Tag: alternative music

Genevieve Miles returns with shoegaze-y broken-hearted catharsis in ‘howl’

GENEVIEVE MILES’ psychedelic indie fusion continues to take on new levels of depth with shoegaze and rock influences taking the forefront in new single ‘howl’. Inspired by the likes of Talking Heads, Slowdive and Courtney Barnett, this new single continues her evolution and maturity, as “a true artist of today’s generation” (Local and Live). This single marks the first time Genevieve has recorded with her whole band in the studio, as she finally moved back to her spiritual home of Birmingham at the start of this year. The grit of recording in Digbeth truly shines through on the track, produced by Jo Cartledge, amongst a scene of exciting upcoming bands in Birmingham such as Gingham, Jazzcat and pip.

On the single, Genevieve says: “this has always been our favourite to play live, I am beyond excited that we can all finally cry and scream together at home to this song, one I wrote at ground zero of a broken heart.”

After the triumphant release of last year’s EP, So heavy, so hard to hold, Genevieve has been busy forging new expressions within her music. The EP, which offers “a sonic embrace to all who listen” (Unrecorded) was featured in BBC Introducing’s Top Tracks of 2023, listed in Dead Good Music’s top ten EPs of 2023 and gained spots on Amazing Radio’s Indie and Easy Listening playlists. Lead single ‘Good’, was first launched on a Hyundai advert in 2022 and has since accumulated over a million views.

Following the success of this EP, Genevieve has spent the past year in the studio, as well as performing around the UK, including notable festival slots at Camp Bestival and Wychwood Festival, supporting Megan Wyn in London, and headlining a packed out show at Birmingham’s renowned Hare and Hounds. She’s also received endorsement from exciting brands such as Goose and Gander.

BBC Radio have consistently supported Genevieve since 2019, including a slot at BBC Introducing Live, their joint showcase with Birmingham Music Awards (2020), the digital BBC Airwaves Festival (2021). All this support culminated in playing their stage at Truck Festival (2023).

Overall, 2023 was an exciting year including her first UK tour, a slot at a fringe event of The Great Escape Festival and playing Big Retreat Festival. Her wide range of influences was also celebrated when Fontaines D.C. shared her acoustic cover of their song ‘I Don’t Belong’ for the online Rock the Breadline fundraiser.

On the live experience, Genevieve says: “I love throwing myself around on stage and shouting as loud as I can: it’s for all those years that I stayed quiet, didn’t get mad, people pleased. This is the time of the wild woman: we are loud, emotional, ALIVE.”

Genevieve is also celebrating the release of ‘howl’ with a gig held at The Yard, a cosy space in Moseley, Birmingham. It promises to be a stripped-back set next to a log burner, an intimate night which will mirror the raw intimacy of the new single.

Upcoming gigs:
3rd November – Hare and Hounds, Kings Heath (supporting Danny Mellin)
13th December – The Night Owl, Digbeth

Connect with Genevieve Miles via:
FB: https://www.facebook.com/genevievemilesmusic/
IG: https://www.instagram.com/genevieve_miles/
TikTok: https://www.tiktok.com/@genevievemilesmusic
X: https://x.com/genevievemiles_

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OUT TODAY: Clara Pople shares self-empowerment single, ‘Hot Moon’.

CLARA POPLE‘s brand new single, ‘Hot Moon’ broods a strong atmospheric drive, soothed over by her delicately light vocals which creates a laid-back and magical experience. If you’re unfamiliar with Clara Pople, she is a promising indie pop/trip-hop artist from North West of England, that’s well and truly connected with nature and her latest single mirrors that bond, the chaotic energy that a Full Moon brings – and her resilience in carving a name for herself in the challenging music industry.

Speaking about the inspiration behind ‘Hot Moon’, Clara Pople shares: “This is my empowerment anthem for all women and people who can feel overpowered by the forces of nature. Hot Moon is a song about the ebbing and flowing tides of being a woman. How nature can control our mood and how, whilst infuriating, we just have to give in sometimes and let the madness take over.”

