Song of the Day: Wrong Heart – Permafrost

Nearing two years since the release of ‘Come Back To Surprise’, the Nordic-British post-punk quartet PERMAFROST return with their latest single, ‘Wrong Heart’. This release kicks off the lead up to their new album, ‘The Light Coming Through’, set to unveil in October this year. In addition to the single, Mental Overdrive (aka Per Martinsen) has remixed the single, which will also be available on 4th July.

Formed originally in Molde, Norway in 1982 by school friends Frode Heggdal Larsen and Kåre Steinsbu, Permafrost has undergone numerous transformations over the years. Now joined by fellow Norwegian Robert Heggdal and Daryl Bamonte from the UK (who worked very closely with Depeche Mode and The Cure for several years), they continue to deliver the authentic post-punk sound of the early ’80s. While many contemporary musicians attempt to replicate this era, Permafrost have lived it. Their latest single, ‘Wrong Heart’, has also evolved over time, ultimately resulting in a dark, bass-driven post-punk track that transports listeners back to the shadowy, goth-filled clubs of the ’80s.

Alongside the single, they have released the music video for ‘Wrong Heart’. In a wholesome contrast to the song’s dark sound and nature, the video follows four young girls as they set out to create a music video. Of the video they said “In another dimension Permafrost could be a girl band. In this reality they are planning to create a music video. They have to drag their equipment into the forest to get to the preferred spot, making it into a road movie with a lot of obstacles on the way – like grazing sheep and deer in the blossoming Norwegian nature. When they finally arrive at the spot and want to start playing, the song finishes. All that work for nothing.”

Spread across Trondheim, Oslo and Margate, Permafrost’s creative process is a challenge which the band have had to overcome. During the pandemic, they held weekly video meetings to plan new songs and other band-related issues, leveraging improved long-distance collaboration technology to maintain momentum. The songwriting process typically begins with one member suggesting an idea, which bassist Robert (Bob Frost) then develops in Logic Pro, programming drums and other elements. Singer Kåre (Curry) creates a melody to match, and lyrics are selected from a collective vault they have accumulated over the years. The song is refined through a collaborative process, passing back and forth between all four members until everyone is satisfied.

Utilising their refined songwriting process, Permafrost meticulously crafted their forthcoming album, ‘The Light Coming Through’. Describing their sound as “Optimistic Melancholy”, the album aims to offer inspiration and escapism during challenging times. Infusing politically charged lyrics with dark, synth-infused post-punk instrumentation, Permafrost employs metaphors to convey their message effectively.

Permafrost has built an impressive discography over the years. They debuted with the ‘Godtment’ EP in 1983, released on a limited edition of 50 numbered cassettes. In 2019, they followed up with the ‘Permafrost’ EP on vinyl, later making it available digitally in 2021. Throughout 2021, the band dropped three critically acclaimed singles. ‘Femme Fatale’ and ‘Closed Eyes’ both achieved remarkable success, reaching #1 on the Indie Disko Top40 chart, with the latter maintaining the top spot for six consecutive weeks. These singles also performed well on the Deutsche Alternative and Native25 charts, while earning placements on influential playlists such as Apple Music’s ‘New in Rock’. The third single, ‘Restore Us’, continued their streak of success by hitting #1 on the Indie Disko Top40 and the Native25 chart.

‘Wrong Heart’ is out now across various music platforms. Why not check out the video for the single below…

Rain to Dust returns with a harsher and murkier sound in latest album, ‘Martyrdom: Eight Exercises’

Turkish Post-Punk duo RAIN TO RUST entered the scene in 2019 with critically acclaimed debut album ‘Flowers Of Doubt’. 2020 saw the release of its companion piece, ‘Stillborn Flowers’. Both albums showcased well-crafted Gothic Rock filled with chorus-laden, orchestrated guitars, atmospheric keyboards and deeply melancholic lyrics. After a period of lockdowns, isolation and death, Rain To Rust return with a new album–their darkest and most punishing yet. ‘Martyrdom: Eight Exercises’ takes Rain To Rust back to the intellectual and experimental roots of Post-Punk with a much harsher and murkier sound. It is not meant to be a pleasant listen; on the contrary, its aim is to take the listener for a mental stroll in rat infested, crumbling squats where young people shoot up and die.

Each song is related and dedicated to an artist who died by suicide: Adrian Borland (The Sound), Richey James Edwards (Manic Street Preachers), Ian Curtis (Joy Division), Per Yngve Ohlin (Mayhem), Yukio Mishima, Peter Tyrrell, Osamu Dazai, Robert Ervin Howard – artists who have been providing inspiration to the band for long years.

Inspired by Adrian Borland’s death by jumping in front of a train, the lead single, ‘Tonight I Will Meet My Friends Who Died Untimely ’is a melancholic yet driving tune with a beat that is supposed to give the feeling of a railway ride. In second effort, ‘Cutting Moments’ the band tries to connect to Richey Edwards’ psyche as he jumped down Severn Bridge (it is still unclear whether he did it or not–he is officially declared deadbutabody was never found).

