London based artist and producer STATE OF NATION has teamed up with the Legendary Wu-Tang Clan for the rambunctious track, ‘Super Soldier’ taken from State of Nation’s debut album ‘Dark to Light’, to be released at the end of 2022.
Ghostface Killah comes through and rocks a super cosmic opening with galactic level articulation and hype delivery to kick off the journey into the Super Soldier story! In true, unique, Ironman style, Ghost takes us interstellar before the breathtaking chorus locks in the catchy and emotional hook. The depth of the second verse dropped by the ever philosophical Killah Priest is a testament to his expansive knowledge of the universe. The storytelling of Priest captures your imagination in ways that no other rapper can come even close to on this rollercoaster rhyme.
Just when you thought Megan Thee Stallion served us enough eye candy in her videos, YOUNG TETE comes through with her latest club joint – the remix to her strip club anthem, ‘Clap It’, featuring Southern rap veteran Boosie BadAzz.
The Westside of Atlanta, Georgia native rewarded clubs with the original version of her breakout single, and now the blooming ATL rap star follows up with an updated version and visual for the Rusremixradio-produced banger.
The sultry video has plenty of eye candy and features a verse and cameo from rap veteran Boosie BadAzz. The new single will be featured on Young TeTe’s upcoming debut mixtape, ‘Came a Long Way’. The project is slated to drop later this year and will feature Boosie BadAzz, Young Dro and more.
Check out the sizzling hot video for ‘Clap It’ (Remix) below…
Following single ‘Sheesh,’ newest member of Insubordinate Records LOVE, ULYSSES is back again- this time with friends. On the ironically-titled ‘Friendly Song,’ LU enlists underground hip-hop stalwarts Alaska (Hangar 18, Def Jux) and Zilla Rocca (Wrecking Crew, Career Crooks) on another Jason Griff-produced heat-seeking missile. ‘Friendly Song’ is a high-octane fist to the face of your enemies and a few hundred extra shots of espresso in your morning coffee all rolled into one. Hard-hitting 808 drums set the tone for LU, Alaska and Zilla to attack anyone from Fred Durst stans to Twitter warriors.
Prior to joining the team at Insubordinate, LU has released a significant amount of music in his own right. He released 10 separate 2-pack EPs and has been featured on songs with OK Nice, Alaska (of Atoms Fam) and more.
‘Friendly Song’ is the second of four Jason Griff-produced singles that will be released over the next month from LU while building towards his debut LP Son this fall.
‘Friendly Song’ is available at insubordinaterecords.com now and also available on various streaming platforms. Check it out below…
THE SOMETIMES ISLAND are a synth-forward pop band based in Los Angeles and Albuquerque. The exciting and highly visual live band is comprised of charismatic frontman Matt Blankenship Jr and anchored by drummer Nick Lopiano.
Their single, ‘Acapulco’ explores the excitement of beginning a new chapter of life, yet the contrasting sentiment that comes with it. Blankenship Jr states, “I wrote the song Acapulco to capture that listless ennui I was trapped under in Los Angeles, framing it with a fantasy of an ignored lover reaching their breaking point, leaving and abruptly buying a plane ticket.” The narrative almost ironically pairs with a dream-pop backing, harmonic rhythms, John Mayer inspired guitar riff and a truly contagious chemistry.
The accompanying cinematic music video for ‘Acapulco’ mirrors the song’s story, as we witness the demise of a relationship, where one party decides to flee and head for a better, more wholesome life.
Their forms of expression and musical ingenuity make The Sometimes Island ones to watch this year. With their previous EP Beverly & Barbara peaking at #2 internationally on Apple’s Alternative chart, rocketing past even the likes of Billie Eilish, the duo have also amounted over 800,000 monthly listeners, with streaming numbers in the millions. The Sometimes Island are becoming true pioneers of pop as we know it.
A spiritual soul inspired by nature, life and her experience living as an Afrikan woman, listening to MUVA OF EARTH is like planting your feet in rich warm soil; blending spiritual mantras and conscious lyricism, her music is truly transformative. The South East Londoner invites us into her Afro-spiritual world with single ‘High’ as she announces her signing to Brownswood Recordings.
A thought-provoking and harmonic single lush with muva’s ethereal vocals and a chugging hip hop drum beat produced by Stephen Wesley Holmes, ‘High’ encapsulates a human’s ability to shape, transform and play with their own point of view – reframing nervousness into excitement and making the most out of a negative situation, resulting in a value-creating experience that demonstrates the power of manifestation.
Speaking on the single, muva of Earth says: “I wanted to make a song about being high on life. You may initially think that this is another song about DrugZ however my artistry will always intend to push my audience to new and greater ways of thinking…. I remember writing ‘High’ in my bedroom whilst hanging out with my sister Angel. I had the hook in my mind for a while and would continue singing and writing more lyrics on my bus journey’s, drawing from London and my own personal experience for inspiration”
Born in Brixton to Nigerian parents as Davina Adeosun-Bright (Davina, which originates from the word ‘divinity’, Adeosun pronounced A – de – o – shu is yoruba tongue and means ‘Crown of Ọṣun’ which is a dedication to the orisha and goddess of the river, Ọṣun), muva of Earth was raised to be strong and independent. Influenced by everyone from Beyonce, Sade, Alice Coltrane, Fela Kuti, Nai Palm, Andre 3000, Blood Orange, Princess Nokia, Little Simz and more, muva of Earth left home in Kent to move back to London in her teenage years to give her the freedom to immerse herself into her music – studying at college whilst gracing stages around London with her soulful tones. By connecting to her Yoruba roots, muva of Earth’s music explores the complexities of identity, the self and human connections over a bed of afrofuturistic rhythms and atmospheric horns.
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