Crediting her upbringing in a family of strong women and her education at an all-girls school for instilling a sense of resilience, Clara she feels confident and empowered enough to navigate a path into the music scene, her way and on her terms. She created The Boat Gigs, which have quickly become a word-of-mouth sensation in London’s underground scene. The gigs, which feature a lineup of three emerging artists, have become a lifeline for musicians looking to play in a supportive environment without the usual pressures of self-promotion.

South Cumbria-born Clara came up with the idea of The Boat Gigs after moving onto a boat. She envisioned turning the intimate and airy space into a venue. What began as a personal experiment has blossomed into a vibrant monthly event, situated at St Pancras Old Church in London, where Clara will be performing at tonight’s (19th September) headline show.

She explains: “Hosting gigs on the boat just felt natural. I needed a venue where I could headline, so I thought, why not create my own show every month and build a community around it? It’s been incredible seeing how these gigs are helping other emerging artists as well. They’re the OG form of what a gig should be—built-in crowd, guaranteed pay, and a chance to connect with like-minded musicians.”

With the release of ‘Hot Moon’ – out today (19th September) – across various music platforms – and her thriving boat gigs, Clara Pople proves there is room for creating music that’s true to oneself, while building a strong community of like-minded musicians. Why not listen to ‘Hot Moon’ below…

Connect with Clara Pople via:
FB: https://www.facebook.com/ClaraPopleMusic/
X: https://x.com/clarapoplemusic
IG:https://www.instagram.com/clarapoplemusic/
TikTok: https://www.tiktok.com/@its_clara_pople

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OUT TODAY: Jozem exposes the moody side to summer with his indie-R&B EP, Summerhaze

A sombre, bed of airy soundscapes introduces JOZEM‘s new EP, ‘Summerhaze’, through track, ‘Foolish Heart’, where the tranquility of Rwanda-born, Toronto-based artist’s vocals offer a place of escapism, introspection and even retrospection during a season that’s associated with having pure unadulterated fun.

Although the EP is described as a body of work that displays ‘a moody side of summer’, which peeks into Jozem’s many life experiences and those who are close to him, personally the five-track project could also be described as a transitional EP from Summer to Autumn – a season that prepare us for hibernation and a period of some serious self-discovery and perhaps reflecting on loss of friendships, relationships strains and heartache of losing a love interest, releasing all those pent up issues and coming out the other end renewed and healed. As these themes of self-discovery and introspection runs potent throughout the EP, ‘Summerhaze’ is also a gentle reminder of recognising the real cheerleaders in your life when times get a little rough.

The perfect example of this is through title track, ‘Summerhaze’, which reflects on an experience with one of Jozem’s close friends, who was going through a rough patch and, like most of us, that person would put on a brave face to mask the pain – even though Jozem could see right through the mask and feel his friend’s pain. He may have felt helpless at the time, but Jozem has learnt a valuable lesson from the experience that ring loud in the track – and that lesson is that it’s not a sign of weakness to reach out and confide in someone who you truly trust.

Soft layers of electronic soundscapes begins to make its presence known in ‘Test’ and ‘Waiting, Soft’ concluding the EP perfectly which, personally, radiates some sense of hope and optimism through the muddy maze, that’s unfortunately called life.

‘Summerhaze’ EP is now out today (29th August), via various music platforms. Why not enter into Jozem’s world below…

Must Listens: Summerhaze

Connect with Jozem via:
FB: https://www.facebook.com/followjozem
IG: https://www.instagram.com/jozem__/
YouTube: https://www.youtube.com/@jozem
Website:https://www.iamjozem.com/

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Arliston’s new single, ‘Vertical’ mountaineers through melancholy

ARLISTON‘s latest offering ‘Vertical’ is a brooding, introspective journey that delves deep into the heart of existential dread. The duo’s signature blend of intimate vocals and expansive soundscapes is in full force here, creating a sonic atmosphere that’s both suffocating and cathartic.

Opening with a delicate piano melody and Jack Ratcliffe’s soulful baritone, the track gradually builds to a crescendo of emotional intensity. It’s a familiar Arliston territory, but ‘Vertical’ feels like a particularly raw and vulnerable exploration of the band’s signature melancholia. The lyrics, both poignant and relatable, capture the paralyzing feeling of being overwhelmed by life’s challenges.

