Song of the Day: 718 (Bryson Tiller “Ten Nine Fourteen” Remix) – A1

A1 is back for the second time this week, doing what he goes best: putting his magic on today’s urban bangers. This time, he delivers a smooth freestyle over Bryson Tiller’s track, ‘Ten Nine Fourteen.’

Check it out below:

New Music Video: Misty Head/Sunny Street – Oscar Jerome

Ahead of his tour with Kamasi Washington, OSCAR JEROME revealed his striking new video for latest single ‘Misty Head / Sunny Street’ alongside the announcement of his next London show which will see him make the ascent from EartH to Heaven – with his biggest headliner to date booked at the latter venue for November 19th 2019.

The new video sees the warped jazz-indebted funk of ‘Misty Head / Sunny Street’ – supported by the likes of 6 Music, Radio 1 and 1Xtra – set against a thought-provoking video that explores themes of gender, identity and self-expression. The four-minute production was made in collaboration with director Sam Rigal and Oscar’s brother Alfie Laurence, aka Moth, who is a drag and performance artist whose surreal androgynous work using himself as a canvas aims to dissect and subvert notions of gender, beauty and the alien other.

‘Misty Head / Sunny Street’ is the latest addition to a vibrant back-catalogue that’s unquestionably marked Oscar out as a tour de force in the burgeoning London jazz scene that he calls home.

Clap your eyes on the video for ‘Misty Head/Sunny Street below:

Album Review: Southwood Waltz – David Ayscue

DAVID AYSCUE‘s debut album, ‘Southwood Waltz’ offers a simplistic yet whimsical approach to his singer/songwriter folkore/Americana fusion, allowing his mellow and delicate vocal instrument to poke through as he documents his transition from youth to adulthood.

‘New York’ gives the eight-track collection a stunning introduction, where the gentle guitar melodies takes centre stage and provides that real authenic acoustic setting.

‘Sliverlake Sunday’ and ‘In My Day’ slightly switches the tone and uplifts the album; the arrangements of ldyllic overtones, the horn section and satisying guitar plucks provides that real gritty soulful rock that really hits the soul.

The hauntingly beautiful ‘Where We Land’ concludes the set with it’s stripped down, guitar/vocal combo, which then builds into an euphoric Mumford-and-Sons style, 4-on-the-floor anthem.

‘Southwood Waltz’ puts Ayscue in good standing as one of the artists to watch for this year. His debut offering is not bad, not bad at all!

Listen to Ayscue’s ‘Southwood Waltz’ below:

Must Listens: New York, Penny, Where We Land