Owner of NEW LEASE MUSIC blog, which showcases the latest releases from indie and unsigned artists, and NEW LEASE MUSIC PROMOTIONS, which promotes indie/unsigned artists via blogs/magazines, radio, independent and Spotify playlists
Formed in 2018, SCOTT Y LOS PELMAZOS is an alternative hip-hop band hailing from Puente Alto and La Florida, Chile. They present themselves as an alternative to traditional hip-hop, drawing from modern influences, unafraid of experimentation and rejecting confinement to a particular style.
The group has released a self-titled compilation of previous records for Analog Machine Records that’s mostly composed of tracks taken from their Scotty Tape 01. It features the somber single ‘Naftalina (2022),’ a track inspired by social claustrophobia and feeling lost in life.
Scotty Tape 01 taught us that we work better when we allow for ideas from all the band members. Everyone came with their own demo, and then the rest of us would add to it, so the project never resolved around one person. We also learned more about how the music business works since we had to release the project on our own. We had no label or media outlets to help us, and had to secure our own distribution. – member Claudio Vasquez.
‘Do You’, the latest song from Swedish artist/producer HANDSHAKE IN SPACE, is a pulsating mix of hypnotic beats, futuristic soundscapes and a strong melody. With influences from trance, house and ambient, the song creates a feeling of pure euphoria.
HANDSHAKE IN SPACE has previously released singles such as ‘I Need You Right Now’ and ‘Nobody Else’, which have received positive response from listeners worldwide. This latest single is a continued testament to the artist’s versatility and creative talent.
‘Do You’ is available on all major streaming platforms.. Don’t miss the chance to follow HANDSHAKE IN SPACE on their musical journey!
London-based multi-instrumentalist & songwriter QUINN OULTON‘s first single of 2024, ‘So Much More’, is a poignant reflection upon the life of his grandmother, who lived with Parkinson’s Disease for as long as he can remember.
Written from the perspective of Quinn’s grandmother, the track details her fighting spirit and love for life, despite the adversities she faced. It’s a deeply moving tribute to a woman who had no time for self-pity, but spent a lifetime pouring love into the world and helping others. Quinn contrasts his tender lyrical approach with a frenetic combination of acoustic guitar, electronics and dulcet saxophone tones, creating a musical representation of the complexities of living with Parkinson’s.
On the track, he shares: “This track is dedicated to my grandma, GK, who had Parkinson’s for almost as long as I can remember. She was cheated out of life experiences, but despite being born into unimaginably difficult circumstances and fighting for a life she was proud of, she didn’t wallow in self-pity. Instead, she took it upon herself to learn every dark detail about the disease that was eating away at her, and focused her brilliant mind on helping others in any way they needed.”
South London-based multi-instrumentalist, vocalist & producer Quinn Oulton is known for his unique concoction of electronic, indie and jazz. His recent releases bring contemporary RnB elements into the mix – expect heavily altered vocals, chopped acoustic guitars and fast-paced drums.
His debut album ‘Alexithymia’ was released in 2022, receiving national radio support from Gilles Peterson & Huey Morgan (6 Music), Jack Saunders & Sian Eleri (BBCR1), along with Jamie Cullum (BBCR2)& Jamz Supernova (BBC1Xtra). It includes tracks featuring Moses Boyd and Genevieve Artadi. The deluxe version of the album, released in 2023, features singers Ella Grace and Monica Martin, whilst recent singles have also seen him team up with the likes of Reuben James, Linden Jay and Col3trane. He has recently played supported artists including KNOWER, Laura Misch and Jamie Cullum, and is set to embark on his first UK headline tour this November.
JERK returns to some of their core influences, embracing vulnerability, and an authentic experience of the self on the forthcoming ‘Mood Swings’ album. The second single from the record ‘I Don’t Question You’, sees them team up with close friend and MC Ryan J, for a Dilla-meets Quasimoto style beat. Ryan perfectly channels the overarching themes of the album into poetic ciphers dealing with life’s pressure to answer to and appease others, advocating for choosing to fight for your own truth.
