After more than seven years, D’Z and two-time Grammy Nominee Sandra St. Victor have teamed up for the remake of George Michael’s hit song ‘FREEDOM’ to create a funky party vibe with a new arrangement featuring tight horns, a groovy rhythm section, and the soulful voice of Sandra St. Victor.
Sandra, known for her work with Prince, Curtis Mayfield, Paula Abdul, Nile Rodgers, and being part of soul/funk trio The Family Stand, was immediately drawn to the re-imagined version of ‘FREEDOM’ and gladly lent her voice to the song.
d’Z – real name Hans-Peter de Zeeuw – is a Dutch drummer, composer, songwriter, and producer who frequently collaborates with international artists, including Katie Léone, former singer of the band Incognito, and has won several music awards.
The remake of ‘FREEDOM’ is now out on all streaming platforms. Have a listen below…
She has shared the stage with some of country music’s best, including opening for the legendary T. Graham Brown, Dylan Scott, Maddie & Tae, Tyler Farr, and Craig Campbell. As a rising artist ASHLEY BARRON takes a bold step away from traditional heartbreak and redefines the narratives in her new single, ‘Cryin’ In A Bar.’ Steering clear of the typical love story plot, this song flips the script on challenging the notion that a broken heart comes from surprising strength rather than ‘Crying In A Bar.’ The song, co-written by Ashley and acclaimed songwriter Pete Sallis, is a testament to their combined storytelling prowess. Pete, known for his work with artists like Ronnie Dunn, Maddie & Tae, Bucky Covington, and the multi-platinum hit ‘Shut Up and Fish,” brings his signature touch to ‘Cryin’ In A Bar.’
I should be crying in a bar In the corner in the dark Drowning in the bourbon wishing I was hurting More than I am But when I hear those jukebox sad songs play They don’t sting as bad as yesterday They were wrong whoever said you can’t mend a broken heart I should be crying in a bar
Ashley says, “When we wrote this song, I was very much overwriting your typical love story. ‘Cryin’ In A Bar’ is a twist. When you feel like your heart should be broken, but in reality, you’re okay!”
‘Cryin’ In A Bar’ is the second single to follow the first titled ‘Betrayed,’ which was released earlier this year with placements in Cowgirl Magazine, The Women of Country, and featured as a cover story three-page spread on Poze Magazine. It served as the opening move, setting the stage for a journey of overcoming personal challenges where every song is a strategic move and the ultimate victory is found within herself.
Ashley adds, “The production on this song is hands down one of my favorites. I remember being in the studio trying to feel the rhythm, so I started doing the waltz in front of my vocal mic.”
Whether playing in an intimate venue or on a large festival stage, Ashley commands the attention of the audience, leaving a lasting mark. Her concerts are a dynamic blend of country and rock, infused with a sense of authenticity and grit drawn from her personal experiences.
As a touring artist, Ashley recently headlined her show at the National Scleroderma Walk in Napa County, CA, a foundation close to her heart as she was selected to be their celebrity ambassador. She is also set to perform at the Platteville Fire Department Celebration on June 22, 2024, in Platteville, WI; the Winneshiek County Fair in Decorah, IA, with Joe Nichols on July 12, 2024; and the Dallas County, Iowa, with Craig Morgan on July 13, 2024.
‘Cryin’ In A Bar’ was released today across various platforms. Why not listen below…
German-born and South Korea-based multi hyphenate SION has returned with the release of his highly anticipated EP, ‘Sociavoidance’. Marking a transformative period for the hit-maker, ‘Sociavoidance’ goes against what we’re accustomed to, navigating a variety of genre-bending sounds; the 5-track project is a step in a different direction for the storyteller. Following on from the February release of ‘O.o’, we dive deeper into Sion’s unpredictable world. With an EU tour on the horizon later this year, ‘Sociavoidance’ is a glimpse of what to expect on stage.
Exploring the disassociation in modern-day interaction, Sion bares elements of vulnerability as he confronts his fears and desires surrounding social interaction and relationships, forming a comforting familiarity for many that’s enriched with depth and emotion. Boasting a refreshed creative flare, ‘Sociavoidance’ finely blends indie electronica, abstract hip-hop, alt R&B, and glitch pop yet still remains cohesively structured. After hours of refining the smaller details, this project reflects a time of great significance and self-reflection.
Opening the EP with “avoid!”, Sion instantly sets the tone as he acknowledges his disillusionment with modern-day relationships. Confronting his difficulty with human connection, he shares that his existing relationships are strained because of it.
”When asked about the difference between this album and previous projects, Sion explained, “This project marks the beginning of a new journey for me musically. I dove into different subgenres such as indie electronica, abstract hip-hop, alt R&B, and glitch pop, while trying to bind together all these different sounds in a cohesive manner through tons of sound design. I’m not sure, and kind of scared about how it will resonate with my audience right now. But at some point, I needed to progress, and this work certainly gives me the courage to experiment with even more genres and styles going forward in my career. I want to be remembered as an artist who has many facets but maintains a distinct colour, and I’d like to believe that this album is a good start in the right direction.”
Hailing from London, experimental producer TOM B‘s single ‘Cold Water’, featuring long-time collaborator, Lucy Wroe, is an unapologetic statement on the music industry as an independent artist. It embodies all the frustration towards gatekeeping and the devaluation of independent artists. Cold Water can also be felt as an ode to women in the industry, trying to navigate the border between ‘playing the game’ and maintaining self-respect.
Lucy says: “The title itself is a metaphor for the industry. Feeling submerged in Cold Water; regularly feeling the numbness left in the wake of bad experiences, which are all too common on the independent music scene”
Tom says: “You spend enough time in a scene or a circuit, you slowly figure out what the game is and how to play it. Eventually, we got to the point where we thought ‘do we make music because its what we want? Or do we make music to entertain promoters and get more gigs where we have to sell all the tickets?’”
‘Cold Water’ was exclusively available on Bandcamp from 22nd May and was released on all streaming platforms from a week later. All Bandcamp profits was donated to The Palestinian Children’s Relief Fund.
Produced and engineered by the illustrious Super Beats (Skeete, IAMDDB), YXL AYO‘s highly anticipated single, ‘Easy,’ takes listeners on an alluring journey navigating the complexities of modern love and desire. The track tells a vivid story of a woman eager to leave her troubled past behind, seeking salvation from our protagonist who, in turn, questions her true intentions with the poignant refrain, “Tell me why you want me to save you.”
YXL Ayo skilfully blends the rich textures of Alté with the smooth, emotive vibes of R&B. Super Beats’ production provides an intentionally minimalistic soundscape, creating space for Ayo’s introspective lyrics and evocative vocals. The track delves into the nuances of romantic pursuit and the yearning for genuine connection, challenging listeners to discern the difference between true affection and the desire for rescue.
Available on all major streaming platforms from last Thursday (27th June), ‘Easy’ is set to solidify YXL Ayo’s rising status in the Alté and Afro-R&B scene, as he delivers this irresistible record. Have a listen to the beauty below…
New Lease Music 