MISS LA FAMILIA presents Lala her soft alter ego, re-emerging into the industry redefining her sound and rediscovering herself and her music.
Kicking off with her first single ‘Don’t Tease Me’ produced by Ebenezer, Lala brings the international vibes sonically blending Afrobeats and R&B, also bringing American artist QPSkii to feature for a strong female led track.
A sultry, sexy, summer banger that showcases Lala’s effortlessly smooth and silky vocals. QPSkii lends a harder edge to the track with her verse flipping the script.
‘Don’t Tease Me’ gives an insight into Lala’s new look and what’s to come from this unique artist.
Lala is poised to take the music industry by storm this year with several huge collaborations with music titans such as DJ Snake, Skrillex, Flo Dan, Bollywood luminary Tanishk Bagchi, and French sensation Vegeedream. Have a listen to ‘Don’t Tease Me’ plus video below…
Growing up between England and Lithuania, KLAUDIA KEZIAH first found music through her ability to play instruments. Studying music from the age of eight, she embarked on her music journey, selecting the cello and piano as her instruments of choice.
Self-taught as a producer, singer and songwriter, her time composing music helped shape the style that she delivers on her single ‘Ghost ’. Her distinctive tone and emotionally driven lyrics dance with the sweet, yet hard-hitting production that gives her a unique signature sound.
Speaking on the meaning behind the track Klaudia commented – “Ghost” delves into the discovery of betrayal, as the main character realises they’ve been cheated on, leaving the cheater grasping at apologies and excuses, though it’s too late! The idea of “Ghost” lies in the haunting presence the protagonist embodies, as the former partner yearns to revive the relationship. With the main character haunting the cheater, it serves as a poignant representation of lingering, regret and unresolved emotions.’
The juxtaposition between the song’s sweet melodies and its somber theme aims to create a striking contrast.
‘Ghost’ is the first single from Klaudia’s upcoming 3 track EP due to land later this year.
Gaining previous support from Wonderland, Raydar Magazine, Industry Me, DJ Ace, Radio 2’s ‘Funky Playlist’, ‘Track of the Week’ Voice FM, Wordplay Magazine, We Are Beyond Noise, BBC Introducing, The Hype Magazine and more, ‘Ghost’ follows up from the 2022 release ‘Hero’ that swiftly caught the attention of various tastemakers and publications. Have a listen to ‘Ghost’ below…
Hong Kong-raised and Los Angeles-based artist and producer DEB FAN‘s single, ‘Lady’, is an intricate alt-r&b track which emerges from Deb’s recent pilgrimage to Hong Kong—her first visit in over three years—which reconnected her with the vibrant yet overwhelming pulse of her hometown, prompting a deep reflection of the complexities of modern femininity from her perspective as a Taiwanese immigrant living in the US. Co-produced alongside Max He, ‘Lady’ blends the live instrumentation of 90s R&B and the visual soundscapes of impressionist-era classical music, reclaiming themes of rebirth and challenging stereotypes at the intersection of technology, tradition and femininity.
In the accompanying music video (directed by Breanna Lynn), viewers will see that ‘Lady’ is set against the backdrop of a traditional tea party following Qing Ming Jie (清明節, or Tomb-Sweeping Day), a Chinese festival which blends mourning and remembrance. The visual artfully navigates the concept of techno-orientalism, challenging reductive stereotypes with its narrative and sound. Deb’s exploration of this theme questions the outdated portrayals of Asian cultures as both futuristic and culturally stagnant. The full-female cast subverts the clichéd image of the Asian female cyborg, blending high-tech elements with traditional symbols to stake their claim on their own identity.
In ‘Lady,’ Deb Fan shares that beyond defiance, her freedom of choice in defining her identity is what matters most: “There’s some beauty in made-up rules. King of my world with none to lose.” The song is a bold statement of self-empowerment, reclaiming narratives and defying stereotypes in a world that often seeks to define them for us.