‘The Killing Room’, a Darkwave requiem, sees Ian Curtis speaking to his demons as he is at his wit’s end. ‘Sleep And Death Are Brothers’ connects to Per Yngve Ohlin’s obsession with death and his constant desire to leave his physical self. ‘The Patriot’, taking its title from Yukio Mishima’s story “Patriotism”, is about thinking of self-sacrifice as the purest form of beauty. The samples used in the song show the two conflicting sides of Mishima: his interest in hara-kiri as an extension of samurai code versus his interest in hara-kiri as something erotic.

‘Letterfrack Penal Colony’, the harshest track on the album, relates to Irish author Peter Tyrrell’s traumatic childhood memories spent in a Christian Brothers Industrial School in Letterfrack, Ireland. ‘Penal Colony’ is a homage to Franz Kafka’s short story, in which the convict is punished by getting tied up to a machine that carves his conviction onto his body in a loop, going deeper and deeper as it works. This is reflected in the music through a repetitive drum and bass pattern.

‘The Big Dive’ is based on Osamu Dazai’s suicide (along with his girlfriend Tomie) by jumping into the flooded Tamagawa Canal. His death was already foreshadowed by his novel ‘No Longer Human’ which was posthumously published (and was the inspiration for a song on the first Rain To Rust album, ‘Flowers Of Doubt’).‘The Big Dive’ turns the story into an innocent love song, inspired equally by Suicide and Angelo Badalamenti.

‘And The Ravens Left The Tower (Howard’s Dream)’is the album’s most experimental track. Based around a piano motive that eventually disintegrates into layers of reverb as the song goes along, it sees H.P. Lovecraft, Robert E. Howard’s friend and colleague, having a dream where Howard reads him poems and tells him that he will join him in death very soon. The song then disappears in sounds of hyperventilation and coals burning in a furnace.

‘Martyrdom: Eight Exercises’ is out now for your pleasure across various music platforms. Why not have a listen below…

Must Listens: Tonight I Will Meet My Friends Who Died Untimely, Sleep And Death Are Brothers, The Big Dive

Song of the Day: King Of The Town – Tokeo

Coming quickly off the back of their previous single ‘Bleak Moors’, Manchester punks TOKEO continue to explore the stark realities of life amongst Manchester’s forgotten mill towns on their single, ‘King of the Town’, the final track taken from their forthcoming debut album, ‘Class Traitor.’

A cathartic triumvirate of punk, rock and rap, the quintet have distanced themselves from much of their Manchester contemporaries through their angst-fuelled take on northern post-punk, preferring instead to shed light on the discrepancies faced by those growing up in areas ignored by wider government.

Indeed, these politics, and this anger are what allow TOKEO to stand apart from a local scene too often concerned with vintage leather jackets and virtue signalling to really care about the wider local area. And on ‘King of the Town’, this vitriol really boils over. A dystopic and tongue in cheek take on misplaced admiration, it’s a blisteringly scathing attack on small-town syndrome.

With each release harbouring more piss and vinegar than the last, it’s obvious that TOKEO are a band unimpressed with the current way the UK is heading, and we shouldn’t be too. At a time when the costs of living are soaring, and the UK government is nothing more than a self-spiralling shit show, the outlook is bleak, and while the band might not offer any respite from that, they certainly provide some much needed catharsis. Have a listen to ‘King of the Town’ below…

Fabian Secon Returns With Single, ‘Hey Girl’

Genre-bending artist, FABIAN SECON has returned with his brand-new single, ‘Hey Girl’, which taps into his love for pop-punk.

Speaking of his latest release, Fabian says, “I’ve always wanted to expand more into the punk/pop-punk world, as this comes very naturally to me. The melodies in my music have always been inspired by alternative, pop and rock music, so it was an obvious progression. A typical Fabian Secon track has generally been slower in tempo and chilled, so it feels great to be able to keep evolving and explore new sounds.”

Recounting the tails of a rollercoaster relationship, the self-written and produced track is another impressive addition to Fabian’s growing discography, which currently stands at a staggering 35 million streams globally across all platforms, a huge feat for the independent DIY musician.

Why not check out the accompanied visuals directed by Theo Batterham.

Song of the Day: Good Talks – Fearing

Formed in 2016, dark post-punk band FEARING was born from an online friendship which quickly blossomed between James Rogers (bass/vocals) and Brian Vega (guitar/vocals). What started as collaborations between the two and their bedroom synth projects; Fearing was formed out of the desire to combine both of their talents and to create something new and fresh in the Bay Area. The addition of Mike Fenton (drums) & Joey Camello (guitar) helped to further expand the sound and depth of the band.

After two sold out EPs and a handful of tours under their belt; their debut LP, ‘Shadow’ – set for release on 10th April – finds the four-piece act further exploring their unique sonic territory, seamlessly blending elements of French coldwave, European post-punk, and the first wave of shoegaze to create something truly unique in today’s rising dark music scene.

The band dropped the lead single from the ten-track album, ‘Good Talks’ which encompasses taking their new-found sound to new heights…check it out below…