Song of the Day: 21 – Lei Hope

Born in Zimbabwe and raised in Leeds, LEI HOPE is the project of Manchester based musician Hope Chiguvo. He recently announced his new EP ‘Matrices’ which will be released 10th May via Heist or Hit and shares the project’s second single and opener ’21’.

On his ambitious new 7 track EP ‘Matrices’, Hope’s textured, wide-ranging songs skip between sacred melodies and secular sentiment, all wrapped in a sound that jitters somewhere between the deluxe-digital-age psychedelics of indie and R&B.

Latest single and EP opener ’21’ at once feels familiar, nostalgic, yet distinctly singular. Written as a reminder to himself of his own growth as a person and artist, the song’s woozy, soulful ascending guitar chords and jazzy instrumental inflections provide a warming base for Lei’s musings on personal progression.

Speaking more on the release of new single ’21’, Lei Hope said: “The title of the EP ‘Matrices’ came around as the plural of ‘matrix’. It’s a bit of a nerdy explanation but in Maths, a matrix is used to communicate transformation, movement, or change (similar to coordinates). Throughout the making of this project, I underwent multiple layers of change. I like starting projects with an update on my state of mind – and on ’21’ I was looking back at times when my mental health was a lot worse and appreciating the growth I’ve made in terms of overcoming a lot of struggles. This was the first song Will Levison and I co-produced in December 2022, and it features vocals from Manchester R&B singer Mxzvita.”

Having already impressed with his self-released debut EP ‘Autonomous Affection’ and on the live stage – with buzzy showcases at Beyond The Music and Manchester Psych Fest, Lei Hope’s music arrives at a fascinating intersection between indie-pop, psychedelia, bedroom-pop, R&B and soul.

The hallmarks of his sound – layered vocal harmonies, vibrant synthesisers and smouldering hooks are all there, dappled in sunshine and in full plain sight. A guitarist first and foremost by his own admission, Lei’s musical genesis was in the church. “Whilst I was living with my family in Leeds, we would go to church maybe two or three times a week. It was non-denominational, but I guess you could say it was most similar to a Pentecostal service, with live musicians every service.” he states.

Following a period of father-son osmosis whereby he soaked up every chord shape his dad could show him, the church musicians rallied to fill in the gaps. “Once I got better at guitar, I joined the church band and was playing live every week. Now, my guitar is like my musical calculator and compass.”

And there is a navigational intelligence to the way in which he uses the various shorelines of genre as jumping off points for his own compositions. From making beats at home around the age of 15, Lei discovered and immersed himself in the material of Omar Apollo, Clairo, Yeek, Blood Orange and Spencer.

However, it wasn’t until the enforced cocoon of the pandemic that Lei began the process of recording. Isolation proved to be a creative chrysalis from which he emerged fully formed: “I didn’t know anyone in the industry or any musicians in Manchester but I knew that Steve Lacy had recorded his first EP on his phone. I took inspiration from that. Quickly, I wrote, produced, recorded and engineered my first project and people reacted.”

Lei Hope is a man making whatever music that comes into his head with the power to dismantle and reassemble genres. A pallet cleansing, no filter aesthetic; not just indie for the sake of it, but affectingly human. When you factor in that he’s capable of wringing soulfulness out of any bar of music seemingly at will, it sets him apart as one of the most exciting prospects on the Manchester indie scene.

Lei Hope’s new EP ‘Matrices’ will be released on 10th May via Heist or Hit. Why not watch the visualiser for ’21’ below…

A Quick Chat With…Nia Chennai

I’m absolutely chuffed to have caught up with London’s emerging singer/songwriter NIA CHENNAI, who is – in my opinion – one of most exciting acts to come out of the capital’s alt-R&B scene. She released her debut album EP, ‘Diary Is A Waste of Paper’ last November which stormed straight to #8 on the NEW LEASE MUSIC’s Top Ten Albums of 2023 list. So sit back and relax and take time out to find more about this very promising songbird and her blazing project…

NLM: Hey, thank you for taking part in an interview with NEW LEASE MUSIC. How is 2024 is treating you so far?

