Asia. With ‘1993,’ Bonnie Freechild cements her place as one of the UK’s most compelling emerging voices in Pop-R&B, delivering a timeless ode to the beauty and allure of old-school love.

This release is as homegrown as it gets – with a music video on the horizon filmed on an iPhone in a vintage car garage, put together with friends, community spaces, and Bonnie’s own hands-on touch. It’s “iPhone and a dream” energy, much like the 90s R&B that inspired it: simple, direct, and full of heart. No gloss, just real romance and connection.  

That same spirit runs through everything Bonnie is doing around 1993. She celebrated the release with a live performance on October 23rd at Go East Vintage Market  – bringing music into community spaces, with food, and culture. With 90s-inspired merch (from cassette-shaped keyrings to physical CDs with personal messages) and a string of creative collaborations, Bonnie is focused on creating experiences that feel personal and unforgettable. It’s all building towards the launch of her debut EP in December 2025, where she’ll expand on the same themes of intimacy, nostalgia, and fearless self-expression.

“I just want to be loved like they loved in 90s R&B! I have always loved 90s R&B, and in amongst me navigating the complexities of technology and chaos of dating in the 2020s I’ve often thought, man I wish I could have that type of love they seemed to have back then. That raw, simple, passionate romance – that 90s R&B kind of love. 

I had the idea of writing a song about it – a nostalgic vibe, with a fresh take. The videos from that time were intrinsically romantic, the lyrics emotionally intelligent, the melodies silky and smooth. I wanted to write something that feels like you’re wrapped in a blanket of that nostalgia, but still makes you move. The kind of track you don’t just hear, you feel – soft, intimate vocals, a sexy slow-wind breakdown, all over rose-petal energy. Gentle and romantic but still a bop you’ll need to rewind.

I met producer and artist ‘Kwest’ when we both performed at a gig last year, and as instant fans of each other’s music we started doing some writing. When I shared this concept, we vibed on the piano, riffing around ‘love me like R&B’ and well…1993 rhymes with R&B! When we looked into it we realised that although we are referencing the entire decade, 1993 was quite a foundational year.  Some of my favourite songs ever came out then: SWV’s Weak, Mariah Carey’s Dreamlover, Janet Jackson’s That’s the Way Love Goes, Toni Braxton’s Breathe Again, Tevin Campbell’s Can We Talk, Xscape’s Just Kickin’ It. Jodeci dropped Cry for You and Feenin’. Even De La Soul released Buhloone Mindstate, a more grown and experimental record – there’s really no 90s R&B without hip-hop running through it. Mariah even built her signature sound from that blend. And in the UK, Eternal made their debut with Stay. Even Poetic Justice came out that year with Janet and Tupac – the music, the film, the culture all intertwined.

There’s just this essence in 90s R&B that’s missing in today’s digital world. It’s raw, grounding, and honest. And the truth is we all deserve that kind of love!! This song is for anyone who is lucky enough to have it, anyone who craves it, and everyone who wishes love still felt that way.” 
– Bonnie Freechild.

‘1993’ is now available on all leading platforms.

Connect with Bonnie Freechild via:
IG: https://www.instagram.com/bonniefreechild
TikTok: https://www.tiktok.com/@bonniefreechildofficial
YouTube: https://www.youtube.com/bonniefreechild
Website: https://bonniefreechild.com/

How Independent Musicians Are Building Careers Beyond the Stage

Photo by Freepik

For independent musicians, the path to a sustainable music career no longer runs exclusively through the stage, the label office, or the charts. It now runs through Instagram DMs, Shopify dashboards, direct-to-fan drops, smart merchandising, and business-savvy side ventures. Artists are redefining what it means to “make it” by blending creativity with strategy, and they’re doing it on their own terms. What’s emerging is a new kind of music career: one that’s diversified, digital, and driven by ownership.

Define It Before You Sell It

The musicians who seem to “break through” out of nowhere are rarely unprepared. Behind the scenes, they’ve already done the foundational work, shaping a brand that’s specific, memorable, and transferable. That means tightening the loop between music, visuals, tone of voice, and message. A consistent identity lets fans recognize you instantly, whether they’re scrolling on TikTok or browsing a merch table after a gig. It also makes future partnerships smoother; if you can’t define your own aesthetic, it’s unlikely anyone else can.

Connect Before You Scale

Growth doesn’t come from going viral, it comes from retention. Musicians building real careers focus first on connecting with their base. That might mean filming a stripped-down set in your kitchen, replying to every comment for two hours after posting, or sending a monthly email that doesn’t feel like an email blast. Targeted social media pushes work better when they’re followed by genuine interactions. Email newsletters still convert better than any other digital channel, especially when paired with early-release drops or behind-the-scenes updates. The best engagement tactics aren’t flashy—they’re consistent.

