OUT TODAY: The Meir’s ‘Free’ Is A Celebration Of Creativity, Freedom And New Beginnings

When Lars Zebregs, Bo Bodewitz and Raf Jansen first met via a mutual friend, they immediately felt a strong musical bond.

This quickly led to weekly jamming sessions on Meirstraat, a cosy residential street in their hometown of Oud Gastel, and during those sessions, the trio let their creative juices just flow naturally, without any pressure to strive for perfection. Amid all the creativity flying around, the guys came up with the name of the band – THE MEIR – paying homage to the street where it all began. But the band name wasn’t the only thing to emerge from those sessions. They also gave birth to something that perfectly captured what those jams were all about: just letting things happen naturally.

And that ‘something’ comes in the form of their brand-new single, ‘Free’, out today across all leading music platforms.

A welcoming, atmospheric opening, reminiscent of Keane’s hit ‘Somewhere Only We Know’, immediately gives a sense of liberation. As it weaves through themes of transition, release and freedom, it reflects the spirit of the band’s own jamming sessions. ‘FREE’ is left wide open to interpretation, giving listeners the space to decide what it personally means to leave something behind and begin a new chapter in life without fear or restriction.

‘Free’ is The Meir’s first offering from their upcoming album, ‘Infinite’. The single not only signifies their progress as budding musicians, but also perfectly wraps up their soothing combination of rock and pop – music that’s comforting to the soul.

‘Free’ is out today (25th September) via all leading platforms.Listen below…

Connect with The Meir via:
FB: https://www.facebook.com/themeir.band/
IG:https://www.instagram.com/themeir.band/
Tik Tok: https://www.tiktok.com/@themeir.band
X: https://x.com/TheMeirband
YouTube: https://www.youtube.com/@TheMeirBand~
Website: https://themeir.band/

OUT TODAY: Sleepy Days share nostalgic single, ‘Night Owl’

Hailing from Dublin, indie rock band SLEEPY DAYS came to fruition after an act of kindness: whilst studying at BIMM Dublin (Dublin Music college), the quartet quickly rallied into the college’s recording studio, to rescue a mutual friend’s final assignment.

From that moment, Conor Dwyer (lead vocals & rhythm guitar), Michael O’Kane (lead guitar & backing vocals), Alex Ganje (bass) and Aaron Lacumber (drums), realised they had immediate chemistry and, as the saying goes, the rest was history. From that undeniable bond, Sleepy Days has conjured their trademark that takes inspiration from Japanese rock, synth pop and surf rock and perhaps a hint of shoegaze.

Their new single,’Night Owl’ immediately transports you back to the late eighties/early nineties when shoegaze was at its best. With reverbing guitar riffs and hypnotic rhythms, ‘Night Owl’ reflects lead vocalist Conor Dwyer’s struggle to transition from the nocturnal life of the college days into the early starts in the real working world.

With the ahead on, brash arrangements, perfectly reflecting the dreaded changeover, this single should be an ode to any soon-to-be graduates who are anxious about to that major life leap.

‘Night Owl’ is out today (21st February) across various music platforms. To commemorate the release of the single, the guys are headlining a show in The Workman’s Club Main Room, Dublin, hosted by Ex-Oh Promotions, on Friday, 7th March.

Why listen to ‘Night Owl’ below…

Connect with Sleepy Days via:
FB: https://www.facebook.com/sleepydaysband
IG: https://www.instagram.com/sleepydaysband
Tiktok: https://www.tiktok.com/@sleepydaysband
YouTube: https://www.youtube.com/@sleepydaysband

Rain to Dust returns with a harsher and murkier sound in latest album, ‘Martyrdom: Eight Exercises’

Turkish Post-Punk duo RAIN TO RUST entered the scene in 2019 with critically acclaimed debut album ‘Flowers Of Doubt’. 2020 saw the release of its companion piece, ‘Stillborn Flowers’. Both albums showcased well-crafted Gothic Rock filled with chorus-laden, orchestrated guitars, atmospheric keyboards and deeply melancholic lyrics. After a period of lockdowns, isolation and death, Rain To Rust return with a new album–their darkest and most punishing yet. ‘Martyrdom: Eight Exercises’ takes Rain To Rust back to the intellectual and experimental roots of Post-Punk with a much harsher and murkier sound. It is not meant to be a pleasant listen; on the contrary, its aim is to take the listener for a mental stroll in rat infested, crumbling squats where young people shoot up and die.

