Song of the Day: Alive – Yung Fume – Alive (ft. Chanal)

U.S loved Londoner YUNG FUME has partnered up with Chanal from much loved girl group M.O’s for single ‘aLive’.

The smooth ambient smash features the unmistakable tones of Yung Fume. His hazed out, emotive delivery topped with auto-tune is met with the sweet harmonies and soothing edge from Chanal as the pair create an honest and captivating drop, based on their own journey of emotion, reminding us that even on the darker days of life, we’re still ‘aLive’ and nobody is on their own.

Having become one of the UK’s frontrunners in conquering the U.S, Yung Fume has built an impressive profile to date. From reaching an exceptional homegrown audience and performing throughout the UK, the rumble of global exposure quickly developed following remixes of his record ‘Watch Me Flex’ by artists like Wizkid & Ty Dollas Sign. Leading to collaborations with top producer Zaytoven as well as Heavyweights Lil Durk & Young Nudy, Yung Fume has built a solid repertoire, releasing two projects this year including ‘Noughts & Crosses 4’, which saw him work with the likes of Young Adz, Lancey Foux, Fee Gonzales & Zinozee, & solo drop ‘The Other Way’.

Exposing true vulnerability and an insight in to the depths of Yung Fume, ‘aLive’ is an impressive version of the young star that both the UK and U.S are continuing to hail up.

Check out the video for the smooth joint below…

 

 

 

 

 

 

EP Review: WET IT SZN – Fizzler

FIZZLER‘s debut EP ‘WET IT SZN’ kicks off with the rising drill star easing through the bars that’s exuberant with a menacing edge.

Further along this mini collection, tracks ‘Blow’, ‘125’ and ‘We It’, shows a different side to the genre, taking on a more after hour-ish and salacious vibe which compliments and soften the infamous gritty drill drive.

The last three months, this South Londoner is shaping up to be one of the most exciting and promising act to come from the drill scene and his ‘WET IT SZN’ EP is a great insight of an credible artist who is on a mission to give the genre a different dimension. Hat off to the guy; check him out below…

Must Listens: Blow, 125, Wet It

Song of the Day: The Music/Time Without You – Gemini Chris

 

Just before the departure of 2019, London DJ GEMINI CHRIS dropped two tracks entitled ‘The Music/ Time Without You, featuring a heavy Chicago-style b-line…so get ready for the weekend and check out them out below…

Be sure to look out for more music this year from this guy.

 

New Lease Music’s Top Ten Songs of 2019

Here’s NEW LEASE MUSIC’s top ten music videos of 2019! Based on both readers viewing and editor picks, a few of the singles featured were first shown on the blog in the previous year (2018) and managed to held on for a well-deserved place on this list.

Go ahead and check out the videos below and I hope you enjoyed the top ten lists

10. HARD LABOR – LIQUID

9. JEALOUS – ASTHA

8. DRIVER – GOLD COMPLEX

7. SIMMER DOWN – SHIRAZ HEMPSTOCK

6. PROPERLY – NIZZY

5. DON’T GIVE UP – MAGGIE SZABO

4. LIAR – LUKE FRIEND

3. SOLILOQUY (WOULDN’T FEEL ALONE) – MARSHALL CECIL

2. SWEET LITTLE LIES – BÜLOW

1. Duro Dada Bimbi Philips 


Song of the Day: Too Good – Asha Gold

ASHA GOLD‘s ‘Too Good’ is the product of a time in this young artist’s life when pressures were coming down on her to leave these creative pursuits for more so-called “practical” endeavours.

Following a heated debate, the 19-year-old West Londoner took to her bedroom where she recorded a voice note of the pre-chorus and chorus for ‘Too Good’. The next day, Asha finished up the song in around ten minutes on the piano; this being all the reassurance she needed to stay on track with her music career.

Reflecting on that time, Asha Gold says:

“Although deep down I knew I wanted to pursue music, it was impossible to trust myself because it felt like no one was trusting me. I battled with the pressures and opinions of those close to me who I respected, but in the end I had to pull the trigger and decide for myself.”

It’s understandable why Asha Gold faced this initial backlash, considering that she’s the first in her family to outwardly express these creatives ambitions, with no one on either her Mum’s English side or her Dad’s Indian side setting out the footsteps for her to follow in. That being said, even if you’re not battling with this same decision, Asha believes that…

“Too Good can resonate with people facing any sort of decision – it’s a positive song about backing yourself even when it feels like others don’t. I had to laugh at the situation in the end, and say “I’m too good to be having sleepless nights about this”, it’s going to work out.”

‘Too Good’ was completed with production from Dilush, whose vibrant style accentuates Asha Gold’s intuition for beat-led R&B, electronic and pop lines.

Check it out below…