Deb Fan has earned praise from tastemakers at Billboard, Lyrical Lemonade, MTV, Luna Collective, Ones to Watch, That Good Sh*t, and Gen Direct to name a few, as well as Spotify Editorial Playlists – All New Indie, Ethereal, Outliers, .ORG, Poses, high-rise, Fresh Finds, Fresh Finds: R&B, Fresh Finds: Indie, Mood., Radar: Hong Kong, Simmering, +852 Rising as well as over 30 New Music Friday playlists including a top 15 on USA NMF for her last release “9AM IN LONDON”. Deb also covered R&B Rising on Tidal and is set to be a featured Tidal Rising Artist for 2024. In 2023, she went on her debut tour supporting Hojean, and will play the KOHAI showcase in June 2024.
‘Lady’ is the first single released from Deb’s forthcoming sophomore EP ‘Kowloon Demos’. Why not check out the video for single below…
After the successful release of ‘Here I Am’, JLYLES keeps his momentum on a forward course as he gives us the interlude titled ‘Lyles Lullaby’, which serves as the second single to his upcoming album.
The Baltimore resident goes on an adventure through his brain as he revisits parts of his life, especially those during his transition to the home of the Chesapeake Bay. Produced by Sypooda, Lyles says that “this instrumental was so melodic that I couldn’t stop writing to it after penning the first line of the record. That’s why the song has no hook, it forced me to be introspective”. The influence gained from just the production gave the artist even more of an incentive to snag the beat from Sypooda. Gaining some sort of inspiration from any form of production is always a plus for artists, its even better when it takes one back to a certain time that challenges them musically and emotionally, as Lyles says “the beat is therapeutic”.
With the perfect backbone and theme set in stone, the New Jersey native went to work crafting what would eventually become an extension of the ‘Lullaby’ series, only second to ‘Chizz Lullaby’. JLyles held nothing back but instead let everything go. Really tuning into his vulnerable side with rhymes like “bottling my shit in this bottle is diabolical” and “man on a mission/my vision built a commission/my father sittin in prison/love momma but she was dippin/so we lackin supervision/and I’m the man of the house/weight of the world on my shoulders/gave hope in a drought”.
This record is yet another taste of what is in store for listeners and supporters of JLyles and is sure to put numbers on the board just as its predecessor is currently doing. The Execution has no release date set but from what the globe has heard off the album it is safe to say that no one should be worried about what to expect from it because expectations are high and they will be met. Check out Lyles Lullaby (Interlude) below…
Montreal-born, Toronto-raised queer pop artist JENNARIE‘s sophomore luscious jazz single ‘Stop (you can let it go),’is a vibey and motivational piece, anchored by luscious vocals and a splash of jazz harmonies reminiscent of Yebba and Amy Winehouse.
“I’ve learned to detect the subtle yet potent presence of resentment in my body—a tightening in my chest, a tendency to ruminate on others’ choices or actions (or lack thereof). Recognizing this, I redirect my focus inward,” Jennarie explains on the track. “The opening line, “When you point your finger at another, you are pointing at the mirror,” speaks to the process of healing people-pleasing tendencies and transforming resentment into self-empowerment and love.”
“Stop (you can let it go),” is a vibey R&B and pop track featuring lush vocal stacks and a splash of jazz harmony that inspires listeners to choose compassion and self-love. “I aim for “Stop (you can let it go)” to serve as a beacon of empowerment for those grappling with comparison, judgment, and gossip,” Jennarie said. “Drawing from my DBT practice, I hope the song’s themes offer both instruction and comfort to those in need.”
Jennarie first cut her teeth in the Toronto music scene, where she gained a powerful stage presence by performing regular live shows all over town. She’s continued to make waves and build a strong name for herself in the years since, with renowned Canadian print and online magazine. The WholeNote recently hailing her for her “big voice, fearless delivery, ebullient sense of rhythm, and bubbles of humor.”
She enlisted producer Nick Tateishi for the project, who recently provided production to singer and songwriter Francois Klark’s JUNO Award-nominated 2022 sophomore album, Adventure Book, and is known for his work with the likes of Clerel, HILLARI, and Kiki Rowe, to name a few.
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