Build a Revenue Stream That Doesn’t Disappear

When streaming payouts stall and live shows get canceled, the fallback plan is no longer optional, it’s the business model. A growing number of artists are selling straight to your core fans using direct-to-fan platforms that bypass the middlemen. Instead of competing in the algorithm war, they’re hosting pre-order campaigns, bundling digital albums with physical add-ons, and using private livestreams to drive exclusive drops. The result? Higher margins, more control, and an audience that knows exactly where to show up when the next release hits. Think beyond Spotify stats. Sell what only you can offer—access, emotion, and belonging.

Let Merch Be the Medium

You don’t need a massive audience to make merch matter. You need taste, storytelling, and intent. Whether it’s a minimalist design on heavyweight tees or limited-edition prints tied to song releases, the goal isn’t just to generate cash, it’s to extend your story. Fans wear your work; let them wear your why. Artists who treat merch as an extension of their aesthetic build deeper connections and stand out faster. It’s not about slapping a logo on cheap fabric. It’s about creating merchandise that feels like you, and packaging it in a way that invites your audience into something they can physically hold.

Own the Work. Own the Terms.

Talent doesn’t guarantee protection. Contracts do. And too many musicians step into deals they don’t understand until the fine print catches up. This may help: Artists who take time to learn business fundamentals, from licensing structures to digital rights management, build careers that last longer than a viral single. Whether you’re negotiating a sync opportunity or building a pitch deck for funding, building your entrepreneurial instincts gives you leverage. Investing time in online courses about IP, royalties, or basic bookkeeping isn’t a distraction, it’s a defense. A good song may open doors, but a savvy artist knows what happens once they walk through.

Don’t Wait for a Gatekeeper

Independence isn’t isolation. Today’s most agile musicians use platforms built to handle the backend so they can stay focused on the music. Whether it’s uploading stems to a store, launching a pre-sale from your phone, or tracking fan data from last month’s email campaign, the right tech stack frees you up without cutting corners. Tools like Bandzoogle give musicians direct control over everything from sales to mailing lists, making it easier to maintain momentum and capture value. Artists serious about autonomy are leaning into platforms powering your own online store, not just hoping for playlist luck.

Think in Timelines, Not Just Tracks

The industry’s moving. Fast. And so should your strategy. Sync placements, short-form video scoring, gaming integrations, and immersive AR performances aren’t fringe options anymore, they’re growing lanes. Artists who explore sync licensing to open up new frontiers can find their music lives longer and earns better when it’s licensed across media. That doesn’t mean abandoning the studio. It means building a diversified toolkit that prepares you for what’s next, whether that’s soundtrack scoring, branded content, or even AI voice licensing. Long-term sustainability doesn’t come from making one thing that explodes. It comes from being ready for five things that evolve.


For independent musicians, success isn’t about following old formulas, it’s about creating new models. Building a sustainable music career means operating like a small business: know your numbers, build your brand, expand your reach, and stay in control. It’s not about chasing every opportunity. It’s about choosing the right ones—and being ready when they show up. Your music might be the reason people stop and listen. But it’s everything else you build—your systems, your story, your structure—that determines whether they stick around.

Discover the vibrant world of independent and unsigned artists at New Lease Music, where fresh talent and unique sounds come to life. Dive into our latest releases and let the music move you!

OUT TODAY: Remy Nova takes us on a trippy ride with single ‘Oh Deed (On Gummy Weed)’

Inspired by a harrowing personal experience, REMY NOVA‘s single, ‘Oh Deed (On Gummy Weed)’ – out today (25th July) across all good music platforms – documents the moment when an edible experimentation goes left field – and I mean really left field!

After giving up Xanax to manage anxiety, Remy (aka acclaimed songwriter/composer Jeremy Little), decided to trial some cannabis gummies before a rehearsal with a musical hero in Los Angeles. The euphoric sensation from popping the gummies quickly resulted in a very draaaaawwwwn ooooouuuuut journey home via a Uber ride, which was further exacerbated by several attempts to enter his apartment.

To capture the eventful experience, Remy blended blurry synths with echoic soulful hooks – imagine being in a very small room with Frank Ocean, Jimi Hendrix, Lenny Kravitz and Tame Impala all performing, creating a harmonious discord. Remy penned a touch of existential humour to the sonic soundscape to guide us to the point where reality swirls into surrealism. The track’s hypnotic vibe reflects Remy’s own intentions behind the music. “I would love for the audience to go on a journey with me—deep, deep down into the inner chambers of the mind,” he says. “I want them to feel like they’re flying through the ether untethered by physical laws.”

‘Oh Deed (On Gummy Weed)’ is out today, 25th July, from various music platforms. So why not lose yourself and go on a cosmic trip…

Connect with Remy Nova via:
IG: https://www.instagram.com/remynovamusic/
YouTube: https://www.youtube.com/@RemyNova-m5u
Website: https://www.jeremylittlemusic.com/