Song of the Day: Regret It – Ashwin

Rising alternative artist ASHWIN, formerly known as The ATG, shocks the industry with the release of his latest single ‘Regret It,’ a poignant and introspective track that showcases his unparalleled talent and innovative approach to music. Hailing from the industrious streets of Detroit, Ashwin has carved out a unique space in the music world as a beacon of creativity and artistry.

At the core of Ashwin‘s artistic vision is his pioneering of the “Cinematic Hip-Hop” genre, a fusion of symphonic orchestration and urban hip-hop beats that sets him apart as a true trailblazer in the industry. Drawing inspiration from a diverse range of musical influences, from the cinematic scores of Hans Zimmer to the genre-defining beats of Dr. Dre, Ashwin‘s sound is a reflection of his rich musical tapestry and deep connection to his Detroit roots.

With a discography that showcases his versatility and innovation, Ashwin‘s tracks like ‘Outside,’ ‘Twilight,’ and ‘Regret It’, demonstrate his ability to navigate a spectrum of emotions and storytelling styles. Each song in Ashwin‘s catalog is not just a musical offering but a chapter in an ongoing saga of artistic evolution, inviting listeners into a world where music transcends the auditory and becomes a vivid narrative journey.

‘Regret It’ is a powerful addition to Ashwin‘s repertoire, promising to captivate audiences with its emotional depth and thought-provoking lyrics. This single further solidifies Ashwin‘s position as a rising star in the alternative music scene, blending introspection with dynamic vigor in a way that is uniquely his own. Why not have a listen below…

Milan Ring Releases New Single ‘Leo’

Celebrated Eora/Sydney R&B musician, producer and engineer MILAN RING shares her new single ‘Leo’, the latest to be lifted from her love-struck forthcoming second studio album, Mangos, due out May 10 via Astral People Recordings.

Cut from the lust-colored first half of the record, the glittery disco-funk of ‘Leo’ saunters in with co-production from polyrhythmic trio OYOBI, lithely fusing hip hop and R&B influences with accents of Milan’s ever-expressive guitar playing in a way that only she can. Chanting ‘You bring out the Leo in me’, ‘Leo’ represents the highpoint of Mangos’ infatuation, signaling the astrological alignment of compatibility and honoring an appreciation for someone who really, truly sees you.

Playful and inquisitive, Milan Ring’s Mangos is the epitome of radiant summer, oozing endless possibilities and a profound sense of lightness as she flirts across genres from alt-pop to electronica whilst also staying true to her R&B roots. A hopeless romantic, Milan Ring asks us to surrender to love on Mangos, inviting us inward as she embarks on a journey of love that is universal yet individually complex. Through her lyrics, experimental mixing, multiple string arrangements and voice memos recorded by close friends, she outlines the stages of a relationship across one year, likening the journey to the inevitable change in seasons, reminding us that nothing stays still forever.

Threading together previous singles ‘Mangos’, ‘Quicksand’ and ‘Photograph’, ‘Leo’ arrives as the fullest and most distilled expression of her beguiling talents to date. Between them, the singles have already garnered praise and support from the likes of COLORS, NME, The Guardian, CRACK Magazine, Wonderland Magazine, ACCLAIM, Northern Transmissions, AUD$ and many more, alongside rotation adds from Double J, FBi Radio, 2SER and extensive airplay across BBC Radio 1’s Future Artists with Jack Saunders, Future Sounds with Clara Amfo, Chillest Show with Sian Eleri, BBC 6Music, triple j and community radio stations around Australia.

Listen to ‘Leo’ below…

Song of the Day: So Much More – Quinn Oulton

London-based multi-instrumentalist & songwriter QUINN OULTON‘s first single of 2024, ‘So Much More’, is a poignant reflection upon the life of his grandmother, who lived with Parkinson’s Disease for as long as he can remember.

Written from the perspective of Quinn’s grandmother, the track details her fighting spirit and love for life, despite the adversities she faced. It’s a deeply moving tribute to a woman who had no time for self-pity, but spent a lifetime pouring love into the world and helping others. Quinn contrasts his tender lyrical approach with a frenetic combination of acoustic guitar, electronics and dulcet saxophone tones, creating a musical representation of the complexities of living with Parkinson’s.

On the track, he shares: “This track is dedicated to my grandma, GK, who had Parkinson’s for almost as long as I can remember. She was cheated out of life experiences, but despite being born into unimaginably difficult circumstances and fighting for a life she was proud of, she didn’t wallow in self-pity. Instead, she took it upon herself to learn every dark detail about the disease that was eating away at her, and focused her brilliant mind on helping others in any way they needed.”

South London-based multi-instrumentalist, vocalist & producer Quinn Oulton is known for his unique concoction of electronic, indie and jazz. His recent releases bring contemporary RnB elements into the mix – expect heavily altered vocals, chopped acoustic guitars and fast-paced drums.

His debut album ‘Alexithymia’ was released in 2022, receiving national radio support from Gilles Peterson & Huey Morgan (6 Music), Jack Saunders & Sian Eleri (BBCR1), along with Jamie Cullum (BBCR2)& Jamz Supernova (BBC1Xtra). It includes tracks featuring Moses Boyd and Genevieve Artadi. The deluxe version of the album, released in 2023, features singers Ella Grace and Monica Martin, whilst recent singles have also seen him team up with the likes of Reuben James, Linden Jay and Col3trane. He has recently played supported artists including KNOWER, Laura Misch and Jamie Cullum, and is set to embark on his first UK headline tour this November.

Have a listen to ‘So Much More’ below…

Song of the Day: Picture – Earthquake Lights (ft. Lindsey Lomis)

Brooklyn-based rock outfit EARTHQUAKE LIGHTS barely fits within its self-described alt-rock genre. Orchestral strings litter the dense arrangements, elevating the songs to something more refined and nearly classical feeling. But there’s a distinctive jazz influence to the grooves and harmonic richness that the band is hesitant to compare to jazz, though the comparison is something they contend with regularly. Still, the rock influences are clear, and Earthquake Lights sounds something like Pink Floyd, Radiohead, and Beck.

Their music has garnered millions of streams to date. Their latest album Desert Bloom charted nearly 30 times on the iTunes and Apple music charts, and somewhere along the way they managed to snag a feature on Vulfpeck’s The Joy of Music, the Job of Real Estate. They have also received praise from the likes of Wonderland Magazine, NOTION, The Line of Best Fit, Ones to Watch and Earmilk to name a few.

In an age when mental health is waning, Earthquake Lights gives us a look at the cultural phenomena of social media and how it affects all of us through their latest release ‘Pictures’ featuring Lindsey Lomis. Written allegorically, ‘Pictures’ tells a story of mutually unrequited love. The song loosely examines a personality that reluctantly romanticizes the nostalgia of a past relationship, friendship, acquaintance or fling prolonged by the ever-present role social media plays in our lives.

Rodenhouse explains, “Maybe you only feel connected to that person because of how immediate the internet and pictures have seemed to make them. But seriously what even are these connections you have with other people on the internet? Just because you see a picture of them it doesn’t mean they’re actually important to your life.”

Tinged with a dark and moody undertone, ‘Pictures’ features an enchanting melody, where sultry, velvet vocals collide in perfect harmony. Lomis sings, “Am I just a picture? Do you ever look for me? And I wonder if you saw me, would you tell me you remember my face?” Rodenhouse shares, “The lyrics were inspired essentially by an era that’s defined by pictures and feelings of missing out, or wondering about someone that may be in some memory, possibly just out of reach but still barely relevant. Wondering if they actually care to remember you, or if it’s even worth remembering one another and losing any sleep over.”

Speaking on Lomis, Earthquake Lights share, “She’s an athletic, excellent singer. Her unapologetic focus on her vocal ability really makes her a perfect fit for this tune.” Lomis was featured on Jacob Collier’s latest album on the song “Cinnamon Crush” and is about to embark on a tour with him in April.

Have a listen to ‘Picture’ below…

Love, Builder of Worlds is ‘Scared For The Climate’ In debut single

With wildfires ripping through Texas back in February and hail storms flooding the streets of Northern Italy in sheets of ice last July – there’s no two ways about it – climate change is a pressing concern.

This serious issue that threatens the global population has spurred on artist LOVE, BUILDER OF WORLDS – to pen and produce debut single, ‘Scared For The Climate?’ during a surprisingly mild winter in Dublin, Ireland. The single was released on 9th April, just in time for Earth Day – 22nd April.

‘Scared For The Climate?’ was originally geared up to be a reggae song but a friend of the flamboyant artist suggested turning the single into a raucous anthem to release all the pent up frustration about environmental disasters.

‘Scared For The Climate?’ turned out to be a post-punk pop delirium of the Noughties, which invites the prospective listener to, not only to release all the pent up frustrations, but to lose themselves in the moment with an instantly addictive bass line. While Love, Builder of Worlds begs the question, “Can I be scared, for the climate?” this isn’t an attempt to elicit fear, but to garner interest in the climate.

Love, Builder of Worlds is a multidisciplinary anti-binary person who uses all and any pronouns, because – in her/their words – really and truly, why not! She/they are part of Olólùfè Collective, which provides an outlet for a group of disabled artists to air today’s issues through poetry, fiction, visual art and music, with the latter proven to be the greatest outlet for their sentiments on the rollercoaster that is climate change.

To continue to use their greatest outlet to air their concerns, Love, Builder of Worlds will be performing the single at Ignite: Burden Re-Telling, an online event on 26th April.

‘Scared For The Climate? is out now on Apple MusicBandcampTidal and Audiomack just in time for Earth Day, 22nd  April.

Connect with Love, Builder Of Worlds via:
Soundcloud: https://soundcloud.com/lovebuilderofworlds
YouTube: https://www.youtube.com/@LoveBuilderofWorlds