The upcoming album is an eclectic collection of pieces spanning varying compositional and production styles, captured on analogue instrumentation. Warm saxophone tones, glistening Fender Rhodes and cyclical beats encompass the project, with weaving synths adding to Jerk’s tapestry of sounds. Lead single ‘27’ set about introducing some of the themes at the core of the album, including trans-rights and gender identity, marking both Jerk’s age at the time of creating the record, whilst also putting a critical microscope to American lawmakers’ attempts to raise the age of consent for medical transitioning.
The project channels some of Jerk’s earliest influences, taking onboard the beatmaking sensibilities of J Dilla and Madlib, the Brazilian rhythms and textures of Hermeto Pascoal, and the uplifting sonics of Patrice Rushen and Earth Wind & Fire.
Jerk shares: “Mood Swings is a collection of 12 pieces reflecting on gender and mental health. 2022 was a year of political strife for transgender people in America, and a time where I was experiencing some intense emotions–dysphoria, derealization, grief, and romantic love and loss. I wanted to write music embracing this very authentic and vulnerable experience of self.”
Jerk is the brainchild of composer, producer, and multi-instrumentalist Joshua Kinney. Based in Brooklyn, NY, they explore the connection between jazz and hip-hop, with compositions blurring the lines between hip-hop beats and instrumental jazz compositions. Their music has found support from the likes of Huey Morgan on BBCR6, Reprezent Radio, Soho Radio, Jazz FM and more.
‘I Don’t Question You’ was released on Thursday 11th Apil via DeepMatter Records. Why not have a listen below…
Brooklyn-based rock outfit EARTHQUAKE LIGHTS barely fits within its self-described alt-rock genre. Orchestral strings litter the dense arrangements, elevating the songs to something more refined and nearly classical feeling. But there’s a distinctive jazz influence to the grooves and harmonic richness that the band is hesitant to compare to jazz, though the comparison is something they contend with regularly. Still, the rock influences are clear, and Earthquake Lights sounds something like Pink Floyd, Radiohead, and Beck.
Their music has garnered millions of streams to date. Their latest album Desert Bloom charted nearly 30 times on the iTunes and Apple music charts, and somewhere along the way they managed to snag a feature on Vulfpeck’s The Joy of Music, the Job of Real Estate. They have also received praise from the likes of Wonderland Magazine, NOTION, The Line of Best Fit, Ones to Watch and Earmilk to name a few.
In an age when mental health is waning, Earthquake Lights gives us a look at the cultural phenomena of social media and how it affects all of us through their latest release ‘Pictures’ featuring Lindsey Lomis. Written allegorically, ‘Pictures’ tells a story of mutually unrequited love. The song loosely examines a personality that reluctantly romanticizes the nostalgia of a past relationship, friendship, acquaintance or fling prolonged by the ever-present role social media plays in our lives.
Rodenhouse explains, “Maybe you only feel connected to that person because of how immediate the internet and pictures have seemed to make them. But seriously what even are these connections you have with other people on the internet? Just because you see a picture of them it doesn’t mean they’re actually important to your life.”
Tinged with a dark and moody undertone, ‘Pictures’ features an enchanting melody, where sultry, velvet vocals collide in perfect harmony. Lomis sings, “Am I just a picture? Do you ever look for me? And I wonder if you saw me, would you tell me you remember my face?” Rodenhouse shares, “The lyrics were inspired essentially by an era that’s defined by pictures and feelings of missing out, or wondering about someone that may be in some memory, possibly just out of reach but still barely relevant. Wondering if they actually care to remember you, or if it’s even worth remembering one another and losing any sleep over.”
Speaking on Lomis, Earthquake Lights share, “She’s an athletic, excellent singer. Her unapologetic focus on her vocal ability really makes her a perfect fit for this tune.” Lomis was featured on Jacob Collier’s latest album on the song “Cinnamon Crush” and is about to embark on a tour with him in April.