Musically, the track is a masterclass in dynamics. The tension between quiet introspection and soaring choruses is expertly handled, creating a sense of emotional catharsis. The addition of Sam Catchpole’s driving drums and Brett Shaw’s percussive flourishes adds a layer of complexity to the arrangement, without ever overshadowing the song’s core emotional impact.

While Arliston’s influences are clear – The National, Bon Iver, and Damien Rice cast long shadows over their sound – the duo have managed to carve out their own distinctive niche. ‘Vertical’ is a testament to their talent for crafting songs that resonate deeply with listeners, offering a much-needed soundtrack to those moments of doubt and despair.

Whether you’re a longtime fan or new to Arliston, ‘Vertical’ is a must-listen. It’s a song that lingers in the mind long after the final notes fade, leaving you with a sense of both melancholy and hope.

‘Vertical’ was released last Friday (26th July) via various music platforms. Why not have a listen below…

Follow Arliston via:
FB: https://www.facebook.com/officialarliston
IG: https://www.instagram.com/arliston/
X: https://x.com/arlistonband

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Songs of the Day: The Grey/I Couldn’t Love You More – The Foreign Exchange

In 2002, two artists from opposite ends of the world– North Carolina emcee/singer Phonte of Little Brother, and Dutch producer Nicolay – engaged in a fully online, transatlantic musical collaboration that would help redefine modern music. On August 24, 2024, the novelty of their collaboration became their namesake, and they released their seminal debut album Connected as The Foreign Exchange. Over the course of 20 years, Nicolay and Phonte have both individually and collectively set a precedent for what indie artists can achieve, and revolutionized the way artists collaborate today. With a Grammy-nomination and their very own +FE Music label, the duo commemorates their 20-year-long journey as The Foreign Exchange by sharing a new 12″ single ‘The Grey” / “I Couldn’t Love You More (dub)’.

Out now on all digital streaming platforms, the dual release covers the musical gamut of The Foreign Exchange. ‘The Grey’, which serves as the theme song for ESPN’s new ’30 for 30′ film False Positive, finds Phonte spitting razor sharp bars, with a hook delivered by the silky vocals of +FE Music signee BeMyFiasco. In contrast, Phonte and Nicolay go full quiet storm mode on ‘I Couldn’t Love You More’, a beautiful rendition of Sade’s classic record.

“Rhyming and covering my favorite Sade song felt like the best way to encompass all that The Foreign Exchange represents. We’ve covered a lot of ground over the past 20 years. This single represents us coming back to square one.” – Phonte

ESPN’s new ’30 for 30′ film False Positive, which debuted on June 11, 2024, was scored in its entirety by Nicolay. The film tells the story of former Olympic Track and Field athlete and world record holder Butch Reynolds, who was falsely accused and banned for drug use by the International Amateur Athletic Federation. As a fan of Nicolay’s work, the film’s director, Ismail Al-Amin, first tapped the classically trained multi-instrumentalist from the Netherlands for the project in 2021.

“Ismail booked The Foreign Exchange for an event in Akron, Ohio years ago. He was keen on creating a decidedly soulful score, but with a European twist, as the sport of track and field traditionally is very popular there, and a lot of the crucial action in the film takes place overseas. He felt that I could be the right man for the job. This particular project represents twenty years of experience and accumulated style… the scope of this project and the sheer quantity of music required really allowed me to double down on it all… There’s quite literally a little bit of everything in this score. While I was working on some initial sketches for the film, I came upon the idea of mirroring all of the different stages of Butch’s life and career with the evolution of my own music over the years. So in the early stages of the documentary, the music is largely beat-driven and optimistic, mirroring the sound and feel of my own early years. As the situation gets more complicated and inevitably darker and more emotional, so does the music.” – Nicolay

Nicolay has also been hard at work on his forthcoming solo album, which is currently slated for an early summer release. The project’s latest single ‘Roll Up (I Can’t Lose My High). released in April.

Listen to ‘The Grey/ / ‘I Couldn’t Love You More (dub)’ below….

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