Internationally celebrated, multi-platinum Nigerian music artist ASA released her latest, soul-stirring single ‘ODO’ (out now via Platoon), alongside must-see visual.
Building on the heartfelt song’s ode to the essence of genuine connection, transcending material pursuits and echoing the universal desire for meaningful love and companionship, the ethereal clip directed by Andy Madjitey and shot across Ghana is a beautiful and diverse depiction of love in its purest, myriad forms.
Written and composed by Asa, with production from P.Priime,’ODO’ is Inspired by Asa’s own experiences and observations, with the song’s lyrics painting a vivid picture of someone who values the intangible aspects of a relationship. The simplicity of ‘ODO’ combined with Asa’s soulful and emotive delivery creates a stirring, timeless piece that speaks directly to the human soul.
Speaking on ‘ODO’ Asa says: “’ODO’ is a tribute to love, beyond only romance. Friends and family lift you up when you’re down and heartbroken, celebrate your victories and cheer you on when you doubt yourself. It’s a reminder that love comes in various forms, and always having your back.”
In 2022, Asa released her fifth studio album ‘V’ which saw her taking cues from Pop, Afrobeat, R&B, Soul and electronic influences and mixing them with breathy, soulful vocals to create dreamy, ethereal soundscapes and embracing a newfound freedom which is demonstrated across the 10-track project. Produced by P.Priime, the album featured the singles ‘Mayana’ and ‘Ocean’ – and their dreamy music visuals – and collaborations with Wizkid, Amaarae and The Cavemen. The project received critical acclaim from music lovers and credible media outlets around the world including Rolling Stone, Billboard and The NY Times to name just a few.
MONIE LOVE has been a pioneer for British Hip Hop in the late eighties and nineties who uses the hip-hop platform to drive the message of love, unity and equality. She joined forces with fellow females emcees such as Queen Latifah, for pro-feminist song ‘Ladies First’, proving that women (who were mainly invisible in Hip Hop at that time) can rap just as well as men can.
After impressive guest performances on songs by De La Soul, The Jungle Brothers and Adeva, Monie was given a recording contract with Warner Bros, an impressive achievement for a British female rapper. Her debut album ‘Down to Earth’ featured two hit singles that were Grammy nominated – ‘Monie in the Middle’ and ‘It’s a Shame (My Sister)’.
With all the achievements she made over the years, there’s no dispute that Monie Love is one of the rap artists who paved the way for female rappers of today. Now almost 30 years later, she returns, still spreading the message of love, unity and equality in latest single ‘1NE People.’
Sporting a unique blend of reggae, hip-hop and R&B, ‘1NE Peope’ sees Monie Love dig deep into her West Indian roots and performs a melodic, reggae chant in Jamaican patois, inspired by the heartfelt mantra by Marcus Garvey – “Out of Many, One People”.
For this single – produced by up and coming music producer/engineer Roctimus Prime and legendary Grammy Nominated hip-hop producer, Baby Paul/BpZy (formerly of Da Beatminerz) – Monie enlists upcoming Ghanaian singer/songwriter Nana Fofie, who just recently signed to Nicki Minage’s new record label. Currently residing in Rotterdam, Nona Fofie drops an infectious verse, delivered in English and French, making it the perfect addition to Monie’s vocals offering a substantial and inspirational tone.
Monie Love recently guest appeared at the curated De la Soul career catalog launch and Plug 2 Tribute event which was held at Webster Hall in NYC. She performed an impromptu segment of the classic song ‘Ladies First’ with Queen Latifah, along with sharing her exuberant energy while on the stage with De La Soul as they ran through a few of their classic songs.
She’s now working on her new music project, #LoveStruck which is executively produced by Baby Paul/BpZy formerly of “Da Beatminerz” with pending collaborations from a few legends and new talent to watch out for. Look for’ Monie project, but for now, listen to ‘1NE People’, which is out now available across various music platforms
Ever since Toronto-based singer/songwriter, DENIM BLÙ came on my radar with single, ‘I’ll Die’, I was immediately captivated by his breath-taking storytelling along with the dramatic cinematic production. So when he released his debut album, ‘Blue’, I had to catch up him with about his inspiration behind the new eight-track set.
I really love what this guy stands for… and I hope you do too…
NLM: Hey, thank you for taking part in an interview with NEW LEASE MUSIC. How is 2021 treating you so far?
DB: Hey, New Lease Music, thanks for having me! 2021 has been treating me well – I know a lot of people hate 2021 because the pandemic has stopped them from living their life in the way they used to, but hey – because of the pandemic, I got to slow down and experience my life in different perspectives. It made me cherish my life more and I got to taste different flavours of my life. I have no complaints!
NLM: You released your album, ‘Blue’ last Wednesday (10th November), where you unveiled singles ‘Extraordinary Feel’, ‘I’ll Die’ (both featuring Lizzy Clarke) and ‘Burn (ft. Randy) ahead of its release. What is the public perception on the singles so far?
DB: I guess the public perception is good, hehe. My songs were played on the radio, featured on different media platforms, and I made lots of friends in the music industry. I just started my journey, and I was overwhelmed by the support I got from my supporters.
NLM: How would you describe the album’s sound to potential fans?
DB: My music is both compelling and complex, but infectious and accessible. Today’s youth want to get lost in music, but they demand narratives that reflect their experiences in a real way. Sonically I would describe my album’s sound as pure pop fantasy with emotional intrigue – sounds draw from blues, dance, electronica, and R&B elements, all while being unapologetically queer. However, it is the lyrical content making the connection with my audience: it speaks about love, loss, heartbreak, and lament. It gives you a sound that you can get lost in, but if you dive deeper, there’s a powerful story being told.
NLM: What inspired you to produce the album?
DB: Love – youthful love, volatile love, queer love, and my love for music. The concept for the album is centred around a relationship. It takes the listener on a journey from the exuberance and magic of falling in love (“Extraordinary Feel”), to deep and dark places of lament (“Blue”, “I’ll Die”, “I Miss You”), to coming to terms with love lost (“Young and Foolish”, “Burn”, “Again”). The album is the physical manifestation of my love for music. The whole process of making the album, from song-writing to producing, recording, mixing, and mastering, is me expressing my love for music. The sound of every sound, every foreshadowing, every push, every climax, and every reveal, is about my love of music.
NLM: What is/are your favourite single(s) from the album and why?
DB: My favorite song from the album is the last track – Again. I would describe this song as “an epic love ballad in the galaxy”. The songwriting is classic me – smooth melody, pop but dramatic. I produced the song in a way that reflects the songwriting, a way that corresponds to the development of the song. When listening to the song in the right sonic environment, you would see the galaxy evolving from nothing, to everything, and to nothing again – there is emergence, collapse, collision. It is an experience.
NLM: What message would you like the listeners to take away from your album?
DB: Never be afraid to love, because love is beautiful, love is an experience, love is the meaning of life. No matter where life goes, it always comes down to love.
NLM: If you had to feature one mainstream artist on the album, who would it be and why?
DB: Paloma Faith. She is from the UK, and I have been a fan for almost 1o years! She is not well-known in North America, but she is pretty big in Europe. She is so artistic, I love her visuals, her outfits, her artworks, not to mention her music is extremely amazing. So if I could have her on my album, that would be a dream come true! – Actually, going to her show is one of my dreams too :)
NLM: Do you have other project(s) for 2021?
DB: Well, there is only one month left for 2021, and I am not planning to release a Christmas song…but I do have some projects coming next year! I worked with some amazing Toronto artists on the remixes for Blue that I am going to release in 2022. Also the pandemic gave me time to slow down and see my life from different perspectives. I drew inspiration from those perspectives, sat down with my song-writing partner, exchanged our feelings, and we got to finish another album together. I am planning to work on these songs next year and release the album in summer 2023.
NLM: How can potential fans find you?
DB: That is also a question I want to ask – how can potential fans find me?! It is really hard to promote myself as an independent artist, so my next stop is to find an artist manager, A&R, or a record label. Hope that can happen soon!
NLM: Finally, any special thanks to those involved in the production of ‘Blue’?
DB: I have a lot of special thanks – I want to thank my lyricist Nick Ram for sharing his stories with me, and allowing me to tell his stories in my way. I want to thank my friend Lizzy Clarke, Randy Chang, Kristen Antunes, and Marshall Jacklin for being there and being my friend. It was really fun writing music together. I want to thank Jack Hughes, Julian Fatsound, Tyler Novak, and Eugene Hwang for their amazing musical performances on the album. I want to thank Elizabeth Petzold, Keshav Sharma, Eliot Britton, Issac Nemec for their remixes and friendships. I want to thank Francis TQ Hudson for bringing my mixes to life. I want to thank Fernando Nickolas and Jason Tenn for their photography and creation. I want to thank Zetong Liu for his amazing creative design with my album cover. Last but not least, I want to thank my family for believing in me and supporting me along the way. THANK YOU!
Known for producing uplifting soulful jazz numbers, CÉLINE AND THE BLUE decided to start the New Year with a slightly fresh sound…
Showcasing the jazz quintet as multifaceted musicians, their brand new single, ‘Crave Love’ boasts splashes of soul, trickles of rock elements, and jazzy cadences, which explores emotions such as helplessness, vulnerability, and grief. The song was initially about heartbreak, but soon transformed into a sweet melancholy representing the current trying times, where craving love is the ultimate in vain endeavour.
Out today on download and streaming platforms, ‘Crave Love’, is the last single before their EP’s release this year…why not have a listen to ‘Crave Love’ below…
Taken from his eponymous debut EP, QUAD ZERIMAR‘s track, ‘Ghost Town’ focuses on the theme of addiction, portraying Quad to be addicted to a girl who is already in a relationship and invites her to his ghost town, where he feels lonely. When she finally accepts his invitation, it all turns lively and romantic – and when she leaves, another more sombre addiction becomes present – drugs – as he doesn’t know how to cope without her.
Throughout the song, there are references to the ghost town – carousel, empty public houses/bars, ferris wheels – accompanied by background adlibs, crazy vocal ranges with hidden meanings.
So listen up, as every time you hit play on this trap-hop offering, you’ll hear something new…
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