NC: Hey, Thanks for having me! 2024 is treating me great. I’ve been loving all the support I’ve been receiving on my EP ‘Diary Is A Waste Of Paper’. I’m super excited to drop some new music this year.

NLM: You released your EP, ‘Diary Is A Waste Of Paper’ back in November 2023. What is the public perception on the project so far?

NC: The feedback has been super sweet on the EP. Everyone has been tagging, listening, and telling me their favourite lines and stories within the project. I think it allowed my fan base to get to know me a little bit more and was a good introduction to me as an artist

NLM: How would you describe the EP’s sound to potential fans?

NC: The EP sound is what I like to call Nia-soul. It’s a mix of soul, neo-soul, r&b! And I’ve got so many influences so you’re just gonna have to take a listen!

NLM: What inspired you to produce the EP?

NC: Making the EP I wasn’t going into the studio, thinking “oh we’re making a project”. I just went into the studio and was making songs that I loved and it came to a point where we were thinking this would be a great time to drop a project.

NLM: What is/are your favourite single(s) from the EP and why?

NC: My favourite songs on the project change all the time, but my current favourite is ‘Call It Quits! That song has attitude, and I love it.

NLM: What message would you like the listeners to take away from your EP?

NC: I would like to take them through a journey of self-discovery, as that’s what I was going through whilst making the project. Hopefully, they can relate to my lyrics and make some better decisions than I did.

NLM: If you had to feature one mainstream artist on the EP, who would it be and why?

NC: I would love to feature Raye, I’ve been obsessed with her 21st-century blues album and I just got it on vinyl. I think she would make a sick feature!


NLM: So what plans do you have for the rest of 2024?


NC: 2024, expect singles singles singles!

NLM: How can potential fans find you?

NC: Everyone can find me @niachennai on all socials!

NLM: Finally, any special shout outs to those involved in the production of ‘Diary Is A Waste of Paper’?

NC: Yes, a massive shout out to my manager who helped me and guided me through it all. I literally couldn’t have done it without him and all the producers that worked on the project. We made magic in the studio!

Listen to ‘Diary Is A Waste Of Paper right HERE

UK R&B newcomer Nellie Charles demands respect in single ‘BOSS’

Introducing Manchester-based UK R&B singer, songwriter, and musician NELLIE CHARLES with her first single of the year titled ‘BOSS’. Serving as the lead single to her upcoming debut EP that arrives this summer, ‘Boss’ emerges as a vibrant declaration of self-assurance and empowerment, encapsulated within the rich textures of modern R&B. Crafted from a tapestry of personal triumphs and trials, ‘Boss’ is a sonic exploration of self-worth and the intricate dance of modern relationships. The song’s genesis was a deeply introspective process for Nellie, who aimed to fuse the soulful echoes of classic R&B with a fresh, modern twist. Throughout its creation, from melody conception to the final production stages, Nellie has meticulously sculpted ‘Boss’ to embody empowerment, weaving smooth rhythms with harmonious backing vocals to underscore its message of confidence and assertiveness.

At its core, ‘Boss’ is a bold narrative of claiming one’s space within the dynamics of love and respect, driven by Nellie’s relatable songwriting, her amazing voice, and her infectious R&B slow jams vibe. Drawing inspiration from her personal journey of self-discovery and the quest for mutual recognition in a relationship, Nellie wants to articulate a potent message with ‘Boss’: knowing your value and demanding the respect you deserve. The lyrics, rich with imagery of assertiveness and luxury, mirror Nellie’s conviction in the importance of self-worth and the courage to stand as an equal partner. “Boss” is more than a song; it is Nellie’s heartfelt ode to empowerment, inspired by the likes of Jorja Smith and Summer Walker, and crafted to resonate with anyone who has ever felt overlooked or undervalued.