Each song is related and dedicated to an artist who died by suicide: Adrian Borland (The Sound), Richey James Edwards (Manic Street Preachers), Ian Curtis (Joy Division), Per Yngve Ohlin (Mayhem), Yukio Mishima, Peter Tyrrell, Osamu Dazai, Robert Ervin Howard – artists who have been providing inspiration to the band for long years.

Inspired by Adrian Borland’s death by jumping in front of a train, the lead single, ‘Tonight I Will Meet My Friends Who Died Untimely ’is a melancholic yet driving tune with a beat that is supposed to give the feeling of a railway ride. In second effort, ‘Cutting Moments’ the band tries to connect to Richey Edwards’ psyche as he jumped down Severn Bridge (it is still unclear whether he did it or not–he is officially declared deadbutabody was never found).

‘The Killing Room’, a Darkwave requiem, sees Ian Curtis speaking to his demons as he is at his wit’s end. ‘Sleep And Death Are Brothers’ connects to Per Yngve Ohlin’s obsession with death and his constant desire to leave his physical self. ‘The Patriot’, taking its title from Yukio Mishima’s story “Patriotism”, is about thinking of self-sacrifice as the purest form of beauty. The samples used in the song show the two conflicting sides of Mishima: his interest in hara-kiri as an extension of samurai code versus his interest in hara-kiri as something erotic.

‘Letterfrack Penal Colony’, the harshest track on the album, relates to Irish author Peter Tyrrell’s traumatic childhood memories spent in a Christian Brothers Industrial School in Letterfrack, Ireland. ‘Penal Colony’ is a homage to Franz Kafka’s short story, in which the convict is punished by getting tied up to a machine that carves his conviction onto his body in a loop, going deeper and deeper as it works. This is reflected in the music through a repetitive drum and bass pattern.

‘The Big Dive’ is based on Osamu Dazai’s suicide (along with his girlfriend Tomie) by jumping into the flooded Tamagawa Canal. His death was already foreshadowed by his novel ‘No Longer Human’ which was posthumously published (and was the inspiration for a song on the first Rain To Rust album, ‘Flowers Of Doubt’).‘The Big Dive’ turns the story into an innocent love song, inspired equally by Suicide and Angelo Badalamenti.

‘And The Ravens Left The Tower (Howard’s Dream)’is the album’s most experimental track. Based around a piano motive that eventually disintegrates into layers of reverb as the song goes along, it sees H.P. Lovecraft, Robert E. Howard’s friend and colleague, having a dream where Howard reads him poems and tells him that he will join him in death very soon. The song then disappears in sounds of hyperventilation and coals burning in a furnace.

‘Martyrdom: Eight Exercises’ is out now for your pleasure across various music platforms. Why not have a listen below…

Must Listens: Tonight I Will Meet My Friends Who Died Untimely, Sleep And Death Are Brothers, The Big Dive

Album Review: Beautiful Sin – Some Kind Of Illness

Hailing from Manchester, brothers Paul and Mark Hinks – aka indie rock outfit, SOME KIND OF ILLNESS – latest album, ‘Beautiful Sin’, could be described as smooth as a Sunday morning with a tranquil introduction through instrumentals ‘Within A Shadow’ and ‘Ghost’ with the latter featuring a slight sinister spin on the album’s theme.

Third offering ‘A Moment In Time’, first offers a full set of vocals, that’s so smoothing, to the equally smooth and inmate setting. ‘A Lament Reprise’ adds another dimension to the album with its slight electronic drive to the production, uplifting a bed of atmospheric soundscapes similar to what’s offered in the previous productions. ‘Beautiful Sin’ also interrupts the album’s soothing vibe with the distorted and racing guitar riffs breaking through the production, giving off a feather-light and (perhaps 60’s-inspired) Americana feel.

The album concludes with ‘7 Days’, which ventures into a more sinister side of indie rock, with guest vocalist Jenny Jen shedding some light and sweetness to the whole arrangement.

Through their fourth album, SOME KIND OF ILLNESS has effortlessly combine two worlds – indie and rock music –  in a way that’s accessible to those who aren’t massive fans of the aforementioned genres. Have a listen to ‘Beautiful Sin’ below:

Must Listen: A Moment In Time 

Song of the Day: I Want To Marry You – Easy

Brand new California collective EASY make a remarkable debut with ‘I Want To Marry You’, an intricately crafted, experimental left-pop song that immediately earmarks this band as one to watch.

Check out their crazy harmonies below: