Every summer, we look for songs that transcend us to scenes of warm air amidst comfortable settings, a cool evening breeze with a drink in hand, memorable moments with loved ones, and of course, hitting the open road with the windows down.
This – and quite possibly – the prospect of fearlessly ending one chapter of our lives and beginning the next.
Enter GENA PERALA, who released her breezy yet courageous country-flaired single, ‘I’m Gone.’
Sweeping in like the impending summer breeze, ‘I’m Gone’ makes its introduction with a welcoming banjo lick and acoustic guitar that soon gives way into a mellow modern-meets-traditional country groove equipped with pedal steel and all.
Perala’s honeyed vocals swoon from verse to chorus, and create a call to action of simply moving on and looking ahead to brighter horizons. “I don’t like crying / It’s true / I really don’t like crying / Crying over you / I don’t like waiting / It’s true / I sure as hell don’t like waiting / Waiting for you,” she sings, drawing out the “I’s” with impressive vocal precision.
“’I’m Gone’ is about knowing when to walk away,” Perala states. “It’s about refusing to stay where you’re not valued and trusting that something better is waiting—even if you can’t see it yet.”
The track blends heartbreak with quiet strength, and speaks to anyone who’s had to choose themselves over comfort. With its raw lyrics, rich harmonies, and driving acoustic instrumentation, the track balances heartbreak and empowerment in equal measure.
‘I’m Gone’ is the lead single from Perala’s upcoming album, Somewhere New, and it sets the tone for a story rooted in grit, heartache, and self-discovery. Common themes include choosing yourself, trusting that there’s something better ahead, and appreciating the simple things in life. “I think underneath it all, the album is really about resilience, hope, and staying true to who you are,” Perala says. The album is slated for a fall release.
It’s an absolute pleasure to introduce MARINA MASSANOVA.
Known for her quirky pop and alt-rap singles that are arguably controversial, the German-based singer/songwriter has recently released the video for single ‘Aberrations’, which is currently the blog’s Music Video of the Month. The video contains striking visuals with wonderfully bizarre hidden meanings, so I caught up with Maria to reveal all…
NLM: Hey, thank you for taking part in an interview with NEW LEASE MUSIC. How is 2024 treating you so far?
MM: Hi Tracey, it’s so nice to connect with you!
2024 kicked off in a rather sneaky way. One part of the world was plunged into darkness—remember the total solar eclipse on April 8? It really hit me then how tiny we are in the universe.
But here’s the thing: despite feeling so small, I’ve witnessed so much beauty this year—in music, art, and everything people have created. It makes me wonder if we might actually be quite unique beings among all those distant, rocky planets.
I’m here, fully alive, soaking in millions of shades of emotions every day, savoring delicious burritos, listening to Cola Rammë’s voice notes, and watching the rain fall. 2024, thank you for all of that!
NLM: You released the video for single, ‘Aberrations’, with Cola Rammë back in October. What’s the concept behind the production?
MM: Innocence and perversion—even if we hesitate to admit it, these two forces are always connected within us. Cola and I dared to express this truth openly and provocatively, challenging the minds of our listeners. People often find the truth unsettling, especially the things they’d rather not think about for more than a fleeting moment. These are the thoughts they only entertain late at night, when no one else can guess what’s going on in their heads.
But there are no ‘bad’ thoughts. Our brains are simply processing pieces of information in strange and absurd ways—and that’s okay. It’s normal to think about forbidden things and dream bold dreams. Our minds are just testing what feels comfortable and what doesn’t. In the end, it’s what we choose to do with those thoughts that defines who we are. That final decision is what truly matters.
NLM: What inspired you to come up with the idea?
MM: It all began with a chilling nightmare experienced by my co-writer, Cola Rammë. In this dream, I was transformed into a terrifying monster relentlessly hunting him. Maybe that’s just how his inner self sees me!🤭 The nightmare itself was horrifying, but what really haunted Cola was a mysterious song that played on a loop in the background. Upon waking, he quickly captured that haunting melody, “stealing” it straight from his nightmare. That melody became the foundation of the song ‘Aberrations’.
When it came time to create the video, we couldn’t resist revisiting that unsettling dream. Aberrations isn’t just a video—it’s an invitation to step inside Cola’s nightmare. We brought to life the disturbing imagery from his dream, plunging viewers into a surreal and terrifying landscape where the line between reality and horror is beautifully blurred.
NLM: Man, you look like you were having a lot of fun in the video! During filming, were there any funny/awkward moments you would like to share?
MM: Absolutely! Picture this: a peaceful rural German village, where parents, kids, and the elderly are all enjoying a lovely day by the lake. The sun is setting, it’s warm and serene. Suddenly, Marina appears, with scary makeup, a Medusa crown, and a latex corset, diving into the water. I’d say they were definitely curious about what was going on.
Meanwhile, Cola, who had bought a bunch of dolls from a thrift shop, was all set to destroy them. But honestly, the way he did it was the most artistic destruction I’ve ever seen. Of course, he captured everything on camera for our video.
If I could tell little Marina what my future job would be, I think she’d be pretty excited!
NLM: What is the public perception of the video so far?
MM: The phrase I heard most often was, “This video is so artistic!” What’s even more exciting is that the video was selected to be showcased in the movie theatre at Berlin’s “Support Local Music” event. The creator of the event told me that the video was so captivating that he completely forgot to take the usual photos during the screening—he was absolutely absorbed in the narrative. And it didn’t stop there—many others said it was crazy and described it as a mysterious puzzle that needed to be solved. It’s truly unbelievable how many people were drawn to it!
NLM: If you had the chance to feature a famous actor or musician in the video, who would it be and why?
MM: The only thing that could make this video even more macabre would be featuring Marilyn Manson in it. I truly believe that if he had the chance to see it, he’d enjoy it too. When I was a teenager, I dreamt of marrying him, and I still feel his influence in the work I do today. He’s such an incredible artist!
NLM: Are you closing off 2024 with any of your solo work?
MM: I know a lot of people are eagerly waiting for my punkish, wild solo songs—and I’ve got three new ones! I’m keeping them under wraps while Santa’s still flying around, so he won’t be too shocked and I can get my good-girl presents. But as soon as that old grandpa heads back to the North Pole, I’ll put them into production. And oh, oh! It’s going to be something pretty wild.
NLM: What plans do you have in store for 2025?
MM: Hmm, let’s make them together. I think I’m ready to welcome new people into my music community. Right now, it’s a bit of a secret project, shared only among fearless music seekers. But I know how my beloved fans listen to my songs relentlessly, and it would be selfish to keep it all within our circle.
So why not invite some exciting new people in? Every soul brings something unique to the project. I believe music isn’t just about the artist—it’s about the whole community that grows and evolves together. Let’s do it! I’m ready to step out from my introverted side. That sounds like a plan to me!
NLM: How can potential fans find you?
MM: You can easily find me as Marina Massanova on all streaming platforms, socials, and everywhere else. I’m eager to meet you 🖤
NLM: Finally, any special shout outs to those involved in producing ‘Aberrations’ video?
There were only 3 people involved in creating the video. I filmed my scenes in Berlin with the incredibly talented videographer Nataly Dimitrieva, while Cola captured his intense shots in Newark all on his own. When it was time to put it all together, I took on the editing, and that’s when it all came to life!
The simplicity of the team paired with the complexity and mystery of the final result is something I’m so proud of. I couldn’t be more thankful to have worked with such talented, out-of-this-world people. This experience is truly a reason to be alive on this planet!
Bangkok’s alt-pop sensations TILLY BIRDS have dropped their latest single, ‘Retro-39’, a shimmering synth-pop gem that dives deep into the bittersweet feeling of missing someone you can’t get out of your head. Known for their genre-blurring approach, the trio of Billy, Third, and Milo have once again crafted a track that fuses indie, funk, and 80s-inspired pop into a sound that feels both fresh and nostalgic.
Formed over a decade ago, Tilly Birds have always embraced their broad musical influences, from The Beatles to Queen, merging them into a modern approach that resonates with listeners worldwide. With millions of fans in their home country of Thailand and beyond, the band has become synonymous with crafting catchy, energetic tracks that leave a lasting impact.
Their album It’s Gonna Be OK (2021) earned them the Best Asian Artist award at the Mnet Asian Music Awards 2021, and it was also recognized by NME Magazine as one of the 25 Best Asian Albums of 2021. In Thailand, their success is unparalleled—they swept five major awards at the TOTY Music Awards 2021 (T-POP of The Year), including: Best Music of the Year (Male Group), Best Artist of the Year (Group), Best Producer of the Year, Best Song of the Year and Best Album of the Year.
In their latest offering ‘Retro-39’, Tilly Birds take listeners on an emotional journey of longing and nostalgia. The song paints a vivid picture of trying to escape the memory of someone you wish you didn’t miss—disconnecting from the world, turning off your phone, and retreating to music as a form of solace. With its irresistible hooks and sleek 80s-inspired production, the track blends funky synths and infectious chorus lines, making it a perfect addition to their already captivating discography.
Musically, ‘Retro-39’ showcases Tilly Birds’ knack for marrying infectious pop hooks with textured, layered production. The track opens with an immediate pull—sharp synth lines weaving through punchy beats, while Billy’s guitar riffs add a grungy edge beneath the polished surface. As the chorus hits, Third’s emotive vocals soar, delivering a melody so infectious it’s impossible not to get caught up in the moment. Tilly Birds’ ability to inject emotion into danceable pop is what makes ‘Retro-39’ stand out. For fans of The 1975, HYBS, and Dayglow, the song is built on contradictions—retro vibes mixed with contemporary energy, upbeat grooves paired with lyrics of longing—but it works beautifully, creating a sound that’s both familiar and new.
In a music world saturated with fleeting pop trends, ‘Retro-39’ is a reminder of why Tilly Birds continue to thrive: they create songs that connect on a deeper level, pairing irresistible sounds with stories that resonate. As you hit repeat on ‘Retro-39’, it’s clear Tilly Birds are a movement, shaping the future of alternative pop one unforgettable track at a time. ‘Retro-39’ is out now…why not check out the video for the vibrant single below…
International award-winning songwriting team, THE GRAND CRU (comprising of Welsh and American talent) have shared a brand new album, entitled ‘September 11th – Music To Heal Your Soul’.
The Grand Cru includes ex Jesus Christ Superstar lead, Steve Balsamo (who’s written for Slash, Meatloaf, Cliff Richard) and ex member of The Story’s and Balsamo/Deighton. Also on ‘The Cru’ is multi-award winning Welsh singer/songwriter Darren Parry who’s a former UK Songwriting Contest winner, Billboard, Unisong, ISSA and USA Song Of The Year award winner (who’s co-written with The Korgis, Dan and Laura Curtis and others).
The third Welshman is Rhondda’s multi-talented Lee Gilbert who is an acclaimed singer /actor. His 25 yr career has spanned from Theatre, Radio and TV work which runs alongside his very busy music career. The fourth member and brainchild of ‘The Cru’ is Florida based Bonnie Skop, who’s family has a long history in music; including her Dad managing Ted Nugent and Bob Seger in their early days! The Grand Cru get their name from the French words… meaning “a wine of the most superior grade”. These songwriters are certainly that!
100% of the net proceeds from the sale of the album go to support the Enlisted Association Of The National Guard of The United States (EANGUS). EANGUS is a non-profit organization dedicated to promoting the status, welfare and professionalism of Enlisted members of the National Guard and has a constituency base of over 450,000 soldiers and airmen, their families, as well as over 350,000 retired members/veterans.
Darren says… “Steve, Lee, Bonnie and I have written the album predominantly on Zoom over the last two years or so having been approached by The National Guard via a contact of Bonnie’s in the US. We have donated six of our songs to the cause but have written bespoke songs including “I Was There””.
Steve says…‘I Was There’ is a very emotional song about the morning of 9/11 in New York. The song focuses on three different characters… one female character is going to work in New York that morning, another character is a guy taking a flight from New Jersey to San Francisco”. Lee continues… “the third character is a child who fortunately sleeps late so he’s not on time for school. You’ve gotta listen to it, it’s a real emotional rollercoaster of a song”!
‘I Was There’ was performed by The Cru for the EANGUS 9/11 Remembrance Gala at The One World Trade Centre building in New York on 11th September this year for a star-studded event, hosted by Kelsey Grammer (of hit show Frasier).
‘I Was There’ and ‘September 11th – Music To Heal Your Soul’ album are out now. Why not watch the video for the emotive single, featuring the three Welsh talent.
Born in France to a coal miner’s family, PAULINE ANDRES has captivated audiences with her sweet and smoky voice that “perfectly conveys the thoughts and observations of an old soul walking home at closing time.” Growing up near the Franco-German border in a multicultural household of Hungarian and Balkan descent, Andres was immersed in a vibrant mix of languages and traditions.
Now based in Nashville, TN, Andres initially garnered attention as an Americana singer-songwriter. However, during the lockdown, she reinvented herself as an engineer and producer, venturing into retropop and synthwave. Her first electronic release, ‘Til the End of the World’, dropped in the Fall of 2020, followed by the experimental ‘Medicine Woman’, earning her vocal comparisons to legends like Stevie Nicks and Nikki Lane.
Andres’ latest single, ‘Different Now’, marks yet another evolution in her distinctive musical journey. This upbeat and fresh pop track, infused with disco sensibilities, showcases Andres’ ability to command a song with a danceable and carefree spirit, perfectly capturing the essence of a summer anthem.
The funky and electric chorus highlights Andres’ knack for weaving pop melodies into dynamic productions. Originally penned by Andres, the track’s beat was later reshaped by her UK-based co-producer George Harris, resulting in the birth of ‘Different Now’.
She shares “‘Different Now’ is a song about reconciliation and growth. It’s a love song to begin with but is about much more than romantic relationships. It’s about emerging on the other side. It’s about seeing things differently and healing.”
Reminiscent of Sophie Ellis-Bextor, this cool 90s-tinged electro-pop anthem is luscious and catchy, yet lyrically profound and shows depth. In the vein of artists such as Caroline Rose and Angel Olsen, ‘Different Now’ stands out as the perfect pop-infused remedy from Pauline Andres.
Accompanied by an official video co-directed by Corey Simpson, ‘Different Now’ heralds a new direction for Andres in this intoxicating disco-pop track. Fans can look forward to her ambitious Fall release, ‘Final Girl’ – a tribute to classic slasher movies, co-produced by Sinclair, a fellow producer with whom Andres has collaborated on multiple Nashville Film Festival projects.
With her unique ability to blend genres and create evocative, heartfelt music, Pauline Andres continues to prove herself as an artist who defies expectations and pushes creative boundaries. ‘Different Now’ is a testament to her ever-evolving artistry and an artist with the world at her feet.
New Lease Music 