Beyond its compelling sonic landscape, and its message of empowerment that echoes Nellie’s desire to inspire listeners to embrace their inner strength across all facets of life, ‘Boss’ also comes with an upcoming captivating music video that brings the track further to life. Directed by BlueBoredom, who has also worked with the likes of Digga D, French The Kid, and JBEE, the music video paints a vivid picture of Nellie’s confidence and her message of self-respect amidst the complexities of love and power dynamics. The visuals aim not only to entertain but also to empower, offering a timeless reminder of the unyielding power of knowing and asserting one’s worth in every relationship and endeavour.

Speaking about the inspiration behind ‘Boss’ and how the song came together, Nellie says, “As an artist, ‘Boss’ is more than just a song to me – it’s a statement. It embodies my journey of self-discovery and self-respect. This song came from a place of realizing that in any relationship, my voice matters. It’s a celebration of knowing your value and not being afraid to demand the respect you deserve. ‘Boss’ was born out of a moment where I felt the need to express my strength, not just as a woman, but as a person who understands her worth. It’s a reminder to myself and to others that in love and life, we are our own bosses. The process of creating ‘Boss’ was deeply personal and liberating. It’s a blend of my experiences, dreams, and the musical influences that have shaped me as an artist.”

Listen to ‘BOSS’ below…

OUT TODAY: R&B sensation Pisceze drops soulful new single ‘yin n yang’: a reflection on self and sound

Reputed for her ability to infuse emotional intelligence and Canadian upbringing into her songwriting, PISCEZE delivers raw emotion and introspection on love in brand new single ‘yin n yang’ . With sumptuous vocals and infectious beats, she solidifies her position as one of the industry’s most promising newcomers.

Housing previous support from BBC 1xtra, Complex Canada, Live Nation, LinkUpTV, Viper magazine, The Joe Budden Podcast, and more Pisceze’s music, a fusion of R&B, soul, and K-pop influences, showcases her diverse background and emotional depth, captivating audiences and industry insiders alike.

‘yin n yang’ is out today (8th March) across various music platforms. Have a listen below…

Song of the Day: Love Like This – Jessica Wilde x Josh Barry

Highly acclaimed singer, songwriter, rapper, producer and South London native JESSICA WILDE kicks of her 2024 by joining forces with the incredible Josh Barry for a soulful release, ‘Love Like This’.

Packed with soaring emotions and infused with smoky orchestral atmospheres, ‘Love Like This’ is a striking nu-soul gem which will be released on Wilde’s forthcoming album and follows her recent singles ‘Freak Out’ and ‘Feathers’ ft. Zoe Kypri. The two 2023 singles saw her pick up many spins on BBC Radio 1’s Future Artists with Jack Saunders, BBC Radio 1 Introducing with Jess Iszatt, John Kennedy’s X-Posure Daily on Radio X, playlist support across the board from Spotify, Apple, Youtube and Tidal amongst other acclaim. Josh Barry has also been picking up serious heat, recently featuring with Rudimental and Sigma, collaborating with Nile Rogers and opening for Rag ‘N’ Bone Man on tour. Josh Barry brings a dynamic force to the collab as he embodies the spirit of legendary icons like James Brown and Jimi Hendrix.

Following the release of ‘Love Like This’, Wilde and Barry have begun to unveil a 4-part Instagram & TikTok reel series, released every Monday, beginning 19th February. Tune in to see the pair explore the new track’s steamy and romantic themes in more depth through nostalgic aesthetics.

On the series, Wilde explains further- “With the ‘Love Like at his visuals…Myself and Josh wanted to lure people into our world of romance and desire, create a love story through visuals and sounds that feel very now but also have a nostalgic essence, emulating tones of Marvin Gaye ‘Sexual Healing’ with teasing visuals that call in feels of classic film scenes like ‘Grease’, the finale, when Sandy turns into a baddd b and John Travolter is completely hooked! We wanted to capture that slightly tongue in cheek playful edge but still keep it alluring, grown and sexy af!”.

2024 looks set to be an exciting new year for Wilde. With her album on the horizon, she has been gaining growing support from not only BBC Radio 1 but also 6 Music, BBC Radio London, KISS, editorial playlist support across DSPs, as well as features in CLASH, Complex, Wonderland, The Independent and many more. Listen to ‘Love Like This’ below…