OUT TODAY: Jozem exposes the moody side to summer with his indie-R&B EP, Summerhaze

A sombre, bed of airy soundscapes introduces JOZEM‘s new EP, ‘Summerhaze’, through track, ‘Foolish Heart’, where the tranquility of Rwanda-born, Toronto-based artist’s vocals offer a place of escapism, introspection and even retrospection during a season that’s associated with having pure unadulterated fun.

Although the EP is described as a body of work that displays ‘a moody side of summer’, which peeks into Jozem’s many life experiences and those who are close to him, personally the five-track project could also be described as a transitional EP from Summer to Autumn – a season that prepare us for hibernation and a period of some serious self-discovery and perhaps reflecting on loss of friendships, relationships strains and heartache of losing a love interest, releasing all those pent up issues and coming out the other end renewed and healed. As these themes of self-discovery and introspection runs potent throughout the EP, ‘Summerhaze’ is also a gentle reminder of recognising the real cheerleaders in your life when times get a little rough.

The perfect example of this is through title track, ‘Summerhaze’, which reflects on an experience with one of Jozem’s close friends, who was going through a rough patch and, like most of us, that person would put on a brave face to mask the pain – even though Jozem could see right through the mask and feel his friend’s pain. He may have felt helpless at the time, but Jozem has learnt a valuable lesson from the experience that ring loud in the track – and that lesson is that it’s not a sign of weakness to reach out and confide in someone who you truly trust.

Soft layers of electronic soundscapes begins to make its presence known in ‘Test’ and ‘Waiting, Soft’ concluding the EP perfectly which, personally, radiates some sense of hope and optimism through the muddy maze, that’s unfortunately called life.

‘Summerhaze’ EP is now out today (29th August), via various music platforms. Why not enter into Jozem’s world below…

Must Listens: Summerhaze

Connect with Jozem via:
FB: https://www.facebook.com/followjozem
IG: https://www.instagram.com/jozem__/
YouTube: https://www.youtube.com/@jozem
Website:https://www.iamjozem.com/

Arliston’s new single, ‘Vertical’ mountaineers through melancholy

ARLISTON‘s latest offering ‘Vertical’ is a brooding, introspective journey that delves deep into the heart of existential dread. The duo’s signature blend of intimate vocals and expansive soundscapes is in full force here, creating a sonic atmosphere that’s both suffocating and cathartic.

Opening with a delicate piano melody and Jack Ratcliffe’s soulful baritone, the track gradually builds to a crescendo of emotional intensity. It’s a familiar Arliston territory, but ‘Vertical’ feels like a particularly raw and vulnerable exploration of the band’s signature melancholia. The lyrics, both poignant and relatable, capture the paralyzing feeling of being overwhelmed by life’s challenges.

Musically, the track is a masterclass in dynamics. The tension between quiet introspection and soaring choruses is expertly handled, creating a sense of emotional catharsis. The addition of Sam Catchpole’s driving drums and Brett Shaw’s percussive flourishes adds a layer of complexity to the arrangement, without ever overshadowing the song’s core emotional impact.

While Arliston’s influences are clear – The National, Bon Iver, and Damien Rice cast long shadows over their sound – the duo have managed to carve out their own distinctive niche. ‘Vertical’ is a testament to their talent for crafting songs that resonate deeply with listeners, offering a much-needed soundtrack to those moments of doubt and despair.

Whether you’re a longtime fan or new to Arliston, ‘Vertical’ is a must-listen. It’s a song that lingers in the mind long after the final notes fade, leaving you with a sense of both melancholy and hope.

‘Vertical’ was released last Friday (26th July) via various music platforms. Why not have a listen below…

Follow Arliston via:
FB: https://www.facebook.com/officialarliston
IG: https://www.instagram.com/arliston/
X: https://x.com/arlistonband

Songs of the Day: The Grey/I Couldn’t Love You More – The Foreign Exchange

In 2002, two artists from opposite ends of the world– North Carolina emcee/singer Phonte of Little Brother, and Dutch producer Nicolay – engaged in a fully online, transatlantic musical collaboration that would help redefine modern music. On August 24, 2024, the novelty of their collaboration became their namesake, and they released their seminal debut album Connected as The Foreign Exchange. Over the course of 20 years, Nicolay and Phonte have both individually and collectively set a precedent for what indie artists can achieve, and revolutionized the way artists collaborate today. With a Grammy-nomination and their very own +FE Music label, the duo commemorates their 20-year-long journey as The Foreign Exchange by sharing a new 12″ single ‘The Grey” / “I Couldn’t Love You More (dub)’.

Out now on all digital streaming platforms, the dual release covers the musical gamut of The Foreign Exchange. ‘The Grey’, which serves as the theme song for ESPN’s new ’30 for 30′ film False Positive, finds Phonte spitting razor sharp bars, with a hook delivered by the silky vocals of +FE Music signee BeMyFiasco. In contrast, Phonte and Nicolay go full quiet storm mode on ‘I Couldn’t Love You More’, a beautiful rendition of Sade’s classic record.

“Rhyming and covering my favorite Sade song felt like the best way to encompass all that The Foreign Exchange represents. We’ve covered a lot of ground over the past 20 years. This single represents us coming back to square one.” – Phonte

ESPN’s new ’30 for 30′ film False Positive, which debuted on June 11, 2024, was scored in its entirety by Nicolay. The film tells the story of former Olympic Track and Field athlete and world record holder Butch Reynolds, who was falsely accused and banned for drug use by the International Amateur Athletic Federation. As a fan of Nicolay’s work, the film’s director, Ismail Al-Amin, first tapped the classically trained multi-instrumentalist from the Netherlands for the project in 2021.

“Ismail booked The Foreign Exchange for an event in Akron, Ohio years ago. He was keen on creating a decidedly soulful score, but with a European twist, as the sport of track and field traditionally is very popular there, and a lot of the crucial action in the film takes place overseas. He felt that I could be the right man for the job. This particular project represents twenty years of experience and accumulated style… the scope of this project and the sheer quantity of music required really allowed me to double down on it all… There’s quite literally a little bit of everything in this score. While I was working on some initial sketches for the film, I came upon the idea of mirroring all of the different stages of Butch’s life and career with the evolution of my own music over the years. So in the early stages of the documentary, the music is largely beat-driven and optimistic, mirroring the sound and feel of my own early years. As the situation gets more complicated and inevitably darker and more emotional, so does the music.” – Nicolay

Nicolay has also been hard at work on his forthcoming solo album, which is currently slated for an early summer release. The project’s latest single ‘Roll Up (I Can’t Lose My High). released in April.

Listen to ‘The Grey/ / ‘I Couldn’t Love You More (dub)’ below….

Song of the Day: Worth It – Paige Bea

London-based singer, songwriter and producer PAIGE BEA‘s single, ‘Worth It’, is a dark, feminist ode to the frustrations of not knowing where you stand at the start of a new relationship. On ‘Worth It’, Paige is characteristically direct, asking outright rhetorical questions that ask for frankness in where this new romance is heading, paired with bold, honest statements about her own intentions: “I’m not here to convince and coerce / make things nice and give birth / I’m a difficult person”.

Speaking more on the lyrical inspiration behind ‘Worth It’, Paige said: “The lyrics for Worth It came shortly after a date I’d just been on. I was already just so anxious about when I was going to get the text back and how much longer we were going to have to do this silly dance before we just gave in to falling in love and seeing what happens. It felt like we were both coming into the start of it with a lot of trepidation given past relationships we’d been in, and we were trying to be adults by taking it slow, but it also felt like that was sucking the fun, spontaneous joy of starting something new out of it? I was also thinking about expectations of women in relationships, the peacemaker, the homemaker, the PA, the mother (I’m not here to convince and coerce / Make things nice then give birth / I’m a difficult person) and I wanted to make a statement that I probably won’t fit into the idea of who you think I am and I want to make that clear, but I’m also up for just leaning into this new feeling and taking a leap of faith if you are? I think our generation has this tendency to think that because they are grown and therapised, it means we can micro-manage all our relationships and behaviours and I’m far too impulsive for that. I’m much more about throwing myself in the deep-end and seeing where it takes me.”

Across her work to date, Paige Bea has seen excitable airplay and support from BBC R1’s Jack Saunders, Tara Kumar, Sian Eleri, BBC Introducing London’s Jess Izsatt, and BBC 1Xtra’s Jamz Supernova (who invited her into the studio for a Late Night Discovery interview), as well as esteemed publications and outlets such as COLORS, The Line Of Best Fit, Wonderland, The Independent, CLASH Magazine, Wordplay Mag, enfnts terribles, The Rodeo + more.

Upon the release of ‘Worth It’, Paige Bea announced her new EP ‘Flutters’ which was available from Wednesday (17th July) via DMY Artists. Why not listen to the avant-garde track below…

Song of the Day: avoid! – Sion

German-born and South Korea-based multi hyphenate SION has returned with the release of his highly anticipated EP, ‘Sociavoidance’. Marking a transformative period for the hit-maker, ‘Sociavoidance’ goes against what we’re accustomed to, navigating a variety of genre-bending sounds; the 5-track project is a step in a different direction for the storyteller. Following on from the February release of ‘O.o’, we dive deeper into Sion’s unpredictable world. With an EU tour on the horizon later this year, ‘Sociavoidance’ is a glimpse of what to expect on stage.

Exploring the disassociation in modern-day interaction, Sion bares elements of vulnerability as he confronts his fears and desires surrounding social interaction and relationships, forming a comforting familiarity for many that’s enriched with depth and emotion. Boasting a refreshed creative flare, ‘Sociavoidance’ finely blends indie electronica, abstract hip-hop, alt R&B, and glitch pop yet still remains cohesively structured. After hours of refining the smaller details, this project reflects a time of great significance and self-reflection.

Opening the EP with “avoid!”, Sion instantly sets the tone as he acknowledges his disillusionment with modern-day relationships. Confronting his difficulty with human connection, he shares that his existing relationships are strained because of it.

”When asked about the difference between this album and previous projects, Sion explained, “This project marks the beginning of a new journey for me musically. I dove into different subgenres such as indie electronica, abstract hip-hop, alt R&B, and glitch pop, while trying to bind together all these different sounds in a cohesive manner through tons of sound design. I’m not sure, and kind of scared about how it will resonate with my audience right now. But at some point, I needed to progress, and this work certainly gives me the courage to experiment with even more genres and styles going forward in my career. I want to be remembered as an artist who has many facets but maintains a distinct colour, and I’d like to believe that this album is a good start in the right direction.”

Listen to ‘avoid!’ below…